Slashdot

Self Bias Resistor writes "According to a post on the Arcade-Museum forums, ASCAP is demanding an annual $800 licensing fee from at least one operator of a Guitar Hero Arcade machine, citing ASCAP licensing regulations regarding jukeboxes. An ASCAP representative allegedly told the operator that she viewed the Guitar Hero machine as a jukebox of sorts. The operator told ASCAP to contact Raw Thrills, the company that sells the arcade units. The case is ongoing and GamePolitics is currently seeking clarification of the story from ASCAP."

DesScorp writes in to let us know about a White House piracy summit, which is going on this afternoon. Judging by the press accounts, the sort of intellectual property criminals they are interested in are large-scale DVD bootleggers, not individual downloaders. "Hollywood once again demonstrates its close ties to Washington DC, regardless of who is in power, with a White House summit on piracy to be attended by the top executives in Hollywood, as well as the music industry. Vice President Joe Biden will be leading the summit to discuss organized cooperation between the federal government and the entertainment industry on all matters of piracy. Also at the summit will be the Obama Administration's new Copyright Czar, Victoria Espinal. The summit comes after Congress has earmarked $30 million dollars of taxpayer funds for anti-piracy efforts." According to one attendee's tweet, the press was kicked out of the meeting around 20:45 GMT.

A story at the BBC notes increasing pressure from the European Commission to set standards that would limit the maximum volume on portable MP3 players. Their reasoning is that it would protect users from damaging their hearing after listening to loud music for extended periods. Quoting: "This follows a report last year warning that up to 10m people in the EU face permanent hearing loss from listening to loud music for prolonged periods. EU experts want the default maximum setting to be 85 decibels, according to BBC One's Politics Show. Users would be able to override this setting to reach a top limit of 100 decibels. ... Some personal players examined in testing facilities have been found to reach 120 decibels, the equivalent of a jet taking off, and no safety default level currently applies, although manufacturers are obliged to print information about risks in the instruction manuals. Modern personal players are seen as more dangerous than stationary players or old-fashioned cassette or disk players because they can store hours of music and are often listened to while in traffic with the volume very high to drown out outside noise."

azoblue writes with news that following MySpace's acquisition and shutdown of imeem, independent artists who sold their music through imeem's Snocap music storefronts (on MySpace and other sites) won't be paid what's owed them. More than 110,000 artists are believed to be affected. The crux of the problem is that MySpace acquired only a certain portion of the assets that were imeem — "the domain name and certain technology and trademarks" — and not imeem’s outstanding debts, including the money imeem owed to artists under the Snocap relationship. According to the article, some artists have been owed money for more than a year. "Napster creator Shawn Fanning co-founded Snocap in 2002 to let artists sell their music through an embeddable storefront widget. At one point, the service was marketed as the exclusive way for artists to sell music on MySpace. Imeem bought Snocap last summer. But because MySpace left most aspects of Snocap out of its acquisition of imeem’s assets, all 110,000 or so of those storefronts are gone. The server that hosts them is offline and so is the Snocap website."

langelgjm sends in a piece from Wired, which details the background of a proposed treaty to allow cross-border sharing of books for the blind — a treaty which is opposed by an almost unified front of business interests in the US, with the exception of Google. "A broad swath of American enterprise ranging from major software makers to motion picture and music companies are joining forces to oppose a new international treaty that would make books more accessible to the blind. With the exception of Google, almost every major industry player has expressed disapproval of the treaty, which would allow cross-border sharing of digitized books accessible to the blind and visually impaired. Google's chief copyright counsel believes the industry-wide opposition is mainly due to 'opposition to a larger agenda of limitations and exceptions... We believe this is an unproductive approach to solving what is a discrete, long-standing problem that affects a group that needs and deserves the protections of the international community.'"

carre4 writes "Blue Destiny Records has sued both Google and Microsoft for allegedly 'facilitating and enabling' distribution of copyrighted songs illegally. The suit alleges that RapidShare runs 'a distribution center for unlawful copies of copyrighted works.' RapidShare is helped by Google and Microsoft, which benefit from the ad relationships, according to the suit. Blue Destiny has attempted to link to pages with RapidShare links to their music via DMCA takedown notices, and Google has, apparently, not complied, while Microsoft's Bing site has removed the links. RapidShare, for its part, is based outside of the US and does not accept DMCA notices."

