Slashdot is powered by your submissions, so send in your scoop

 


Forgot your password?
Close
typodupeerror
×
Games Entertainment

We Heart Katamari Preview 69

Posted by Zonk from the i-can-feel-it-i-can-feel-the-cosmos dept.
1up.com has up a look at the upcoming sequel to Katamari Damacy, set to launch in Japan sometime this summer. Besides some screenshots and discussion of new gameplay, the article discusses the original title and its place in the industry. From the article: "With intuitive, non-violent action and simple but stylized visuals, Katamari was one of those rare creations that managed to transcend the stereotypes and demographics of gaming and strike a chord with a wide spectrum of gamers, both casual and hardcore, male and female, youthful and elderly. The brainchild of Keita Takahashi, an artist turned game producer, Katamari's unique appeal can largely be chalked up to its creator's unique aspirations."
This discussion has been archived. No new comments can be posted.

We Heart Katamari Preview More

We Heart Katamari Preview

Comments Filter:

  • shh! (Score:3, Funny)

    by SansTinfoilHat ( 759207 ) on Tuesday May 03, 2005 @01:56AM (#12417095)
    From the article:

    >>The first Katamari didn't rack up sales to strike
    >>fear into hearts of Madden and GTA. It's not
    >>slated to be made into a big-budget Uwe Boll
    >>movie.

    For the love of God, don't say that loudly. Uwe Boll might hear you!

  • video game without violence!?! (Score:4, Funny)

    by phloydphreak ( 691922 ) on Tuesday May 03, 2005 @01:57AM (#12417101) Journal
    BLASPHEMY! im reporting this to the Vatican.
    • Ask the guy in the red tie, or the kid in the foreground if there's violence in this game.
      here [1up.com]
    • I liked the idea of a ball gathering up stuff as it rolled about, but what killed the game for me was its depiction of a fake god. One of my friends insisted the dialogue was quite funny, but I skipped it to just roll things up in a ball.

      I'm just trying to err on the side of caution. I'm really having a difficult time evaluating what video games are ok to play. I'm sure you can come up with a million reasons why its just fantasy and doesn't matter. Yet there is good and bad fantasy, with shades of g
      • I'm not trying to be critical or insulting, just curious. Showing a false god is offensive, even if you know it's not real, and you don't believe in it?

        I suppose any title can be offensive to some person or group, but I found KD to be rather unoffensive, and I thought it would be a good game for people of all ages to play.
      • Yet you seem to have no problem with Guild Wars. What powers the SPELLS in GW, hmm?

        Look, we know we should all fall down in theophanic awe and worship at your particular choice of the One True God. Just will you for once shut the fuck up about it already? You're not only not changing anyone's mind, you're just making your religion look like it's populated by narrow-minded superstitious zealots like yourself.
        • Yet you seem to have no problem with Guild Wars. What powers the SPELLS in GW, hmm?

          Could it be... SATAN?!? [chick.com]

          you're just making your religion look like it's populated by narrow-minded superstitious zealots like yourself.

          Well, isn't that special?
        • "Yet you seem to have no problem with Guild Wars. What powers the SPELLS in GW, hmm?"

          Yeah, you're right. I quit my guild war playing a day after I got it. They have false gods in it too, in addition to necromancy. I'm finding it difficult to find a game that doesn't cross the line in some aspect.

          Maybe I am a zealot. And maybe to an unbeliever, it seems strange to see a man with convictions. Yes, I try and read the bible, and I try and out reach to people as all Christians are charged to do. My ma
          • > But video games have become quite dark indeed.

            You are condemning Katamari Damacy as "dark" ... and you think the problem is with the games? I wish I could just ignore this paranoid insanity ... people like you wouldn't be a problem if they just shut themselves at home away from "worldly" influences. Problem is, they tend to get jobs as politicians.
            • Nah, I meant guildwars and other games that have necromancy in them as dark. You need to admit there is a trend in games to be as bad as possible. I think it stems from the long hold cultural phenomena that the bad boy is cool.
          • Don't waste your time CrazyJim1. I tried to develop water purification techniques myself (before you thought of it) and they just laughed at me. Apparently, the problem is solved, and people know how to produce pure water already. Here I thought that crops would grow even better if you watered them with pure water, without any of those dangerous minerals in it. I'm going to work on developing the wheel next, either that or Pinky and the Brain cartoons. Or maybe True A.I. I'm also developing a method for P2P

  • Non-Violent? (Score:5, Funny)

    by Chris Acheson ( 263308 ) on Tuesday May 03, 2005 @02:06AM (#12417152) Homepage
    Katamari Damacy seemed pretty violent to me, with all the screaming and running and whatnot. The cheerful music made it seem like some sort of twisted black comedy.

