Casey Johnston, writing for The Outline: When you buy a movie on iTunes, it's yours forever, until such a time as when Apple maybe loses the rights to distribute it, and then it will disappear from your library without a trace. This is what happened to Anders G. da Silva, who goes by @drandersgs on Twitter, and who tweeted about losing three movies bought on the iTunes Store.

When da Silva wrote to Apple to complain about the missing movies, Apple wrote back to him that "the content provider has removed these movies from the Canadian Store. Hence, these movies are not available in the Canada iTunes Store at this time." For his trouble in notifying Apple that it had disappeared three of his ostensible belongings for incredibly dubious legal reasons, Apple offered da Silva not even a refund, but two credits for renting a movie on the iTunes Store "priced up to $5.99 USD." After he argued that he was not in the market for rentals and would just like the movies he purchased, please, Apple tried to appease him with two more rental credits.

Plex has informed users that it will be shutting down cloud-based media server Plex Cloud at the end of November. First launched in 2016, Plex Cloud offered users a way to easily access extra storage. Initially, users had to subscribe to Amazon Drive, which cost $59.99 a year for unlimited storage at the time and get a Plex Pass in order to use Plex Cloud. Later on, Plex added support for Dropbox, Google, and Microsoft's OneDrive cloud storage. From a report, which looks at the rationale behind the move: "We've made the difficult decision to shut down the Plex Cloud service on November 30th, 2018," the company said in an email. "We've been actively working on ways to address various issues while keeping costs under control. We hold ourselves to a high standard, and unfortunately, after a lot of investigation and thought, we haven't found a solution capable of delivering a truly first class Plex experience to Plex Cloud users at a reasonable cost." Plex has traditionally relied on users operating their own media server to stream videos, music and more to mobile and TV-connected devices. Plex users often run their server hardware on dedicated computers or network-attached storage drives, but the reliance on such hardware has limited the appeal of the software to more casual users. [...] Behind the scenes, Plex was augmenting these storage solutions with its own cloud servers, capable of transcoding media on the fly to stream to a wide variety of devices. However, the company ran into some technical issues, which prompted it to first disable support for Amazon's cloud storage and then in February halt the creation of new cloud servers.

NitroXenon, the developer of Terrarium TV, announced Monday evening that the infamous streaming service, available for Android users at no charge, is shutting down this month. TorrentFreak reports: Inspired by the simplicity of Popcorn Time, Terrarium TV eschewed the use of torrents as a supply protocol. Instead, the software pulled in content from file-hosting sites in a similar way to Kodi addons, but with an almost non-existent learning curve. Created by a developer who identified as Hong Kong-based Peter Chan (aka NitroXenon), Terrarium TV enjoyed a meteoric rise to stardom over the past couple of years. With only Showbox and a handful of other applications getting anywhere close to its volume of active users, Terrarium TV became the go-to app for Android users looking for a Netflix-style fix.

Now, however, the ride is over. In a notification pushed to Terrarium TV users last night, NitroXenon explained that his days of working on the app are over. "It has always been a great pleasure to work on this project. However, it is time to say goodbye. I am going to shut down Terrarium TV, forever," he wrote. "I know this day will come eventually. I know it would be hard to let go. But it is really time for me to move on to other projects."

An anonymous reader quotes a report from TechCrunch: The European Union is set to move ahead with a plan to enforce pan-European quotas on streaming services like Amazon Prime Video and Netflix to support production of locally produced film and video content. Roberto Viola, the European Commission's directorate general of communication, networks, content and technology told Variety that the new rules are on track to be approved in December. The proposals will require that streaming services give over at least 30% of their on-demand catalogues to original productions made in each EU country where a service is provided (individual EU Member States could choose to set the content bar even higher, at 40%).

Streaming services will also have to ensure visibility and prominence for local content -- so no burying the 'European third' in a dingy corner of the site where no one will find it, let alone stream it. The EU lawmakers' intention is to stand up for cultural diversity against the might of Hollywood and the flattening power of platforms -- in the latter case by making platforms invest in local content production rather than just doing the easy thing of fencing yet more Marvel superhero movies.

