An anonymous reader quotes a report from TorrentFreak: In recent months, Movie-Web has quickly gained popularity among a particular group of movie aficionados. The open source software, which is still available on GitHub, allows anyone to set up a movie search engine capable of streaming content from third-party sources. These external sources tend to have large libraries of pirated entertainment. Movie-web's developers are not oblivious to the legal ramifications but since they don't host any files, they hoped to avoid legal trouble. The software just provides a search engine for third-party content, they argued. [...]

Yesterday, the movie-web.app domain was suddenly taken down. According to a message posted on the official Discord server, this is the result of a "court action" from several movie companies including Warner Bros. Netflix, Paramount, Universal, and Disney. [I]t appears that action was taken against the movie-web.app domain. It seems likely that registrar Namecheap suspended the domain after receiving a legal complaint from the aforementioned Hollywood companies. [Update: After publishing the article we learned that there is a legal action that requires registrars to take action against several 'pirate' domains. We're looking into the matter and will follow this up later.]

Namecheap updated the domain's status to clientHold, which effectively rendered the domain inaccessible. The measure is often used to suspend pirate site domains following copyright holder complaints. The surprise takedown only affects movie-web's publicly hosted 'demo' instance. On Discord, the movie-web team says that it has no plans to bring this website back in any shape or form. "As a team, we always said that if we were taken down, we would go down without a fight and we have decided to stick to that. We have zero interest in getting involved with legal matters, and so we will not be trying to circumvent this takedown in any way," developer 'BinaryOverload' writes.

Netflix's new sci-fi drama Spaceman centers on Czech astronaut Jakub Procházk, described by Polygon as "painfully introverted, emotionally repressed, and above all, quiet... so muted and compressed, he seems like a trauma victim." The film, adapted from the 2017 novel Spaceman of Bohemia written by Czech author Jaroslav KalfaÅ(TM), is a solemn drama in the mold of Andrei Tarkovsky's Solaris, or to some degree, Christopher Nolan's Interstellar. The story revolves around Jakub's disintegrating frame of mind after eight months alone in space as he investigates a glowing cosmic phenomenon that's become visible from Earth. Meanwhile, his wife Lenka (Carey Mulligan), heavily pregnant and going through her own breakdown back home, decides to leave Jakub, and his handlers (Isabella Rossellini among them) work to keep him from finding out. And then the giant spider appears, and Jakub worries that he's losing his mind.
CNN says Sandler's deal with Netflix "means pretty much doing whatever he wants, which, in the case of Spaceman, means traveling to the furthest reaches of space as the near-solitary star of a pretentious, message-heavy drama."

You can watch a trailer here. The movie enjoys a "limited theatrical release" this weekend, and will stream on Netflix starting March 1.

An anonymous reader quotes a report from Ars Technica: India's plan to let a moratorium on imposing customs duties on cross-border digital e-commerce transactions expire may end up hurting India's more ambitious plans to become a global chip leader in the next five years, Reuters reported. It could also worsen the global chip shortage by spiking semiconductor industry costs at a time when many governments worldwide are investing heavily in expanding domestic chip supplies in efforts to keep up with rapidly advancing technologies.

Early next week, world leaders will convene at a World Trade Organization (WTO) meeting, just before the deadline to extend the moratorium hits in March. In place since 1998, the moratorium has been renewed every two years since -- but India has grown concerned that it's losing significant revenues from not imposing taxes as demand rises for its digital goods, like movies, e-books, or games. Hoping to change India's mind, a global consortium of semiconductor industry associations known as the World Semiconductor Council (WSC) sent a letter to Indian Prime Minister Narendra Modi on Thursday. Reuters reviewed the letter, reporting that the WSC warned Modi that ending the moratorium "would mean tariffs on digital e-commerce and an innumerable number of transfers of chip design data across countries, raising costs and worsening chip shortages."

