An anonymous reader shares a report: Apple's iPhone 8, iPhone 8 Plus and $1,000 iPhone X trail the latest smartphones from Samsung Electronics and Alphabet's Google in download speeds, according to data from Ookla, a company that provides the most popular online service for measuring the speed of an internet connection with its Speedtest app and website. Faster internet data means that users can load websites and start watching movies more quickly, make crisper video calls and get higher-quality video.

[...] Ookla's data are important because they are created by users -- not in a corporate lab -- and encompass the range of random real-world conditions that affect performance like distance from cellular towers and network congestion. Ookla said it hosts millions of tests a day and has done 20 billion in total.

[...] The speed-test data, reviewed by Bloomberg, show that Samsung's Galaxy S9 phones had an average download speed -- across carriers in the U.S. -- of 38.9 megabits per second, based on about 102,000 tests over the past three months. The larger model, the S9+, delivered speeds of 38.4 Mbps, according to a sample size of about 169,000 phone connections. The iPhone X on average downloaded data at 29.7 Mbps, based on a 603,000 tests. The iPhone 8 Plus and iPhone 8 were close behind with speeds of 29.4 Mbps and 28.6 Mbps, respectively.

Comic book publishers are facing a growing crisis: Flagging interest from readers and competition from digital entertainment are dragging down sales. Hoping to reverse the trend, publishers are creating their own digital platforms to directly connect with readers and encourage more engagement from fans. From a report: One of the biggest direct-to-consumer efforts is DC Universe, a platform from DC Entertainment and Warner Bros. Digital Studios that will offer streaming content, including original and classic TV series. DC Universe is "a huge opportunity" that offers "ultimate creative control," said Jim Lee, a co-publisher of DC Entertainment. "It allows you to look at wider adaptations of the source material."

[...] The Walt Disney Company, which owns Marvel Entertainment, said last year that it would create a streaming platform that would include Marvel movies like "The Avengers" and "Guardians of the Galaxy." Smaller comic book publishers are testing their own direct-to-consumer platforms. Image Comics, the publisher of popular titles like The Walking Dead and Saga, started a direct-to-consumer platform in 2015 to sell comic book subscriptions and apparel.

Today Comic-Con attendees were treated to new trailers and previews for a slew of upcoming geek-friendly movies. An anonymous reader writes: Besides footage from Wonder Woman 1984, there were also trailers for DC's Aquaman movie, plus a new DC superhero franchise with a lighter tone, Shazam. (And there was also a very apocalyptic preview of Godzilla: King of the Monsters.)

Numerous celebrities were on-hand to tout their upcoming films. Johnny Depp introduced the trailer for Fantastic Beasts 2: The Crimes of Grindelwald -- in character -- while Bruce Willis and Samuel L. Jackson introduced the trailer for M. Night Shyamalan's Glass. Jamie Lee Curtis even plugged her return to the Halloween franchise 40 years after the original, revealing that her character has been waiting all these decades to kill Michael Myers after his release from prison.

TV Guide has collected most of the trailers for TV shows, including season 11 of Doctor Who, the revival of Star Wars: The Clone Wars, and new seasons of Marvel's Iron Fist and Fear the Walking Dead. There was apparently also a trailer for Marvel's mutant series The Gifted -- and a preview for the 30th season of The Simpsons featuring this Halloween's "Treehouse of Horror XXIX", which includes a parody of Invasion of the Body Snatchers.

In the run up to the release of Fallout, the new movie in the Mission Impossible franchise, Paramount studio re-released the entire Mission Impossible series on 4K Blu-ray last month. The new discs aren't only a huge upgrade for cinephiles -- they're also a fascinating glimpse at how studios can revive older films for the 4K/HDR era. Engadget: "In terms of any re-transfers or remastering that we are doing for our HDR releases, we will go back to the highest resolution source available," Kirsten Pielstick, manager of Paramount's digital mastering group, said in an interview. In the case of Mission Impossible 1 and 2, that involved scanning the original 35mm negatives in 4K/16-bit. As you'd expect, the studio tries to get the original artists involved with any remasters, especially with something like HDR, which allows for higher brightness and more nuanced black levels. Pielstick worked with the director of photography (DP) for the first Mission Impossible film, Stephen H. Burum, to make sure its noir-like palette stayed intact.