Why do we never utter sentences like "'Cobra Kai' has been certified 100% fresh on Rotten Tomatoes?" or "'Stranger Things'" was rated 8.9 out of 10 on IMDb"? It's not because the reviews of TV shows aren't aggregated by these websites -- they are. Contrary to what you might think of IMDb, given that its name is Internet Movie Database, TV shows also occupy an essential, if relatively smaller, place than movies there. And the same thing goes for Rotten Tomatoes. An exploration: So if the lack of availability of TV rating sites isn't the issue, why is it that we hardly use critical or audience scores as a way to measure the quality of a TV show to our peers? Here are a few of my theories:
There Are Too Many Good Shows Out There
It's an odd dilemma to have, but it's true that when it comes to TV shows, there are so many high-quality programs for us to consume. People have been talking about Peak TV for a few years now, and a quick scroll through Rotten Tomatoes' website would seem to confirm that we've been offered an embarrassment of riches. [...]

The Price Of Admission Is Higher For Movies
Another reason why viewers might care less about a TV show's critical scores than a film's might be the high price of moviegoing. Tickets in metropolitan areas in the US can be extremely expensive, costing up to $25.49 if you're going for an IMAX screening in New York City unless you're subscribed to a service like Moviepass or AMC's new subscription program.

Networks And Platforms Market Emmys More Than Critical Scores Compared to critical scores on review websites, networks and platforms seem to place more stock on the Emmys when it comes to the marketing of TV shows. Despite the fact that the Emmy, arguably the best TV award, might not offer shows as big of a ratings boost as it did decades ago, the awards still play a crucial part in helping create social buzz around television shows, especially for shows with smaller audiences.

"Not enough people are paying attention to this economic trend," writes Bill Gates, challenging the widespread use of forecasts and policies based on a "supply and demand" economic model. An anonymous reader quotes the Gates Notes blog: Software doesn't work like this. Microsoft might spend a lot of money to develop the first unit of a new program, but every unit after that is virtually free to produce. Unlike the goods that powered our economy in the past, software is an intangible asset. And software isn't the only example: data, insurance, e-books, even movies work in similar ways.

The portion of the world's economy that doesn't fit the old model just keeps getting larger. That has major implications for everything from tax law to economic policy to which cities thrive and which cities fall behind, but in general, the rules that govern the economy haven't kept up. This is one of the biggest trends in the global economy that isn't getting enough attention. If you want to understand why this matters, the brilliant new book Capitalism Without Capital by Jonathan Haskel and Stian Westlake is about as good an explanation as I've seen.... They don't act like there's something evil about the trend or prescribe hard policy solutions. Instead they take the time to convince you why this transition is important and offer broad ideas about what countries can do to keep up in a world where the "Ec 10" supply and demand chart is increasingly irrelevant.
"What the book reinforced for me is that lawmakers need to adjust their economic policymaking to reflect these new realities," Gates writes, adding "a lot has changed since the 1980s. It's time the way we think about the economy does, too."

Slashdot reader nolaguy quotes the New York Post: Movie subscription service MoviePass has pulled the plug on annual subscriptions, telling those subscribers that they will have to adhere to the same terms as monthly subscribers. The service made the announcement Friday in an email to those members and offered them prorated refunds if they want to cancel their annual memberships.... Until Friday's announcement, subscribers to the $89 annual plans had been able to see a movie a day.
CNET reports that MoviePass "is now forcing you onto its monthly three-movie-a-month plan -- effective immediately...and you'll receive up to a $5.00 discount on any additional movie tickets purchased." They're plannning to apply the $89 annual fees toward the $9.95 monthly fees, but.... To add insult to injury, MoviePass says you'll only have until Aug. 31 -- a week from today -- if you want to get some of your money back in the form of a prorated refund, which you can only get by canceling your plan. And just to make things more ridiculous, MoviePass is preying on your FOMO by saying that if you do take the refund, you won't be able to sign up for MoviePass again for nine months.
CNET's article ends with a link to their list of "the 11 times that MoviePass altered the deal," adding "This is getting sad. And a little shady."

Netflix is testing a way for users to register and pay for the streaming service while bypassing Apple's app store and hefty commission fees. MarketWatch reports: Netflix is looking into a new sign-up approach where users in some countries are no longer able to register for streaming service. They are being redirected to the mobile web version of the app and asked to enter payment details with Netflix directly. The test is running in 33 countries, not including the U.S., through the month of September, according to TechCrunch. This comes just months after Netflix in May made billing through Google Pay unavailable to new customers, though current subscribers that pay via Google Play can continue to do so until they cancel their accounts.

Bloomberg's Tyler Cowen writes about "the erosion of personal ownership and what that will mean for our loyalties to traditional American concepts of capitalism and private property." An anonymous Slashdot reader shares the report: The main culprits for the change are software and the internet. For instance, Amazon's Kindle and other methods of online reading have revolutionized how Americans consume text. Fifteen years ago, people typically owned the books and magazines they were reading. Much less so now. If you look at the fine print, it turns out that you do not own the books on your Kindle. Amazon.com Inc. does. I do not consider this much of a practical problem. Although Amazon could obliterate the books on my Kindle, this has happened only in a very small number of cases, typically involving account abuse. Still, this licensing of e-books, instead of stacking books on a shelf, has altered our psychological sense of how we connect to what we read -- it is no longer truly "ours."