Pointing to Modi's $10 billion semiconductor incentive package -- which Modi has said is designed to advance India's industry through "giant leaps" in its mission to become a technology superpower -- the WSC cautioned Modi that pushing for customs duties may dash those global chip leader dreams. Studies suggest that India should be offering tax incentives, not potentially threatening to impose duties on chip design data. That includes a study from earlier this year, released after the Semiconductor Industry Association and the India Electronics and Semiconductor Association commissioned a report from the Information Technology and Innovation Foundation (ITIF). [...] It's possible that India and other developing nations may seek to narrow the moratorium rather than end it. An Indian government official told Reuters that "these issues need to be discussed and settled" before India can make a decision on whether to extend the moratorium.

Amazon is pushing back against reports that its Freevee service is shuttering. The Wrap: AdWeek reported the news, which it said is part of an effort by the tech giant to shift its focus to Prime Video. Sources familiar with the matter told the outlet that sunsetting Freevee could happen sometime within the second quarter. However, a spokesperson for Amazon said there are "no changes" coming to Freevee.

"Amazon Freevee remains an important streaming offering providing both Prime and non-Prime customers thousands of hit movies, shows and originals, all for free," they added. Freevee, which was formerly known as IMDb TV until a rebrand in 2022, offers thousands of premium movies and TV shows, including originals such as "Bosch: Legacy," "Judy Justice" and "Jury Duty" and over 150 free ad-supported streaming TV (FAST) channels.

Disney is outsourcing its DVD and Blu-ray disc business to Sony Pictures Entertainment. Variety reports: As part of the deal, Sony will market, sell and distribute all Disney's new releases and catalog titles on physical media to consumers through retailers and distributors in the U.S. and Canada. Disney will continue to manage its own digital media, like premium video-on-demand. It's unclear if this will result in layoffs at Disney. However, the studio is expected to conduct an internal assessment across all business functions that support physical entertainment amid the transition to Sony, according to sources familiar with the agreement.

According to Disney, the licensing model allows the studio to continue to offer films and TV shows through physical retailers and to respond to consumer demand more efficiently. The company said the shift is consistent with strategies it's implemented companywide, as well as transitions in other markets.

An anonymous reader quotes a report from Wired: We already know thatOpenAI's chatbots can pass the bar exam without going to law school. Now, just in time for the Oscars, a new OpenAI app called Sora hopes to master cinema without going to film school. For now a research product, Sora is going out to a few select creators and a number of security experts who will red-team it for safety vulnerabilities. OpenAI plans to make it available to all wannabe auteurs at some unspecified date, but it decided to preview it in advance. Other companies, from giants like Google to startups likeRunway, have already revealed text-to-video AI projects. But OpenAI says that Sora is distinguished by its striking photorealism -- something I haven't seen in its competitors -- and its ability to produce longer clips than the brief snippets other models typically do, up to one minute. The researchers I spoke to won't say how long it takes to render all that video, but when pressed, they described it as more in the "going out for a burrito" ballpark than "taking a few days off." If the hand-picked examples I saw are to be believed, the effort is worth it.

OpenAI didn't let me enter my own prompts, but it shared four instances of Sora's power. (None approached the purported one-minute limit; the longest was 17 seconds.) The first came from a detailed prompt that sounded like an obsessive screenwriter's setup: "Beautiful, snowy Tokyo city is bustling. The camera moves through the bustling city street, following several people enjoying the beautiful snowy weather and shopping at nearby stalls. Gorgeous sakura petals are flying through the wind along with snowflakes." The result is a convincing view of what is unmistakably Tokyo, in that magic moment when snowflakes and cherry blossoms coexist. The virtual camera, as if affixed to a drone, follows a couple as they slowly stroll through a streetscape. One of the passersby is wearing a mask. Cars rumble by on a riverside roadway to their left, and to the right shoppers flit in and out of a row of tiny shops.