[...] "Our mastering philosophy here is always to work directly with the talent whenever possible, and use the new technology to enhance the movie, but always stay true to the intent of the movie," Pielstick said. "You're not going to want to make things brighter just because you can, if it's not the intent of how you were supposed to see things." [...] "You also have to remember that we're not putting in anything that didn't exist on the film [for HD remasters]," Pielstick added. "It was always there we just didn't have the ability to see it. So we're not adding anything new, we're not doing anything to increase those, we're just able to look at the negative in a much clearer way than we ever could before."

According to Anchorage Daily News, the two remaining Blockbuster stores in Alaska are set to close, leaving just one location left in the United States. The last one standing in the U.S. is in Bend, Oregon. From the report: The stores, one on DeBarr Road in Anchorage and the other in Fairbanks, will close Monday for rental business, a post on the Facebook page for Blockbuster in Alaska said Thursday afternoon. They will reopen at noon Tuesday for an inventory sales that will run through July and August. Thursday's news follows a smattering of other recent Blockbuster closures across the state, which had 13 Blockbusters in 2013 and was down to nine stores by 2016. As Blockbuster stores disappeared from most of the Lower 48 in recent years, the brand long managed to persist in Alaska. Some have said expensive internet here is one reason why. The stores have also been a destination for some who visit just for the nostalgia.

When it was originally released in 1968, audiences didn't really know what to make of "2001: A Space Odyssey". In fact, 250 critics walked out of the New York premiere, literally asking aloud, "What is this bullshit?"

[...] Stanley Kubrick himself was always hesitant to offer an explanation of the ending, once telling Playboy, "You're free to speculate as you wish about the philosophical and allegorical meaning of the film -- and such speculation is one indication that it has succeeded in gripping the audience at a deep level -- but I don't want to spell out a verbal road map for 2001 that every viewer will feel obligated to pursue or else fear he's missed the point." But, in a bizarre video, which appeared recently, the director seems to provide a very simple and clear explanation of the "2001: A Space Odyssey" ending. Esquire: It comes from a Japanese paranormal documentary from TV personality Jun'ichi Yaio made during the filming of The Shining. The documentary was never released, but footage was sold on eBay in 2016 and conveniently appeared online this week timed with the movie's 50th anniversary. Kubrick says in the interview: I've tried to avoid doing this ever since the picture came out. When you just say the ideas they sound foolish, whereas if they're dramatized one feels it, but I'll try. The idea was supposed to be that he is taken in by god-like entities, creatures of pure energy and intelligence with no shape or form. They put him in what I suppose you could describe as a human zoo to study him, and his whole life passes from that point on in that room. And he has no sense of time. It just seems to happen as it does in the film.

They choose this room, which is a very inaccurate replica of French architecture (deliberately so, inaccurate) because one was suggesting that they had some idea of something that he might think was pretty, but wasn't quite sure. Just as we're not quite sure what do in zoos with animals to try to give them what we think is their natural environment. Anyway, when they get finished with him, as happens in so many myths of all cultures in the world, he is transformed into some kind of super being and sent back to Earth, transformed and made into some sort of superman. We have to only guess what happens when he goes back. It is the pattern of a great deal of mythology, and that is what we were trying to suggest.

Slashdot reader Dave Knott brings news: Steve Ditko, the legendary comics artist best known for co-creating Spider-Man and Doctor Strange, has died at age 90. No cause of death was announced.
Neil Gaiman posted on Twitter, "I know I'm a different person because he was in the world." Entertainment Weekly reports: Ditko's most enduring characters were created during his tenure at Marvel Comics, where he worked alongside editor-in-chief Stan Lee to develop the look of Spider-Man in 1961. Jack Kirby had previously taken a swing at the webslinger, but Lee was unconvinced by that artist's interpretation of the now-iconic character.

