An anonymous reader shares a report: As part of the settlement with Universal, Udio has amended its terms of service, and users can no longer download their outputs. This has AI music makers furious, and with good reason. Unfortunately, they have little recourse, as the contract they sign when creating a Udio account includes a waiver of the right to bring a class action.

An anonymous reader shared this report from Forbes: On November 20, at approximately 4 p.m. Eastern time, Napster held an online meeting for its shareholders; an estimated 700 of roughly 1,500 including employees, former employees and individual investors tuned in. That's when its CEO John Acunto told everyone he believed that the never-identified big investor — who the company had insisted put in $3.36 billion at a $12 billion valuation in January, which would have made it one of the year's biggest fundraises — was not going to come through.

In an email sent out shortly after, it told existing investors that some would get a bigger percentage of the company, due to the canceled shares, and went on to describe itself as a "victim of misconduct," adding that it was "assisting law enforcement with their ongoing investigations." As for the promised tender offer, which would have allowed shareholders to cash out, that too was called off. "Since that investor was also behind the potential tender, we also no longer believe that will occur," the company wrote in the email.

At this point it seems unlikely that getting bigger stakes in the business will make any of the investors too happy. The company had been stringing its employees and investors along for nearly a year with ever-changing promises of an impending cash infusion and chances to sell their shares in a tender offer that would change everything. In fact, it was the fourth time since 2022 they've been told they could soon cash out via a tender offer, and the fourth time the potential deal fell through. Napster spokesperson Gillian Sheldon said certain statements about the fundraise "were made in good faith based on what we understood at the time. We have since uncovered indications of misconduct that suggest the information provided to us then was not accurate."
The article notes America's Department of Justice has launched an investigation (in which Napster is not a target), while the Securities and Exchange Commission has a separate ongoing investigation from 2022 into Napster's scrapped reverse merger.

While Napster announced they'd been acquired for $207 million by a tech company named Infinite Reality, Forbes says that company faced "a string of lawsuits from creditors alleging unpaid bills, a federal lawsuit to enforce compliance with an SEC subpoena (now dismissed) and exaggerated claims about the extent of their partnerships with Manchester City Football Club and Google. The company also touted 'top-tier' investors who never directly invested in the firm, and its anonymous $3 billion investment that its spokesperson told Forbes in March was in "an Infinite Reality account and is available to us" and that they were 'actively leveraging' it..."

And by the end, "Napster appears to have been scrambling to raise cash to keep the lights on, working with brokers and investment advisors including a few who had previously gotten into trouble with regulators.... If it turns out that Napster knew the fundraise wasn't happening and it benefited from misrepresenting itself to investors or acquirees, it could face much bigger problems. That's because doing so could be considered securities fraud."

Longtime Slashdot reader fahrbot-bot shares a report from 404 Media: The Ukrainian Army is knocking a once-hyped Russian superweapon out of the sky by jamming it with a song and tricking it into thinking it's in Lima, Peru. The Kremlin once called its Kh-47M2 Kinzhal ballistic missiles "invincible." Joe Biden said the missile was "almost impossible to stop." Now Ukrainian electronic warfare experts say they can counter the Kinzhal with some music and a re-direction order. [...] Kinzhals and other guided munitions navigate by communicating with Russian satellites that are part of the GLONASS system, a GPS-style navigation network. Night Watch uses a jamming system called Lima EW to generate a disruption field that prevents anything in the area from communicating with a satellite. Many traditional jamming systems work by blasting receivers on munitions and aircraft with radio noise. Lima does that, but also sends along a digital signal and spoofs navigation signals. It "hacks" the receiver it's communicating with to throw it off course.

Night Watch shared pictures of the downed Kinzhals with 404 Media that showed a missile with a controlled reception pattern antenna (CRPA), an active antenna that's meant to resist jamming and spoofing. "We discovered that this missile had pretty old type of technology," Night Watch said. "They had the same type of receivers as old Soviet missiles used to have. So there is nothing special, there is nothing new in those types of missiles." Night Watch told 404 Media that it used this Lima to take down 19 Kinzhals in the past two weeks. First, it replaces the missile's satellite navigation signals with the Ukrainian song "Our Father Is Bandera."