It's not perfect. Only when you watch the clip a few times do you realize that the main characters -- a couple strolling down the snow-covered sidewalk -- would have faced a dilemma had the virtual camera kept running. The sidewalk they occupy seems to dead-end; they would have had to step over a small guardrail to a weird parallel walkway on their right. Despite this mild glitch, the Tokyo example is a mind-blowing exercise in world-building. Down the road, production designers will debate whether it's a powerful collaborator or a job killer. Also, the people in this video -- who are entirely generated by a digital neural network -- aren't shown in close-up, and they don't do any emoting. But the Sora team says that in other instances they've had fake actors showing real emotions. "It will be a very long time, if ever, before text-to-video threatens actual filmmaking," concludes Wired. "No, you can't make coherent movies by stitching together 120 of the minute-long Sora clips, since the model won't respond to prompts in the exact same way -- continuity isn't possible. But the time limit is no barrier for Sora and programs like it to transform TikTok, Reels, and other social platforms."

"In order to make a professional movie, you need so much expensive equipment," says Bill Peebles, another researcher on the project. "This model is going to empower the average person making videos on social media to make very high-quality content."

Further reading: OpenAI Develops Web Search Product in Challenge To Google

Amazon faces a class-action lawsuit accusing the company of false advertising and deceptive practices because Prime Video now serves commercials by default. Variety reports: "For years, people purchased and renewed their Amazon Prime subscriptions believing that they would include ad-free streaming," the lawsuit says. "But last month, Amazon changed the deal. To stream movies and TV shows without ads, Amazon customers must now pay an additional $2.99 per month ... This is not fair, because these subscribers already paid for the ad-free version; these subscribers should not have to pay an additional $2.99/month for something that they already paid for."

The case was filed on behalf of Wilbert Napoleon, a resident of Eastvale, Calif., who says he's a Prime member. "Plaintiff brings this case for himself and for other Amazon Prime customers," the suit said. The complain alleged that Amazon violates Washington State and California state consumer protection laws that prohibit unfair competition and deceptive business acts and practices. Amazon's conduct, as alleged, "was immoral, unethical, oppressive, unscrupulous and substantially injurious to consumers,â according to the lawsuit. The suit seeks unspecific monetary damages, including punitive damages, as well as an injunction to block Amazon's alleged deceptive conduct.

The suit was filed Feb. 9, after Amazon starting on Jan. 29 began running ads in Prime Video content in major markets including the United States unless users opt to pay extra ($2.99/month in the U.S.) to have an ad-free experience. Some analysts have forecast Prime Video ads generating more than $3 billion in revenue in 2024.

After climbing the charts of Apple's App Store, the trendy Kimi app, with its collection of bootlegged movies, has disappeared. From a report: Pretending to be a spot-the-difference vision-testing game, the widely downloaded app ranked above Netflix, Hulu, and Amazon Prime Video in Apple's charts this week for free entertainment apps before it was removed. Without having to pay for anything or log in to any kind of account, iPhone owners could previously use Kimi to browse a wide selection of bootlegs for popular movies and TV shows. Many of the movies up for Best Picture at this year's Oscars were on Kimi, at varying levels of quality.

Poor Things was included in a grainy, pixelated state, but a high-quality version of Killers of the Flower Moon was on Kimi to stream, although an intrusive ad for online casinos was splashed across the top. That definitely isn't the viewing experience Martin Scorsese imagined for audiences. Not just limited to movies, viewers were also able to access episodes of currently airing TV shows, like RuPaul's Drag Race, through the Kimi app. Who was behind this piracy app? It remains a mystery. The developer was listed as "Marcus Evans" in the app store before Kimi was taken down, and this was the only app listed under that name, likely a pseudonym.

Sarah Perez reports via TechCrunch: Fresh on the heels of its $40 million fundraise, streaming media company Plex is today announcing its expansion into a new business: a movie rentals storefront. The addition, which will initially be offered to U.S. customers, will give the streamer another means of generating revenue beyond its subscription products and ad-supported streaming -- a diversification that will prove critical as the ad market continues to be unpredictable.