When Spider-Man -- whose red-and-blue costume, Spidey senses, and web-shooters all came directly from Ditko -- first appeared within the pages of Amazing Fantasy No. 15, the friendly neighborhood superhero proved a surprisingly massive hit for Marvel Comics, paving the way for a solo comic series titled The Amazing Spider-Man. Ditko's influence on Spider-Man was tremendous, his often dark sensibilities informing an at-the-time rare superhero whose life was often worsened and trauma-filled as a consequence of his good deeds. The artist additionally helped conceive many of the most memorable members of Spidey's rogues' gallery, including Green Goblin, Doctor Octopus, Vulture, and the Lizard...

Two years later, Ditko delivered another Marvel icon by creating Doctor Strange, the mystical Sorcerer Supreme who furthered the comic book empire's reach into more cosmic, even psychedelic realms... As a freelancer, he continued contributing to Marvel and created cult-favorite character Squirrel Girl for them in 1992.

MoviePass is rolling out peak pricing, its own version of surge pricing that will charge customers more to see popular movies during what the company considers "high demand" times. Quartz reports: MoviePass is a subscription movie ticket service that typically costs $9.95 a month to see up to one movie in U.S. theaters per day. The company has been hemorrhaging cash to subsidize these monthly subscriptions, which can cost less than a single movie ticket in some U.S. cities. The company is looking to raise another $1.2 billion by selling stock and debt. But if MoviePass wants to survive, it also needs to start losing less money on its subscribers, and fast. That's where peak pricing comes in. "Peak Pricing goes into effect when there's high demand for a movie or showtime," MoviePass wrote in its email. "You may be asked to pay a small additional fee depending on the level of demand." Movies currently experiencing peak pricing will be marked with a red circle containing a white lightening bolt; movies growing in demand that "could enter Peak Pricing soon" will get a gray version of the icon. MoviePass doesn't say how much the "small additional fee" will be, but we can expect it to be $2 or more. In the example MoviePass emailed to users today, the extra fee is $3.43. "Note: the actual Peak Pricing surcharge will vary based on showtime and movie title," the email adds.

Netflix may be introducing a new, higher tier of service. From a report: Known as Ultra, the new tier would allow four devices to receive Ultra HD video and audio streaming simultaneously, according to Italian blog Tutto Android. Netflix currently has three subscription plans: $7.99 Basic, $10.99 Standard and $13.99 Premium. Basic allows users to watch Netflix on one screen at a time; Standard allows viewing on two screens; and Premium allows four screens. Screens can be TVs, laptops, tablets or smartphones. "We continuously test new things at Netflix and these tests typically vary in length of time," Smita Saran, a Netflix spokeswoman, said in an email. "In this case, we are testing slightly different price points and features to better understand how consumers value Netflix."

An anonymous reader shares a report: MoviePass, the subscription-based movie ticket service, is struggling to stay afloat. But the payment model it has popularized appears to be here to stay. AMC Theaters, the largest multiplex chain in the United States, rolled out its own MoviePass-style service on Tuesday. For $20 a month, subscribers to AMC Stubs A-List can see up to three movies a week. Also last week, the Alamo Drafthouse chain said it would begin testing a service called Season Pass that would offer unlimited movies for one monthly price.

[...] AMC also said that its service was "sustainable" -- a not-so-subtle shot at MoviePass, which has three million members, most of whom pay $10 a month for the ability to see a movie a day. Many people in Hollywood and on Wall Street think that MoviePass will fail because it loses money on heavy users; Helios and Matheson Analytics, which owns MoviePass, has seen its publicly traded shares fall from $38.86 last year to 31 cents on Friday.

Cinemark, a chain that has 4,566 movie screens in 41 states, began offering this subscription in December. It's very basic: for $9 a month members can see one movie a month (no 3-D) and receive a 20 percent discount on concessions, among other perks. Unused tickets roll over and never expire for paying members. There is no debit card involved, and members can reserve seats online. Sinemia: Started in 2015 in Turkey, this under-the-radar service bears the most similarity to MoviePass. Sinemia operates independently of theaters and involves a two-step process, with members selecting movies with an app and paying for them with a special debit card.

Instead of uploading a trailer of "Khali the Killer," an upcoming move from Sony Pictures Entertainment, the conglomerate accidentally uploaded the entire movie on Google's video platform, according to users. TorrentFreak: When we started writing this article the movie had around 8,000 views. Just a few paragraphs later that had swelled to almost 11,000. However, while news may be traveling quickly, those numbers probably won't reach epic levels anytime soon.