Any digital noise or random signal would work to jam the navigation system, but Night Watch wanted to use the song because they think it's funny. "We just send a song... we just make it into binary code, you know, like 010101, and just send it to the Russian navigation system," Night Watch said. "It's just kind of a joke. [Bandera] is a Ukrainian nationalist and Russia tries to use this person in their propaganda to say all Ukrainians are Nazis. They always try to scare the Russian people that Ukrainians are, culturally, all the same as Bandera." Once the song hits, Night Watch uses Lima to spoof a navigation signal to the missiles and make them think they're in Lima, Peru. Once the missile's confused about its location, it attempts to change direction. These missiles are fast -- launched from a MiG-31 they can hit speeds of up to Mach 5.7 or more than 4,000 miles per hour -- and an object moving that fast doesn't fare well with sudden changes of direction.

An anonymous reader quotes a report from Bloomberg: The world's largest music companies have licensed their works to a music startup called Klay, which is building a streaming service that will allow users to remake songs using artificial intelligence tools. Klay is the first music AI service to reach a deal with all three major record labels, Universal Music Group NV, Sony Music and Warner Music Group Corp., according to people familiar with the deals. Klay plans to announce its agreements in the coming days, said the people, who asked not to be identified discussing confidential plans.

Klay is building a product that will offer the features of a streaming service like Spotify, amplified by AI technology that will let users remake songs in different styles. Klay has licensed the rights to thousands of hit songs so that it can train its large language model. The company has positioned itself as a friend of the industry, offering assurances that the artists and labels will have some control over how their work is used. Klay is led by music producer Ary Attie and also employs former executives from Sony Music and Google's DeepMind, an AI laboratory.

An anonymous reader shares a report: Epishine, a company that makes solar cells optimized for indoor lighting, has announced its technology is being used in a new remote control for Google TV devices, as spotted by 9to5Google. The remote will rely on rechargeable batteries instead of disposable ones, and thanks to the use of solar cells on both sides it may only run out of power when it gets buried and forgotten in the dark abyss of your couch cushions.

A federal judge in New York denied Disney's request to block Sling TV's short-term passes, which give viewers the ability to stream live content for as little as one day. From a report: In a ruling on Tuesday, US District Judge Arun Subramanian ruled that Disney didn't prove that Sling TV's passes caused "irreparable harm" to the entertainment giant, as reported earlier by Cord Cutters.

Disney sued Sling shortly after the live TV streaming service started allowing viewers to purchase temporary access to its library of channels, starting at a single payment of $4.99 for a one-day pass. Several channels included in the package are owned by Disney, including ESPN, ESPN2, ESPN3, and Disney Channel. In its lawsuit, Disney argued that the passes violate an agreement with Sling TV that says the service must give subscribers access to its content through monthly subscriptions.

However, Judge Subramanian argues that this claim isn't likely to succeed, as the contract doesn't stipulate a "minimum subscription length," adding that the agreement's "broad definition" of a subscriber "clearly covers users of the Passes."

A Tokyo court ruled that Cloudflare is liable for aiding manga piracy after failing to act on infringement notices and continuing to cache and serve content for major piracy sites, awarding about $3.2 million in damages. TorrentFreak says the decision sets a significant precedent in Japan, suggesting CDN providers can face direct liability when they don't verify customers or respond adequately to large-scale copyright abuse. From the report: After a wait of more than three and a half years, the Tokyo District Court rendered its decision this morning. In a statement provided to TorrentFreak by the publishers, they declare "Victory Against Cloudflare" after the Court determined that Cloudflare is indeed liable for the pirate sites' activities. In a statement provided to TorrentFreak, the publishers explain that they alerted Cloudflare to the massive scale of the infringement, involving over 4,000 works and 300 million monthly visits, but their requests to stop distribution were ignored.

"We requested that the company take measures such as stopping the distribution of pirated content from servers under its management. However, Cloudflare continued to provide services to the manga piracy sites even after receiving notices from the plaintiffs," the group says. The publishers add that Cloudflare continued to provide services even after receiving information disclosure orders from U.S. courts, leaving them with "no choice but to file this lawsuit."