At launch, the marketplace will offer movies from top studios, including WB, Paramount, MGM, Lionsgate and A24, which means Plex users will be able to rent titles like "Barbie," "Wonka," "Aquaman and the Lost Kingdom," "Mission: Impossible -- Dead Reckoning," "The Color Purple," "Expend4bles," "PAW Patrol: The Mighty Movie," "Hunger Games: The Ballad of Songbirds and Snakes," "Mean Girls" and others. Plex says there will be just over 1,000 titles available to rent starting at $3.99, but the number of titles will grow over time. Titles will also move in and out of windows, so the number of rentals will fluctuate over time, as well. [...]

Once users rent a movie, they have 30 days to watch. After starting the rental, you'll have 48 hours to finish viewing it, similar to other marketplaces. The movie will also appear in the "Continue Watching" section on Plex's home screen if you don't finish watching it upon your first go. The company plans to add more studio partners to its movie rentals store over time, it says. [...] The new movie marketplace will launch across platforms, Plex notes, including its apps on Amazon Fire TV, Apple TV, Android TV/Google TV, Roku, smart TVs (LG, Hisense, Samsung, Sony, VIZIO), game consoles and Apple and Android smartphones and tablets.

An anonymous reader quotes a report from MacRumors: The Apple Music, Apple TV, and Apple Devices apps that Apple has been testing for Windows machines have officially launched, ending a long preview period and bringing an end to the iTunes app on some computers. The Apple Music, Apple TV, and Apple Devices app are part of Apple's effort to split iTunes on PC into multiple platforms to mirror how these apps work on Macs. On Windows 10 and later, PC customers can download the three separate apps to manage devices and access Apple Music and Apple TV content. Microsoft first announced plans for Apple Music and Apple TV apps for the Microsoft Store back in October 2022, so the split from iTunes has been in the works for more than a year.

The Apple Music app gives Windows users a way to listen to and manage music from their iTunes library, including iTunes Store purchases, while the Apple TV app allows users to watch and manage movies and TV shows from iTunes. Both of the apps also give access to Apple's streaming services, Apple Music and Apple TV+. The Apple Devices app is designed to allow PC owners to update, back up, and restore and manage their iPhones and iPads, and sync content from their PCs. Using the standalone apps requires Windows 10 or later, and all three apps must be installed to transition away from iTunes. After the apps have been added to a PC, iTunes is used only to access podcasts and audiobooks. The iTunes library should not be deleted, because it is used by the Apple Music and Apple TV apps.

After declining to allow their iPad app to run on the Vision Pro before launch, YouTube now says it has an app on its roadmap. "We're excited to see Vision Pro launch and we're supporting it by ensuring YouTube users have a great experience in Safari," said YouTube spokesperson Jessica Gibby. "We do not have any specific plans to share at this time, but can confirm that a Vision Pro app is on our roadmap." The Verge reports: Gibby didn't give a date for this roadmap, so we'll have to wait and see what YouTube does here -- it could just tweak the iPad app, or it could do a lot more. One thing YouTube and Apple have not done yet is figure out support for the large library of 360 and VR video on YouTube right now -- YouTube has had 3D support since 2011 and 360 support since 2016, but none of it works on the Vision Pro. (Here I am interviewing Michelle Obama at the White House in 360 in 2016!)

I asked Apple if YouTube's 360 and 3D videos will ever work on the Vision Pro during our review, and Apple spokesperson Jackie Roy basically told me they aren't good enough, saying that "much of this content was created for devices that do not deliver a high-quality spatial experience. In some cases, this content could also cause motion discomfort. We've focused our efforts on delivering the best spatial media experience possible including spatial photos and videos, Apple Immersive Video, and 3D movies available on Apple TV." Tough! I asked YouTube if this new app will support VR and 360 video on the Vision Pro and have not heard back yet.

The Orange County Register reports: The new Pixar Place Hotel next door to Disneyland and Disney California Adventure is designed to look like you've walked onto the Pixar Animation Studios campus in Emeryville with concept drawings, character maquettes and final designs sprinkled throughout the hotel. "For those of you who are into the creative process, I think you'll be really happy. This hotel really celebrates that," Pixar Chief Creative Officer Pete Docter said during the opening ceremony for the hotel. "You get to see rough drawings, color studies and animation sketches as the animators were working. It really feels like you're walking into Pixar in a way when you step in here."