As usual, the comments on YouTube are absolutely brutal. The section includes gems such as "Trailer gave the whole plot away. Pass," "It's just the trailer the whole movie will be 4 hours," and the rather blunt "Someone's getting the sackï."

goombah99 writes: Netflix is sending emails to subscribers announcing the end of user-authored reviews on Netflix. Past reviews are being archived. The stated reason is declining usage. This follows on the previous years' decision to remove range voting for user ratings (0 to 5 stars) and substitute a thumbs up/down approval voting system. One suspects that the former is an unintended consequence of the latter, since the purpose of people who write a review is to try to explain the nuances of their decision. An inexpressive rating system defeats that. It can be argued that approval voting has technical advantages in aggregating ratings for a recommendation engine as it doesn't need to normalize the biases in a rating system between different users and mostly heads off gaming the system with exaggerated degrees of rating. But evidently that was also a necessary component of the review process itself regardless of its utility for recommendation engines. The email that Netflix is sending users is short and to the point: "You contributed a review on Netflix within the last year. We wanted to let you know that this feature will be retired on July 30th due to declining usage. We appreciate you taking time to write a review. All of your reviews will be available at netflix.com/reviews through July 30th."

Some adult content creators on crowdfunding site Patreon are being suspended due to the suggestive material they produce. The platform said that they are increasing efforts to review content, due to payment processor pressure. Motherboard reports: In late 2017, Patreon expanded its adult content guidelines, to include stricter guidelines for "bestiality, incest, sexual depiction of minors, and suggestive sexual violence." At the time, it resulted in suspensions and bans of many adult content creators whose work Patreon previously permitted, but no longer fell in line with new guidelines. Now, many more adult content creators are reporting that they're experiencing a renewed wave of suspensions on the platform. Patreon's guidelines for adult content state that "all public content on your page be appropriate for all audiences," and "content with mature themes must be marked as a patron-only post." For several of these reports, Patreon warned that "implied nudity" was the reason for the suspension, where it appeared in public areas or publicly-visible patron tiers and banners. "You can't use Patreon to raise funds in order to produce pornographic material such as maintaining a website, funding the production of movies, or providing a private webcam session," the guidelines state.

Slashdot readers chill and mrflash818 have shared the news of Harlan Ellison's passing. Variety reports: Speculative-fiction writer Harlan Ellison, who penned short stories, novellas and criticism, contributed to TV series including "The Outer Limits," "Star Trek" and "Babylon 5" and won a notable copyright infringement suit against ABC and Paramount and a settlement in a similar suit over "The Terminator," has died. He was 84. Christine Valada tweeted that Ellison's wife, Susan, had asked her to announce that he died in his sleep Thursday.

Amazon on Thursday introduced software and accessories that will turn its Fire HD tablets into a portable Echo. From a report: The company on Thursday unveiled a new case and stand for the Fire HD 8 and Fire HD 10 tablet so those devices will act almost just like the Amazon Echo Show, a larger gadget that has a touch display. You can call up recipes in the kitchen, see song lyrics for music that you're playing, place video calls to friends, start movies and more, all without touching the tablet and with a visual interface that was previously available only on the Echo Show and Echo Spot.

As if seeing a popular movie with MoviePass -- where you can't reserve tickets in advance -- wasn't stressful enough, it's about to get more expensive, too. From a report: The movie-ticket subscription service, which charges $9.95 per month to see a movie a day in the US, will start surge pricing on popular movies next month, Business Insider reported. MoviePass will charge subscribers $2 or more to see titles that the app decides are very popular with its members beginning in July, Mitch Lowe, MoviePass's CEO, told the publication. He was vague on the details. "At certain times for certain films -- on opening weekend -- there could be an additional charge for films," Lowe said, calling the forthcoming policy "high-demand" pricing. But if you've paid for a year's subscription to MoviePass upfront, don't worry: Lowe said these subscribers would not be subjected to the new pricing policy. MoviePass will begin rolling out two other previously announced features, like the option to upgrade to premium movie formats such 3D and IMAX, or bring a friend to the movies, by August, Lowe added.