"The judgment recognized that Cloudflare's failure to take timely and appropriate action despite receiving infringement notices from the plaintiffs, and its negligent continuation of pirated content distribution, constituted aiding and abetting copyright infringement, and that Cloudflare bears liability for damages to the plaintiffs," they write. "The judgment, in that regard, attached importance to the fact that Cloudflare, without conducting any identity verification procedures, had enabled a massive manga piracy site to operate "under circumstances where strong anonymity was secured,' as a basis for recognizing the company's liability."

The publishers believe that the judgment clarifies the conditions under which a company such as Cloudflare incurs liability for copyright infringement. Failure to carry out identity verification appears at the top of the publishers' list, followed by a lack of timely and appropriate action in response to infringement notices sent by rightsholders. "We believe this is an important decision given the current situation where piracy site operators often hide their identities and repeatedly conduct large-scale distribution using CDN services from overseas. We hope that this judgment will be a step toward ensuring proper use of CDN services. We will continue our efforts to protect the rights of works, creators, and related parties, while aiming for further expansion of legitimate content," the publishers conclude. Cloudflare plans to appeal the verdict.

pbahra writes: Saudi Arabia is betting that the future of Hollywood won't be built in physical stages but in datacenters. In a push to anchor itself in next-generation film production, Riyadh-based Humain has led Luma AI's latest Series C round, backing the shift towards cloud-based, AI-generated video rather than traditional studio infrastructure.. Humain's announcement says the new investment will accelerate Luma's development of world models capable of learning from video, audio and language to generate photorealistic scenes, environments and characters on demand. Supporters argue this could upend film-making by pushing much of Hollywood's production pipeline into high-performance datacenters rather than physical sets.

An anonymous reader shared this report from PC World: It won't whip the llama's ass, but Opera has added a Spotify visualizer to its latest iteration of its free Opera One browser. Known as Sonic, the visualizer will be part of Opera's Dynamic Themes, which use the WebGPU standard to employ a dynamic theme that runs in the background of the browser. It's essentially a shader, which uses your PC's graphics engine to generate the moving background.

The browser also comes with a music player, which is set to Spotify by default. Users will have an opportunity to upgrade to Spotify Premium as part of the browser upgrade, Opera said. Opera's Sonic theme... takes the Spotify input and transforms it into a dynamic background.
"As any old tech head knows, the original visualizer was found in Winamp, which would sync visualizations to the beat and flow of music being played," the article points out.

And 27 years later, WinAmp arrived as an app in Apple's App Store and Google Play and in April of 2024. (The latest version was apparently released this May — and you can also download it to your desktop...)

Somewhere along the way, Winamp also announced "Winamp for Creators," which they're describing as a dedicated platform for music artists with monetization and promotion tools, music management services, and other essential resources "to help creators take control of their careers" (including "a powerful social media publishing tool that lets users write a single post and push it to all their social media channels simultaneously.")

YouTube TV and Disney have ended their two-week carriage standoff, restoring ESPN, ABC, and other Disney networks under a new multiyear deal. Variety reports: Under the new agreement, ESPN's full lineup of sports -- including content from ESPN Unlimited -- will be made available on YouTube TV to base-plan subscribers at no additional cost by the end of 2026. In addition, access to a selection of live and on-demand programming from ESPN Unlimited will be available inside YouTube TV.

The deal also lets YouTube include the Disney+ and Hulu bundle as part of "select YouTube offerings." According to Disney, "select networks" will be included in various genre-specific packages that YouTube TV expects to launch in the future. [...] The deal supersedes their prior distribution agreement, inked in December 2021 after a two-day blackout.

Pay television penetration in American households fell to 50.2% in the third quarter and is projected to drop to 50% or lower by December, according to Madison and Wall, a technology and media advisory firm. Fifteen years ago, nearly nine in ten households subscribed to pay television services.

The decline has prompted major media companies to shed cable assets. Comcast, Warner Bros. Discovery, and A&E are seeking to sell or spin off their cable television operations. Paramount stated it would not divest its cable channels but acknowledged that "each quarter is accelerating decline."