The multimillion-dollar transformation of the former Paradise Pier Hotel into the new Pixar Place Hotel debuted on Tuesday, January 30 after three years in the making at the Disneyland resort in Anaheim. The front lobby of the hotel is intended to feel like a gallery of curated artwork and custom creations inspired by Pixar's famed studio in Northern California. The rear lobby takes visitors through the animated filmmaking process from hand-drawn sketches to wire-frame character designs. Red, yellow and blue bursts of primary colors serve as bold accents at the front desk in contrast to the muted colors of modern hotel designs.
More details from the Los Angeles Times: The showcase piece of the lobby is a large mobile, situated above the Pixar lamp and ball, with abstracted, stained glass-like figures from "The Incredibles," "Wall-E," "Finding Nemo" and more. They are flanked by colored panels, which react to the music played in the area, an effect that is of course better seen in the evening.

"Pixar is a balance of sophistication and whimsy that really is core to their values," said Kirstin Makela, an art director at Walt Disney Imagineering, the company's secretive arm devoted to theme park experiences. "They're a studio that's been at the cutting edge of what they do. They take it very seriously that their characters are represented in that high esteem that they deserve because they are works of art. "So it really is about creating a space that feels like a living art gallery that allows for the work to be elevated and feel celebrated, and allows for the work to get that dynamic pop of color and energy," Makela continued...

[I]ncluded in the rooms is the hardbound "The Art of Pixar" book, and various depictions of the Pixar lamp and ball, from an actual lamp on the desk to traces of the ball and the lamp in the bedding, carpeting and decorative pillows...

In a sampling of room rates throughout the year, I found nothing lower than $405 per night for a standard room, and about $100 more for high-traffic holiday months.

James Cameron tells Vanity Fair's Nick Bilton that his experience with Apple's Vision Pro "was religious. I was skeptical at first. I don't bow down before the great god of Apple, but I was really, really blown away... I think it's not evolutionary; it's revolutionary. And I'm speaking as someone who has worked in VR for 18 years." He explained that the reason it looks so real is because the Apple Vision Pro is writing a 4K image into my eyes. "That's the equivalent of the resolution of a 75-inch TV into each of your eyeballs — 23 million pixels." To put that into perspective, the average 4K television has around 8 million pixels. Apple engineers didn't slice off a rectangle from the corner of a 4K display and put it in the Apple Vision Pro. They somehow compressed twice as many pixels into a space as small as your eyeball. This, to people like Cameron who have been working in this space for two decades, "solves every problem."

But even with all this wonder, with 23 million pixels that are so clear and crisp that you can't tell reality from a digital composite of it.... the more I've used the Apple Vision Pro over the past two weeks, the more one glaring problem revealed itself to me. It's not the weight (which is a problem but will come down over time), or the size (which will shrink with each iteration), or the worry that it will drive us to consume more content alone (almost half of Americans already watch TV alone). Or how tech giants like Meta, Netflix, Spotify, and Google are currently withholding their apps from the device. (Content creators may come around once the consumers are there, and some, like Disney, are already embracing the device, making 150 movies available in 3D, including from mega-franchises like Star Wars and Marvel.) And it's not even the price, because if Apple wanted to, the company could subsidize the cost of the Apple Vision Pro and it would have about as much financial impact as Cook losing a nickel between his couch cushions.

I'm talking about something that I don't see a solution for... I can see a day when we all can't imagine living without an augmented reality. When we're enveloped more and more by technology, to the point that we crave these glasses like a drug, like we crave our iPhones today but with more desire for the dopamine hit this resolution of AR can deliver. I know deep down that the Apple Vision Pro is too immersive, and yet all I want to do is see the world through it. "I'm sure the technology is terrific. I still think and hope it fails," one Silicon Valley investor said to me. "Apple feels more and more like a tech fentanyl dealer that poses as a rehab provider." Harsh words, but he feels what we all feel, a slave to our smartphone, and he's seen this play before and he knows what the first act is like, and the second act, and he knows how it ends.