In an interview with James Cameron, George Lucas reveals what he'd planed for the final three Star Wars films: "[The next three 'Star Wars' films] were going to get into a microbiotic world," he told Cameron. "There's this world of creatures that operate differently than we do. I call them the Whills. And the Whills are the ones who actually control the universe. They feed off the Force...." In terms of his storytelling, Lucas regarded individuals as "vehicles for the Whills to travel around in... And the conduit is the midi-chlorians. The midi-chlorians are the ones that communicate with the Whills. The Whills, in a general sense, they are the Force."

Lucas is confident that had he kept his company, the Whills-focused films "would have been done. Of course, a lot of the fans would have hated it, just like they did 'Phantom Menace' and everything, but at least the whole story from beginning to end would be told."
Lucas acknowledges in the interview that "Everybody hated it in 'Phantom Menace' [when] we started talking about midi-chlorians," prompting one Ars Technica editor to add "Because it was a really dumb idea." He speculates that if the final three Star Wars movies followed Lucas's original plan, "Imagine, if you can, our heroes shrinking down like the Fantastic Voyage to go meet some midi-chlorians."

Knowing Lucas's plans for the franchise "should make every Star Wars fan send a note of gratitude to whoever at Disney decided to buy the franchise and take it away and out from under Lucas' control."

AMC said on Wednesday it is creating a VIP tier of its loyalty program, a subscription movie theater pass called AMC Stubs A-List, which will allow users to see three movies a week in AMC theaters for $20 a month. From a report: The offering rivals that of MoviePass, a subscription movie service with longstanding tensions in negotiating pricing and theater distribution agreements with AMC. Tensions between AMC and MoviePass had gotten so bad that last year that AMC said it would try to block MoviePass. MoviePass CEO Mitch Lowe told Axios in an interview in January that MoviePass brought in 1 million tickets for AMC in December alone. Like MoviePass, the AMC subscription will let users see a certain number of films for a monthly flat fee, but will only be viewable in AMC theaters.

EA CEO Andrew Wilson announced that the game publisher is making a big move into cloud gaming. The company is also planning to launch a new version of its Origin Access subscription service on PC called Origin Access Premiere that will introduce games like Madden, FIFA, and more the same day they launch at retail. From a report: During the publisher's E3 2018 press conference, CEO Andrew Wilson descried the combination of streaming and subscription as "the greatest disruption" to the world of entertainment of the past five years. He pointed to how this business model for movies, TV and books has changed those markets, and believes this combination will have "a profound impact" on the games industry in the years to come. Wilson's comments echoed those of his CFO Blake Jorgensen, who said back in November that a combination of live services, such as FIFA Ultimate Team, and subscriptions will lead to "uncapped" monetisation of its players over the longest possible period of time.

In its latest financials, EA revealed that 40% of its revenue last year came from live services, while full game downloads and physical game sales are dropping. Wilson reminded conference attendees of the publisher's recent acquisition of GameFly's Israel-based cloud gaming team, predicting a future where players can enjoy high-end games on any device anywhere with an internet connection. While there are tech demos for EA's streaming service out there, Wilson stressed that it's "not quite ready for full market primetime," but pitched it as a "promise of what we hope to bring you in the future." In the meantime, Electronic Arts took the opportunity to announce a new subscription system that shows the publisher continuing to push towards a service-based economy for video games. Origin Access Premier is a new addition to the firm's PC-based games service: a premium subscription that gives players access to even more titles.

Zorro shares a report from The Hollywood Reporter: To borrow one of Han Solo's lines from Star Wars: The Force Awakens, "That's not how the Force works!" It's an apt way to sum up the troubled performance of Solo: A Star Wars Story. In one of the biggest box-office surprises in recent times, Solo is badly underperforming and will become the first of the Star Wars movies made by Disney and Lucasfilm to lose money. Wall Street analyst Barton Crockett says Solo will lose more than $50 million. Industry financing sources, however, say that figure could come in at $80 million or higher, although no one knows the exact terms of Disney's deals for home entertainment and television, among other ancillary revenues.