TV manufacturers are abandoning their attempts to turn TVs into interactive social devices through smart cameras. Sky announced this month that it will discontinue Sky Live, a camera accessory for its Sky Glass televisions that brought video calls, body-tracked workouts, and motion games to the living room. The device will stop working at the beginning of December. Sky will brick the cameras and reimburse customers. Sky launched the product in mid-2023 as part of an effort to transform televisions from passive viewing devices into interactive platforms.

That vision has not materialized across the industry. LG's Smart Cam, released in 2023, is out of stock at major retailers and appears discontinued. TCL's smart TV camera is no longer available. Samsung stopped integrating cameras directly into its television sets, though it still sells an external camera accessory.

Netflix is launching a new slate of TV-streamed party games that are all playable using your phone as the controller. The Verge reports: To start, Netflix is offering Boggle Party, Party Crasher: Fool Your Friends, Lego Party, Pictionary: Game Night, and Tetris Time Warp. A social deduction game based on the Knives Out series, Dead Man's Party: A Knives Out Game, is also part of this new slate but will launch at a later time. The streaming platform's approach to gaming has been unfocused, with the company bouncing between being a boutique development studio while also being a platform for premium and exclusive mobile gaming experiences. Offering party games on your TV seems like a better fit -- one that could allow Netflix to finally find its gaming footing.

Longtime Slashdot reader dskoll shares a press release from Apple: Issey Miyake and Apple today unveiled iPhone Pocket. Inspired by the concept of "a piece of cloth," its singular 3D-knitted construction is designed to fit any iPhone as well as all pocketable items. When stretched, the open textile subtly reveals its contents and allows users to peek at their iPhone display. iPhone Pocket can be worn in a variety of ways -- handheld, tied onto bags, or worn directly on the body. Featuring a playful color palette, the short strap design is available in eight colors, and the long strap design in three colors. The "Long" sock variant comes in at only $229.95 and is available in three elegant colors: sapphire, cinnamon, and black. What do Slashdotters think of this very real product?

FX has renewed Alien: Earth for a second season and signed creator Noah Hawley to a massive nine-figure overall deal with Disney Entertainment Television. Deadline reports: Inspired by Ridley Scott's sci-fi thriller film Alien, Hawley adapted the film franchise for television with the strong support of Scott Free and its president, David W. Zucker, who is an executive producer of the series. It earned a positive reaction from fans, posting a 94% Certified Fresh rating from Rotten Tomatoes and a Metacritic Must-Watch score of 85. "It has been our great privilege to work with Noah for more than a decade on some of FX's best and biggest shows, and we are thrilled to extend our partnership well into the future," said FX Chairman John Landgraf. "Noah never stops surprising us with truly original stories -- and his unique ability to bring them to vibrant life as a director and producer as well as writer makes him extraordinary. We can't wait to get to work on the next season of Alien: Earth, as well as some equally exciting future projects in advanced development."

Slashdot readers Tablizer and fjo3 share news that an AI-generated country song has topped the U.S. sales chart for the first time this week. ABC News reports: The new country tune, "Walk my Walk" by Breaking Rust, recently hit No. 1 on Billboard's Country Digital Song Sales chart, reaching over 3 million streams on Spotify in less than a month. That success has garnered mixed reactions from music fans and artists alike, particularly on TikTok, where hundreds of users have posted videos addressing the tune and others discussing the music in the comments.

Billboard has acknowledged Breaking Rust is an AI act and said it is one of at least six to chart in the past few months alone. "Ultimately, this feels like an experiment to see just how far something like this can go and what happens in the future and in other disciplines of art as well," senior entertainment reporter Kelley L. Carter told ABC News. "AI artists won't require things that a real human artist will require, and once companies start considering it and looking at bottom lines, I think that's when artists should rightly be concerned about it," she added.

Disney is losing an estimated $4.3 million per day (about $30 million per week) from the ongoing YouTube TV blackout of ESPN, ABC, and other networks amid a contract dispute over carriage fees. Of course, YouTube is also feeling financial pressure from users who have already canceled or intend to cancel their service. Variety reports: Disney is losing an estimated $30 million per week from its networks being pulled off YouTube TV, which works out to nearly $4.3 million per day, according to Morgan Stanley analysts. The figure came in a research note from Morgan Stanley equity analysts Benjamin Swinburne and Thomas Yeh, who said in their financial forecast for Disney's year-end 2025 quarter, they are "layering in 14 days of impact from the ongoing YouTube TV blackout, which we estimate is a $60mm revenue headwind."