• Political blogger Taegan Goddard says the Vision Pro "offers a glimpse of how we might use computers in the future. If you're skeptical — and many people are — you need to try it before drawing any conclusions. It's hard to explain unless you've worn it. But I can assure you, it's mind-blowing."

• Apple CEO Tim Cook tells Bilton "You can actually lay on your sofa and put the displays on your ceiling if you wish. I watched the third season of Ted Lasso on my ceiling and it was unbelievable!"

• Dan Ives, a senior analyst at the investment firm Wedbush Securities, tells Bilton, "We think a few years from now it'll resemble sunglasses and be less than $1,500."

Visual effects artists working on James Cameron's Avatar movies have voted to unionize in a National Labor Relations Board (NLRB) election. From the Hollywood Reporter: Of an eligible 88 workers at Walt Disney Studios subsidiary TCF US Productions 27, Inc. who assist with productions for Cameron's Lightstorm Entertainment, 57 voted to join the union and 19 voted against, while two ballots were void. These workers include creatures costume leads and environment artists as well as others in the stage, environments, render, post viz, sequence, turn over and kabuki departments. Management and labor now have a few days to file any objections, and if none are raised, the election results will be certified.

This bargaining unit doesn't include employees of VFX facility vendors, notably Weta FX, which is the lead VFX house on the Avatar films and employs the vast majority of the more than 1,000 artists who work on a typical Avatar movie. But unionizing the group represents a major inroad for the VFX industry labor movement, believes one VFX industry source who spoke with THR. "While insignificant as a number, this is the core team that answers to Jim Cameron," says the source. "They are not necessarily impressive in size, but in influence."

The workers first went public with their organizing bid in December, when they filed for a union election with the NLRB. At the time, participating workers said in public statements that they were aiming to gain comparable benefits and pay to their unionized peers and have greater input into in working conditions. "Every one of my coworkers has dedicated so much time, creativity and passion to make these films a reality. So when you see them struggling to cover their health premiums, or being overworked because they took on multiple roles, or are just scraping by on their wages ... you cannot keep silent," said kabuki lead Jennifer Anaya.

An anonymous reader quotes a report from TechCrunch: The pace is picking up for the Apple Vison Pro apps ahead of the spatial computing device's Friday launch as developers ready their apps for the new platform. While just last week, only 150-plus apps had been specifically designed for the Vision Pro so far, according to a third-party analysis of the App Store, Apple announced today that more than 600 new apps and games are being readied for the Vison Pro ahead of its debut. These join the more than 1 million already compatible apps across iOS and iPadOS, the company says. [...]

The company says more than 600 apps and games have been designed to take advantage of the Vision Pro's capabilities and its 3D user interface that's navigated using your eyes, hands and voice. Several streaming apps have already announced their support, including Disney+, ESPN, MLB, PGA Tour, Max, Discovery+, Amazon Prime Video, Paramount+, Peacock, Pluto TV, Tubi, Fubo, Crunchyroll, Red Bull TV, IMAX, TikTok and MUBI. The PGA Tour Vision app offers a golf game with real-time shot tracking across models of real golf courses, while the NBA app will allow streaming up to five broadcasts live or on-demand at once, Apple notes. Red Bull TV will include 3D maps of races. Soccer fans will also be able to stream MLS Season Pass via Apple's own Apple TV app. That app will offer access to Apple's Originals, more than 200 3D movies and Apple Immersive Video.

Hulu updated its Terms of Service to explicitly ban password sharing outside of "your primary personal residence." Subscribers will need to comply by March 14th, 2024. Here's the new ToS section in full: m. Account Sharing. Unless otherwise permitted by your Service Tier, you may not share your subscription outside of your household. "Household" means the collection of devices associated with your primary personal residence that are used by the individuals who reside therein. Additional usage rules may apply for certain Service Tiers. For more details on our account sharing policy, please visit our Help Center.