BubbaDoom writes "In our cubicle-ville, we have programmers intermixed with accounting, customer support and marketing. As programmers, it is our habit to put on our headphones and listen to our portable music players to drown out all of the noise from everyone else. The boss recently sent an email just to the programmers demanding that we do not use our music players at work because he thinks it distracts us from our jobs and causes us to make mistakes. Of course, we've explained to him that prattle from the other people is much, much more distracting, but he insists his policy is the right one. What is the Slashdot community's experience with music at work for programmers?"

NewYorkCountryLawyer writes "In SONY BMG Music Entertainment v. Tenenbaum, the Boston RIAA case in which the defendant, represented by Charles Nesson of Harvard Law School, admitted liability at his trial, the Court has entered judgment in favor of the RIAA for the monetary award of $625,000 fixed by the jury. However, the Court left open the questions of whether the amount is excessive, and whether attorneys fees and/or sanctions should be awarded, and has scheduled further briefing of those issues. The Court granted the RIAA much, but not all, of the injunctive relief it requested. In an unusual step, the Court issued a 38-page decision (PDF) explaining in some detail the Court's views of the Fair Use defense in the context of cases like this, and indicating that there are some factual scenarios — not applicable in this particular case — in which it might have concluded that the claims were barred by Fair Use. E.g. it declined to rule out the possibility that creation of mp3 files exclusively for space-shifting purposes from audio CDs a defendant had previously purchased might constitute fair use."

Conchobair was one of several users letting us know that Myspace has snapped up free music streaming site imeem. Visitors to the imeem site are being sent to a MySpace redirect page, which states that they are "working to migrate your imeem playlist to MySpace Music." Currently there is no way to access imeem music or playlists or to make use of imeem apps on Android or iPhone. The AP reports that the deal was done for less than $1M — not bad for 16M subscribers — noting that the music startup was running out of cash. PC Mag notes: "Last week it was announced that Apple had purchased Lala, and now MySpace snaps up imeem. Are Pandora and Rhapsody next?"

Apple has snapped up music streaming biz Lala in what many initially thought to be a move to step beyond the strict download market of iTunes. On closer inspection it seems that Lala was a somewhat less-than-ideal target and Apple may just be gunning for ready-made engineering talent. "On balance, the purchase appears to give Apple the chance to bring in engineers that will be useful now, and could be even more so if it chooses to enter streaming or subscription services. But, for the moment, there's nothing about the purchase that seems to provide the company with any key technologies it was missing in terms of diving into markets. Until another company demonstrates that there's money to be made (or iPods to be sold) through streaming, there's no reason to think that a move of this sort is imminent."

Freshly Exhumed writes "Broadcasting illegally on the FM Radio band from atop his father's strip club in Canada's capital city of Ottawa, young Jayhaed Saadé was handed a cease-and-desist order by Industry Canada inspectors on December 2 to shut down his MIX FM operation, then simply waited a few hours, pumped up the volume once again the next afternoon, and still remains defiantly on the air. His choice of programming has been described as a blatant rip-off of Lebanon's popular MIX FM music station. The story gets weirder as it seems Saadé's father is a former Ottawa mayoralty candidate, and apparently sees no harm in his son's illegal activities despite looming $20,000-per-day fines that Industry Canada may impose under Canada's Broadcasting Act, let alone the shark feeding frenzy that is sure to occur when the Mounties, the taxman, music industry copyright/plagiarism watchdogs, and other aggrieved parties descend on his second floor playhouse."

Says the New York Times: "With the curious resurgence of vinyl, a parallel revival has emerged: The turntable, once thought to have taken up obsolescence with eight-track tape players, has been reborn."

Barence writes to mention that Nokia is giving users a first glimpse at what promises to be a completely overhauled Symbian user experience this coming year. Nokia's chief exec blamed the user interface — as opposed to the OS itself — as the root problem. "The company will roll out a completely re-engineered user interface in 2010, aimed at addressing many of the criticisms associated with the OS. 'We will reduce the clutter and improve the input methods including multi-touch and single tap,' Kallasvuo told delegates. 'It should be just two taps to get to your favorite music or videos, rather than eight. We'll improve browser experience so that it's a quicker, flash improved, media experience with pinch-to-zoom and so on.' And, Kallasvuo wasn't stopping there. Aside from completely redesigning the interface, he also suggested that future Symbian OSes would be much faster."