Nov. 11 marks the 12th day of the Disney blackout on YouTube TV. The Morgan Stanley analysts wrote that they expect the Disney-YouTube TV dispute to be resolved later this week, but estimated that each week its networks are dark on YouTube TV will lower Disney's adjusted earnings per share by 2 cents.

Samsung is rolling out new conversational AI across its 2025 TVs that lets users ask questions about what's on the screen and beyond it. From a report: First announced in September, the generative AI update is rolling out now with support for several languages. Vision AI Companion is based on an upgraded, generative AI-based version of Samsung's virtual assistant Bixby. Samsung suggests you can use it to ask questions about on-screen content -- what that actor is famous for, who painted that artwork, or what the final score was in a football game. It can go beyond that though, offering TV and movie recommendations along with cooking advice, travel tips, and local restaurant discovery.

An anonymous reader shares a report: Spotify is the most popular music streaming service in the world. While its algorithmic recommendations aren't necessarily the reason, its reach has meant that hundreds of millions of people are being fed a steady diet of music curated by a machine. Spotify's goal is to keep you listening no matter what. In her book Mood Machine, journalist Liz Pelly recounts a story told to her by a former Spotify employee in which Daniel Ek said, "our only competitor is silence."

According to this employee, Spotify leadership didn't see themselves as a music company, but as a time filler. The employee explained that, "the vast majority of music listeners, they're not really interested in listening to music per se. They just need a soundtrack to a moment in their day." Simply providing a soundtrack to your day might seem innocent enough, but it informs how Spotify's algorithm works. Its goal isn't to help you discover new music, its goal is simply to keep you listening for as long as possible. It serves up the safest songs possible to keep you from pressing stop.

The company even went so far as to partner with music library services and production companies under a program called Perfect Fit Content, or PFC. This saw the creation of fake or "ghost" artists that flooded Spotify with songs that were specifically designed to be pleasant and ignorable. It's music as content, not art. [...] Artists, especially new ones trying to break through, actually started changing how they composed to play better in the algorithmically driven streaming era. Songs got shorter, albums got longer, and intros went away. The hook got pushed to the front of the song to try to grab listeners' attention immediately, and things like guitar solos all but disappeared from pop music. The palette of sounds artists pulled from got smaller, arrangements became more simplified, pop music flattened.

The nonprofit Dust-to-Digital Foundation is making thousands of historic songs accessible to the public for free through a new partnership with the University of California, Santa Barbara. The songs represent "some of the rarest and most uniquely American music borne from the Jazz Age and the Great Depression," according to the university, and classic blues recordings or tracks by Fiddlin' John Carson and his daughter Moonshine Kate "would have likely been lost to landfills and faded from memory."

Launched in 1999 by Lance and April Ledbetter, Dust-to-Digital focused on preserving hard-to-find music. Originally a commercial label producing high-quality box sets (along with CDs, records, and books), it established a nonprofit foundation in 2010, working closely with collectors to digitize and preserve record collections. And there's an interesting story about how they became familiar with library curator David Seubert... Once a relationship is established, Dust-to-Digital sets up special turntables and laptops in a collector's home, with paid technicians painstakingly digitizing and labeling each record, one song at a time. Depending on the size of the collection, the process can take months, even years... In 2006, they heard about Seubert's Cylinder Preservation and Digitization Project getting "slashdotted," a term that describes when a website crashes or receives a sudden and debilitating spike in traffic after being mentioned in an article on Slashdot.
Here in 2025, the university's library already has over 50,000 songs in a Special Research Collections, which they've been uploading it to a Discography of American Historical Recordings (DAHR) database. ("Recordings in the public domain are also available for free download, in keeping with the UCSB Library's mission for open access.") Over 5,000 more songs from Dust-to-Digital have already been added, says library curator Seubert, and "Thousands more are in the pipeline."

One interest detail? The bulk of the new songs come from Joe Bussard, a man whose 75-year obsession with record collecting earned him the name "the king of the record collectors and "the saint of 78s".