We may, in our sole discretion, analyze the use of your account to determine compliance with this Agreement. If we determine, in our sole discretion, that you have violated this Agreement, we may limit or terminate access to the Service and/or take any other steps as permitted by this Agreement (including those set forth in Section 6 of this Agreement). You will be responsible for any use of your account by your household, including compliance with this section. The Verge reports: The new ToS is dated January 25th, 2024; previous versions of the ToS didn't mention account sharing at all. "We're adding limitations on sharing your account outside of your household, and explaining how we may assess your compliance with these limitations," the most important paragraph reads.

Neither the email nor the ToS say how Hulu will measure compliance or how quickly it'll take action, but Hulu will apparently "analyze the use of your account" and it reserves the right to "limit or terminate access" if it decides you've broken the policy. The ToS also suggests there's more info about its account sharing policy at the Hulu Help Center, but we're not seeing any help articles about account sharing right now. Netflix started cracking down on password sharing in the U.S. last May, resulting in the "four single largest days of U.S. user sign-ups since January 2019." The streaming giant later went on to add 2.6 million U.S. subscribers.

Disney Plus enacted a similar plan a few months later.

According to analyst Min-Chi Kuo, Apple may have sold somewhere between 160,000 to 180,000 Vision Pro headsets during the past weekend. "This already far exceeds Kuo's earlier production figures of 60,000 to 80,000 units targeting the initial release on February 2, which is no wonder that the Vision Pro was sold out immediately after pre-orders opened," notes Engadget. From the report: While this sounds like positive news, Kuo pointed out that with shipping times remaining unchanged within the first 48 hours, this might indicate a quick drop in demand after the heavy users and hardcore fans were done pre-ordering. In contrast, iPhone orders would usually "see a steady increase in shipping times 24 to 48 hours after pre-orders open." But of course, the Vision Pro isn't meant for the average consumer in its current state, especially given the lack of some mainstream apps like YouTube, Spotify or Netflix. Not to mention the eye-watering $3,499 base price either, though Apple may later release a cheaper model in the ballpark of $1,500 to $2,500, according to an earlier report by Bloomberg's Mark Gurman.

Kuo added that even with the device being sold out based on the upper initial production figure of 80,000 units, that only accounts for about 0.007 percent of Apple's 1.2 billion active users, which makes the Vision Pro "a very niche product" in the eyes of Cupertino. That is to say, the tech giant will need to somehow drum up and sustain demand for the headset before its global launch, which is rumored to take place some time before this year's WWDC -- likely in June. Meanwhile, Apple is also busy setting up demo areas at its US flagship stores, in the hopes of making a few more sales with their 25-minute sessions.

It's the 50th anniversary of Devo, the geek-friendly, dystopia-themed band that combined synthesizers with showmanship, first founded in 1973.

As a new documentary about the group celebrates its Sundance world premiere, the Los Angeles Times explores how the band made innovative use of the technology of its time: With their yellow radiation suits, red "energy dome" hats and manic energy, part playful and part angry, the band Devo combined the futuristic glamour of new wave with atomic-age anxieties and post-'60s disillusionment.... Uniquely, the band developed a fully formed, intricate internal philosophy and mythology built around the idea that humans were "de-evolving" by becoming dumber and less sophisticated. The mascot of the band, known as "Booji Boy," was an infantile urchin in a rubber mask...

Was there an idea to document the band right from the very start? It's incredible that there's footage of the very first show in 1973.

GERALD CASALE: We were that delusional, yes. And we were trying to document ourselves when nobody was interested in doing that. And when it was quite expensive and clumsy to do it. You're dealing with Sony U-matic reel-to-reel recorders and big heavy cameras and a scarcity of equipment and very little interest. I mean, my God, if a Devo of now existed like we did, then clearly, there'd be a million cellphone videos.

MARK MOTHERSBAUGH: [...] Bob was the first of us to direct a video, back when he was in high school. Bob and me, our dad, starting when we were like babies, like 1 year old, he'd bring out an 8-millimeter camera that didn't have sound, and so he shot hundreds and hundreds of these films through the years, just family stuff. So we always kind of liked that. And Jerry was doing films at Kent State with Chuck Statler before Chuck said, "Hey, let's do a film with a couple of the songs in it." So we were always audio-visual. We were always thinking in both worlds...