The change in our relationship with physical objects does not stop there. We used to buy DVDs or video cassettes; now viewers stream movies or TV shows with Netflix. Even the company's disc-mailing service is falling out of favor. Music lovers used to buy compact discs; now Spotify and YouTube are more commonly used to hear our favorite tunes. Each of these changes is beneficial, yet I worry that Americans are, slowly but surely, losing their connection to the idea of private ownership. The nation was based on the notion that property ownership gives individuals a stake in the system. It set Americans apart from feudal peasants, taught us how property rights and incentives operate, and was a kind of training for future entrepreneurship. We're hardly at a point where American property has been abolished, but I am still nervous that we are finding ownership to be so inconvenient.

Netflix has removed all user reviews from its site, just like they said they would in early July. Here's what Netflix now has to say about posting reviews on its site: "Netflix customers were able to leave reviews on Netflix.com until mid-2018, when reviews were removed due to declining use. To learn how Netflix suggests TV shows and movies we think you'll love, visit our Ratings & Recommendations article." Engadget reports: Netflix probably had reasons other than the section's decline in use, as well. For instance, it had to deal with issues like "review bombing" by trolls hoping to bring down a show's rating back when it used stars instead of the thumbs up-down system. Netflix might have decided that reviews don't lead to enough views to warrant spending resources on policing them. It has a "percentage match" system that suggests titles based on previous ones you've watched, after all, so there's probably very little incentive for the platform to keep the reviews section running.

Netflix has confirmed that it will start airing video ads for other Netflix series between episodes. These ads will reportedly only be for Netflix content, not outside products or content, and will, at least for now, only appear for a "segment" of Netflix's user base. Ars Technica reports: The news emerged via user reports, particularly on the primary Netflix Reddit community, in which users claimed that ads for entirely different series would play between episodes of a given show's binging. One initial claim said that "unskippable" ads for the AMC series Better Call Saul appeared between episodes of Rick & Morty, and that this ad appeared while using Netflix's smart TV app on an LG set in the UK. Replies to that thread included an allegation that a video ad for I Am A Killer (a Netflix-produced true-crime series) appeared between episodes of the animated comedy Bob's Burgers.

In a statement given to Ars Technica, Netflix described the change as follows: "We are testing whether surfacing recommendations between episodes helps members discover stories they will enjoy faster." The reasoning, Netflix's statement says, comes from its last controversial decision: to add auto-playing videos, complete with unmuteable audio, while browsing through Netflix content. Netflix offered one major rebuttal to at least one Reddit claim, pointing out that the ads for Netflix content are entirely skippable.

According to Bloomberg, Amazon is in the running to acquire Landmark Theaters, a chain focused on independent and foreign films with more than 50 theaters in 27 markets, including high-profile locations in New York, Philadelphia, Chicago, Los Angeles, and San Francisco. From the report: Landmark's theaters are known for art-house fare, and some high-end locations include coffee bars or lounges, setting them apart from the typical movie experience. "This is probably a move to get broader distribution of film content," said Leo Kulp, an analyst with RBC Capital Markets LLC. "Netflix had been discussed as a potential buyer of Landmark for a similar reason." The possible move was viewed positively by investors, who saw it as a sign that Amazon wasn't looking to disrupt moviegoing and was supportive of the theatrical experience, Kulp said.

MoviePass is changing things up once again. In an email, CEO Mitch Lowe outlined the latest updates to the once-unlimited subscription plan. Most notable among the changes is the limiting of selection to "up to six films to choose from daily, including a selection of major studio first-run films and independent releases." TechCrunch reports: On top of that, there may be further limitations on showtime availability for the selected titles, based on "the popularity of those films on the app that particular day." The company has already begun limiting access to specific films, starting with a barring of major blockbusters and moving toward limiting selection generally. Now users can go to the "This Week's Movies" page to see what's available. Right now, there's a semi-consistent, rotating selection. Which movies are chosen and when will likely be at least partially dependent on deals struck between MoviePass and studios/distributors.