  • Hmm... (Score:2, Funny)

    by brilinux ( 255400 )
    Looks like they got the ball rolling on this one...

  • Release Date (Score:3, Informative)

    by Mandoric ( 55703 ) <mandoric@sover.net> on Tuesday May 03, 2005 @02:38AM (#12417342) Homepage
    The release date is 7th July, coinciding with Sakura Taisen 5 and a week before Super Robot Wars Alpha 3; most of the major importers appear to be offering preorders already.

  • Non-violent action? (Score:1, Informative)

    by Anonymous Coward
    The average player kills ten times as many people in Katamari Damacy as they do in GTA. And that's probably an under-estimate.
    • Nah... they're still wriggling in the katamari after they've been rolled up, so they're still alive. The only time that those people die is when the star they get rolled into gets smashed into dust (because of a failure to meet the sceneraio requirements). Even the ending alludes to this, where the family after being rolled up in the katamari that becomes the moon, is grooving with all the other people rolled in with the other continents that you roll up in the credits.

      So I would say that while it is most

  • I'm fed up of hearing about Katamari's sequel (Score:5, Informative)

    by EnglishTim ( 9662 ) on Tuesday May 03, 2005 @02:57AM (#12417421)
    ... because the bastards still haven't released the original in Europe. Grrrr.
    • Indeed, in order to play this raved-about game at all on a PAL format PlayStation one is forced to 'illegally' mod their console and import the damn thing.

      Stupid really, I can't imagine there would be great costs involved in producing a PAL version of any game made for the PS2 so far.

      Along with the 485,637 Gumdam games available in Japan I think there's a fair bit of money to be made if people in sales think, like, globally.

      Turds.
      • The main costs are translation into the various European languages (both the in-game text and the manual) and redoing the video code to cope with PAL's 50Hz and extra vertical resolution.

        The 50Hz thing is daft, really - just about any TV sold these days will cope with 50Hz and 60Hz, as it saves the manufacturers having to design two different TVs where one will do. But you're still going to end up with a load of people with old TVs moaning that their games don't work.

        • Re:I'm fed up of hearing about Katamari's sequel (Score:4, Insightful)

          by Dot.Com.CEO ( 624226 ) on Tuesday May 03, 2005 @07:13AM (#12418329)
          Can you please stop perpetuating this stupid myth? First of all, most games are not translated for the European market, just the big ones. Second, the myths of translation (actually the process is called localisation since it might involve other cultural changes to games) are nothing compared to distribution and marketing, let alone actual production.
          • And Katamari Damacy can't even claim huge localization costs. Anyone who has played the game knows that the game wasn't localized at all. They translated it, very well I must say, but left all the Japanese humor in. I really hope they stick with it in the second.

          • Re:I'm fed up of hearing about Katamari's sequel (Score:5, Insightful)

            by cgenman ( 325138 ) on Tuesday May 03, 2005 @09:23AM (#12419224) Homepage
            Having gone through the process of localization several times now, you'd be surprised how frequently things bite you. Text string variations, for example. On one of our games, we had to redo the way the engine handled every text string in the game, in order to work with Chinese, Korean and other non-Ascii languages. We had to lengthen maximum text string lengths for some of the more long-winded European languages. On consoles, this little change can (and did) push you over memory budget. The remote people chosen to handle translations often put in text strings longer than we had done or expected, causing subtle memory corruption errors. We changed a lot of artwork as many displays are handled as bitmaps. Heck, the difference between US and Asian Windows machine file heirchies bit us repeatedly, based in no small part around text usage. There is also your rendering engine, which is probably hardcoded in 60 places to run at 60 Hz... We've had major problems with some of our subsystems getting to PAL speeds, to the point where major chunks of the engine were just rewritten. Think about the tricks you would use to cause something to deinterlace crisply, then warp them to work at a different FPS. And of course the videos were broken and had to be resampled. Oh, and there are legal issues around releasing things in certain countries, like no Nazi insignia can appear in German games and strict restrictions around english and other languages appearing in Korean games. And you have to relicense a lot of music and other content for different territories, sometimes with other agencies and sometimes these deals are sour and you just have to redo your soundscape.