[DOCUMENTARY DIRECTOR] CHRIS SMITH: One of my favorite details in looking through the old footage is, there's an early show that was recorded in black-and-white, and they have such limited materials to work with, yet they do this thing where the light goes on and off on both sides of the stage. And to me it was so emblematic of where they were going because they were making something that you hadn't seen before that was super creative and visually distinctive and interesting out of something we all had to work with... You could see in that footage, the inventiveness that wasn't a result of means — it was something that was just created out of what they had to work with at that time.

MARK MOTHERSBAUGH: [...] Sonically, a lot of what we did was just related to the fact that Bob Mothersbaugh bought a four-track TEAC. So we had this machine that could record four little skinny channels on a quarter-inch tape. It was an amateur home-tape machine, but it made us think about our parts, because we thought, well, OK, you're only going to get to do the bass on one track, and the guitar on one track and the drums on one track and the synth. You're not going to do all these overdubs. We had to think about it, what was an essential part. So we'd work on the song till you could play it just in one pass. Everything essential. I think it really made the early stuff sound really strong because of that.
You really get a sense of that on their 1978 song "Mongoloid." But the 2023 documentary's director doesn't see his film as an ending bookmark for the band. "They're still touring. They're all still actively creatively pursuing many different things, as I hope that you would expect after seeing the film."

And speaking specifically about the documentary. Mark Mothersbaugh says Booji Boy "describes it as a halfway point to the year of 2073, where we'll celebrate the 100-year anniversary." Booji Boy also says the next 50 years will be more about action. "And it'll be about positive mutation. Mutate, don't stagnate."

Jay Peters reports via The Verge: Plex, known for its media server software and as a place to watch ad-supported content, is going to launch a store for to buy and rent movies and TV shows in early February, executives told Lowpass' Janko Roettgers. "Most studios" are lined up for the store's launch, and there are "plans to complete the catalog soon after," Roettgers says. The store will also integrate with Plex features like its watchlists for movies. Roettgers points out that that Plex has announced plans in both 2020 and 2023 to launch a movie / TV store -- hopefully Plex is truly ready to do so this time. Plex chief product officer Scott Olechowski told Roettgers that more changes are coming to Plex down the line, including a "pretty major UX refresh" and more social features like public profiles.

Apple has announced several new experiences launching with their upcoming Vision Pro spatial computing headset, including 3D content from Disney Plus. "Other apps announced with Vision Pro support include ESPN, MLB, PGA Tour, Max, Discovery Plus, Amazon Prime Video, Paramount Plus, Peacock, Pluto TV, Tubi, Fubo, Crunchyroll, Red Bull TV, IMAX, TikTok, and MUBI," reports The Verge, noting that Netflix's existing app "will work unmodified on Apple's new headset." From the report: The announcement lists some of the movies that will be in 3D, and naturally, Avatar: The Way of Water is among them. But Vision Pro owners will also get 3D versions of movies like Avengers: Endgame, Star Wars: The Force Awakens, and Encanto. The movies will be available to rent through the Apple TV app, and the company says that anyone who has already bought the movies will now get 3D versions without paying extra. Otherwise, "more titles, including those available exclusively to Disney Plus subscribers, will be announced at a later date."

Among the four screening environments for Disney Plus subscribers, one is called the Disney Plus Theater, which the company says takes inspiration from Hollywood's El Capitan Theatre, as well as others based on Pixar's Monsters, Inc., the fictional Avengers Tower from Marvel Avengers films, and one set in the cockpit of a landspeeder sitting in Star Wars' Tatooine desert. Besides Disney content, Apple mentioned the Apple TV app will have some free "immersive entertainment" that includes Alicia Keys: Rehearsal Room and a film from Planet Earth producers called Prehistoric Planet Immersive. The $3,499 Vision Pro headset will start shipping on February 2nd. Pre-orders begin January 19th at 8AM ET.