A course at the University of Michigan ends with a live concert featuring students using iPhones as instruments. “Building a Mobile Phone Ensemble“ teaches students to code musical instruments for the iPhone, using the Apple-provided software-development kit. Georg Essl, assistant professor of computer science and music, says, "What’s interesting is we blend the whole process. We start from nothing. We teach the programming of iPhones for multimedia stuff, and then we teach students to build their own instruments.”

Ars digs into the proposition that movies will go the way of the music business, and finds some reasons not to be totally gloomy about Hollywood's immediate future. For one thing, the movie biz managed to introduce a next-generation format to follow the DVD, a trick that eluded the music crowd (anyone remember DVD-Audio? SACD?). Blu-ray isn't making up the gap as DVD sales fall, but it is slowing the revenue decline. Perhaps the most important difference from the music business is that movies aren't amenable to "disaggregation" — unlike CDs, which people stopped buying once they could get the individual songs they really wanted. Ars concludes: "The movie business is facing many of the same challenges that are bedeviling music, but it's not about to go quietly into that good night — and it may not have to."

Agram writes "Take a netbook, Wiimotes, Nunchuks, and hemispherical speakers (which were once IKEA salad bowls), toss it up with some Ubuntu goodness and what you get is Virginia Tech's L2Ork, the world's first Linux-based laptop orchestra. With its affordable design and support from the Linux community, L2Ork hopes to bring laptop orchestras to K-12 education and beyond. So, regardless whether you wish to hear how L2Ork might sound or to learn how to build your own Linux-based *Ork infrastructure, perhaps this is a good opportunity to reopen the age-old debate: is Linux finally ready for some serious audio work?"

heychris writes "You've gotta love the Chicago Tribune's story on Tesla Coil hobbyists from the first sentence. 'Under a starry Saturday sky behind a Lake Zurich warehouse, three men unload a small flamethrower, electric cabling, neon-tube "light sabers," about 80 pounds of chain mail and two 7-foot devices that look like monster-movie props.' So what does one do with 1.6 million volts and a Tesla coil or two? Play 110dB music, of course."

CNET's Crave has up a detailed interview with Last.fm's Matthew Ogle, the company's head of Web development. Reader CNETNate notes that Last.fm has streamed 275,000 years of audio around the world. From the interview: "We stream all music directly off our servers in London. We have a cluster of streaming nodes including a bunch of powerful machines with solid-state hard drives. We have a process that runs daily which finds the hottest music and pushes those tracks on to the SSDs streamers that sit in front of our regular platter-based streaming machines. That way, if someone is listening to one of our more popular stations, the chances are really good that these songs are coming off our high-speed SSD machines. They're fast because every song is sitting in memory instead of being on a slow, spinning platter." The interview is actually on two pages but pretends it's on three.

Shokaster writes "The Register reports that Virgin Media are to begin monitoring file sharing using a deep packet inspection system, CView, provided by Deltica, a BAE subsidiary. The trial will cover about 40% of customers, although those involved will not be informed. CView's deep packet inspection is the same technology that powered Phorm's advertising system. Initially Virgin Media's implementation will focus on music sharing and will inspect packets to determine whether the content is licensed or unlicensed, based on data provided by the record industry. Virgin Media emphasised that records will not be kept on individual customers and that data on the level of copyright infringement will be aggregated and anonymised."

eldavojohn writes "Eufloria is a strategy game made by independent game company Dyson. I bought it on the Steam service this weekend for $20 and was impressed that it is a visually and aurally pleasing game. It's a real-time strategy game, but isn't a rehashed Civilization or Age of Empires — it employs a different kind of mechanic to conquer. Like a lot of games that rely on novel game mechanics (Braid & Spore come to mind), part of the game's experience relies on you learning as you progress through the 25 or so levels. They will definitely push you to utilize different strategies and tactics, so don't read this review if you're already planning to play this game, as it'll most likely be filled with spoilers about developing a strategy. I give the game an average 6 out of 10 and would like to say that with titles like Braid and Eufloria out there, 'independent' no longer equates to 'sucks.'" Read on for the rest of his thoughts.