            You put a million little bandages into a game to get it into E3, and then onto the shelves in time, and you generally don't think about localization until it is too late. You're far too focused on getting something working, fun, and on frame / memory budget in half the time you realistically should have. It's a superhuman effort to get done in time as is. It just doesn't occur to you that the refresh rate of the screen would be anything other than 60 Hz, or that you would need to check the length of hardcoded text strings. Your design team knew it had to be under 127 characters and you hooked them up yourself. You never expected to have text being put in by 14 different development companies with varying degrees of competence, and that you would be responsible for QA'ing the bugs they mysteriously introduce. And that's just a small sample of what happens during localization.

            I'm not saying that translating games isn't worth it financially. But it is definitely a pain in the tail. It's just a lot more emotionally rewarding to start on the next game than to get stuck for 6 months fixing bugs because Gaelic's apostrophy happens to use the same extended ASCII as you're using for your escape character. And the process of localization does take 3 - 6 months in a schedule, minimum.

            • I read this and almost cried. Why don't game developers use the same design techniques and standards as other major software developers? Using hard-coded string values? Hard coding the software to run at 60 Hz? Pushing your memory budget so close you cannot fit a few more characters of text? Not only that, but game engines are re-written from scratch for virtually every new game; the wheel is re-invented 12 times a month in any given project.

              I am sorry to be insulting, but the reasons you have given for
              • I read this and almost cried. Why don't game developers use the same design techniques and standards as other major software developers? Using hard-coded string values? Hard coding the software to run at 60 Hz? Pushing your memory budget so close you cannot fit a few more characters of text? Not only that, but game engines are re-written from scratch for virtually every new game; the wheel is re-invented 12 times a month in any given project.

                A lot of it has to do with what you are trying to do with your b

    • Euro release possible: ) (Score:5, Informative)

      by sbszine ( 633428 ) on Tuesday May 03, 2005 @04:14AM (#12417724) Journal
      A European release for the sequel has been mentioned here and there. No details, but some scant info here [totalvideogames.com] and here [gamingheadlines.co.uk]. Also, Namco sent Katamari 2 press packs to the Euro press [computeran...ogames.com], which would be pointless if there were no Euro release planned. Failing that, there is a Nintendo DS version [gamespot.com] coming out.

      Fingers crossed, eh?

  • Bleh (Score:2)

    by Momoru ( 837801 )
    I loved the first Katamary Darmacy...but I just don't see what the point of this sequel is....it looks exactly the same....if you showed me one of these screenshots out of context I wouldn't even assume there was a sequel. I was curious what new ground they would break for this game...and maybe its a little premature but it doesn't seem any different to me, besides the hope of more wacked out cut scenes.
    • Don't think of it as a sequel, think of it as more levels for the first one. It was definitely a game where I could have done with about 99 levels. On another note, who the hell dropped the ball at Harmonix (I think) with Amplitude and Frequency. I think everyone I've ever talked to has basically agreed that a cheap paid subscription (~$5/month) that nets you 2 songs a month to download for one of those games would be something than we would easily pay.
      • They went on to make Karaoke games that were more popular. Neat technology, but I want the next Amplitude/Frequency. :(
        • Was Karaoke revolution really that popular?

          I remember playing both Frequency and Amplitude with groups of 10 - 12 people for 6 - 8 hour blocks. Those games were the most addictive things ever.
          • Yes. [metacritic.com]
            And thanks.

            In case people were looking, Harmonix's home page. [harmonixmusic.com] Of course there is a lot more going on that we can't talk about...

            • Well, that's good for you guys, but I would like to seriously re-iterate my previous suggestion of a new Frequency/Amplitude game on a platform with online capabilities. I think there is a huge market for you guys for paid content for those games for just new songs every month. They were one of only maybe a handful of games I can ever remember playing different difficulty levels on, and without a doubt the only games where I played *all* of them. BTW, qualityOfFrequencyAndAmplitude *= (1 hojillion) ^

      • Re:Bleh (Score:2)

        by UWC ( 664779 )
        (Harmonix also made Eyetoy: Antigrav, I think)

        The subscriber base for the subscription service you suggest would be a subset of the set that includes people who own a big PS2, a network adapter, the hard drive, and Frequency or Amplitude. They're certainly not going to store songs on $25 8MB memory cards, and downloading or streaming every time you play the song doesn't seem like a very good idea.

        Now that you mention it, though, that would be a pretty awesome feature to make buying an XBox port (maybe

  • my friends hate Katamari Damacy. (Score:3, Insightful)

    by Lord Bitman ( 95493 ) on Tuesday May 03, 2005 @08:02AM (#12418602)
    I need new friends.
  • I'm dying to play the original katamari damacy but not so much that i'm gonna buy a ps2/gamecube to do so...

    e.

Slashdot Top Deals

Beware of Programmers who carry screwdrivers. -- Leonard Brandwein

Close