An anonymous reader quotes a report from TorrentFreak: Facebook previously banned the sale of fully-loaded pirate streaming devices, as did Amazon and eBay, but the social network appears to have expanded this to all Kodi-powered hardware now. This is made clear in the prohibited content section of the company's commerce policies, as shown below. Facebook states that users are no longer allowed to promote "the sale or use of streaming devices with KODI installed." In addition, jailbroken or loaded devices are also banned from the platform. The issue was first noticed by CordCuttersNews which notes that sellers who violate the policy may have their Facebook accounts banned. Interestingly, Facebook will still permit the sale of "add-on equipment for KODI devices," including keyboards and remotes. However, selling any devices with the software itself is no longer allowed.

nolaguy shares a report from NPR: Movie theater subscription service MoviePass will not be raising prices, as it had announced last week, but will instead be capping the number of times that subscribers can visit movie theaters. For $9.95 per month, MoviePass subscribers used to be able to see a movie in theaters every day, if they so chose. Beginning on August 15, the service will instead provide three movies per month. The change replaces a previously announced plan to raise prices to $14.95 a month. The beleaguered movie theater subscription company is also canceling two other recent changes -- "peak pricing" surcharges for popular movies and a ticket verification process -- that were intended to stop the company from bleeding money.

Disney is reportedly having trouble buying back TV rights to "Star Wars" movies from AT&T's Turner Broadcasting so that it can offer them on a new streaming video service it is working on. Bloomberg reports: Disney made a preliminary inquiry about regaining the rights, but met resistance. Turner has the rights to show the films on its cable networks, which include TNT and TBS, and online until 2024. The programmer would want financial considerations and programming to replace the lost films. Disney sold certain rights to Turner in 2016, before it completed plans for the streaming service.

In a post, Apple announced the following changes: With the launch of the new App Store on both iOS and macOS and their increased methods of app discovery, we will be removing apps from the affiliate program. Starting on October 1st, 2018, commissions for iOS and Mac apps and in-app content will be removed from the program. All other content types (music, movies, books, and TV) remain in the affiliate program. Stephen Hackett, a long time Apple blogger and podcaster, said, "This is not totally surprising after Apple cut the rate for in-app purchases last year. However, this is going to hurt a lot of people in the media ecosystem around Apple." The post includes thoughts of several developers.

After running out of money and shutting down for a night last week, the movie ticket subscription service MoviePass will increase its price to $14.95 a month within the next 30 days. Furthermore, "first-run movies will only be viewable on a limited basis during the first two weeks of release, unless the company has a promotional deal with a given film," reports The Verge. From the report: MoviePass' statement claims these changes are being made "to enhance discovery, and to drive attendance to smaller films and bolster the independent film community." In a widely reported all-hands meeting at the company, MoviePass CEO Mitch Lowe cited the upcoming Christopher Robin and The Meg specifically as films that would not be available to subscribers. More broadly, MoviePass hopes to make smarter decisions about potential partnerships with studios and brands in the hopes of turning a profit, though no specific details were shared at this time. This new price increase is in addition to the already-announced plan to implement surge pricing for popular movies.

Slashdot reader Lauren Weinstein writes: YouTube very quietly made a very cool and rather major improvement in their video players today... YouTube is now adjusting the YT player size to match videos' native aspect ratios. This is a big deal, and very much welcome.
YouTube provided some before-and-after screenshots Friday, and acknowledged that "We launched this update on mobile awhile back (both Android and iOS) so this change also aligns the desktop and mobile viewing experiences."

Gizmodo writes: Until now YouTube forced all videos into a 16:9 ratio by windowboxing them, meaning surround them with black vertical or horizontal bars like the old days of watching widescreen movies on VHS. In that sense, this isn't a huge change -- white space instead of black -- although the location of player controls moves to fit the video's size...

The aspect adjustments are apparently automatic, retroactive to all uploaded video, and if there's a way to turn the feature off in Creator Studio it's non-obvious... Update 7/27/18 7:48pm: A YouTube spokesperson has since clarified to Gizmodo that currently there is no way to disable this feature.

The Motion Picture Association of America (MPAA) is stepping into the online video piracy debate and calling for criminal charges against violators, as well as strong coordination between a broad range of online service providers. From a report: The association's recommendations came in response to a call from the National Telecommunications and Information Administration's (NTIA) call for comments regarding internet policy concerns. On July 17, the MPAA issued a 40-page document advocating a modernization of online policies in response to rampant illicit activity. While a range of commercial offerings help studios and sports leagues battle online piracy, anyone who has a friend with a Kodi box knows that unrestricted access to popular shows and movies is only a few taps away. The MPAA notes that 6.5 million homes in North America are equipped with a Kodi box, and the North American piracy ecosystem generates $840 million per year.