The Japanese government has made a formal request asking OpenAI to refrain from copyright infringement. The request came after Sora 2 began generating videos featuring copyrighted characters from anime and video games. Minoru Kiuchi spoke at the Cabinet Office press conference on Friday and described manga and anime as "irreplaceable treasures" that Japan boasts to the world.

The request was made online by the Cabinet Office's Intellectual Property Strategy Headquarters. Sora 2, which launched recently, generates twenty-second videos at 1080p resolution. Social media is getting filled with videos showing characters from One Piece, Demon Slayer, Pokemon and Mario. Digital Minister Masaaki Taira expressed hopes that OpenAI would comply voluntarily. He indicated that measures under Japan's AI Promotion Act may be invoked if the issue remains unresolved.

DirecTV wants to use AI to put you, your family, and your pets inside a custom TV screensaver. From a report: If that's not uncanny enough, you'll find items you can shop for within that AI environment, whether it's a piece of clothing similar to the one your AI likeness is wearing or a piece of furniture that pops up alongside it.

The satellite TV giant is partnering with the AI company Glance to roll out this experience to DirecTV Gemini devices starting next year. "We are making television a lean-in experience versus lean back," Rajat Wanchoo, the group vice president of commercial partnerships at Glance, tells The Verge. "We want to give users a chance to use the advancements that have happened in generative AI to create a ChatGPT moment for themselves, but on TV." Glance is owned by InMobi, the same company that injected ecommerce bloatware into Motorola's budget phones.

Indonesia's film industry has started using generative AI tools to produce films at a fraction of Hollywood budgets. The country's filmmakers are deploying ChatGPT for scriptwriting, Midjourney for image generation, and Runway for video storyboarding. VFX artist Amilio Garcia Leonard told Rest of World that AI has reduced his draft editing time by 70%.

The Indonesian Film Producer Association supports the technology. Indonesian films typically cost 10 billion rupiah ($602,500), less than 1% of major Hollywood productions. The sector employed about 40,000 people in 2020 and generated over $400 million in box office sales in 2023. Jobs for storyboarders, VFX artists, and voice actors are disappearing.

Apple has rebranded its streaming service Apple TV+ to simply Apple TV, further blurring the already confusing line between the Apple TV device, the Apple TV app, and the Apple TV service. As John Gruber notes, users can now "watch Apple TV in Apple TV on Apple TV." From Daring Fireball: In some ways, I get it. Like, if you're telling someone how much you enjoy Slow Horses and they ask how to watch it, it's more natural and conversational to just say "It's on Apple TV." That's what most people say. That's what I say -- and as part of my job, I completely understand the difference between Apple TV the device, Apple TV the (free) app, and Apple TV+ the (paid) streaming service.

But right there in Apple's own "About Apple TV" description, you see just how overused "Apple TV" now is. You can watch Apple TV in Apple TV on Apple TV -- the paid service in the free app on the set-top box. But you can watch any streaming service you want on the box, in that service's own app. But many of those services are also available in the Apple TV app. And the Apple TV streaming service is also available on just about all other popular set-top hardware platforms. So don't need an Apple TV to watch Apple TV. It's a bit like Abbott and Costello's classic "Who's on First" routine.

Enthusiasm for Sora 2 "wasn't shared in Hollywood," reports the Los Angeles Times, "where the new AI tools have created a swift backlash" that "appears to be only just the beginning of a bruising legal fight that could shape the future of AI use in the entertainment business." [OpenAI] executives went on a charm offensive last year. They reached out to key players in the entertainment industry — including Walt Disney Co. — about potential areas for collaboration and trying to assuage concerns about its technology. This year, the San Francisco-based AI startup took a more assertive approach. Before unveiling Sora 2 to the general public, OpenAI executives had conversations with some studios and talent agencies, putting them on notice that they need to explicitly declare which pieces of intellectual property — including licensed characters — were being opted-out of having their likeness depicted on the AI platform, according to two sources familiar with the matter who were not authorized to comment. Actors would be included in Sora 2 unless they opted out, the people said. OpenAI disputes the claim and says that it was always the company's intent to give actors and other public figures control over how their likeness is used.

The response was immediate.... [Big talent agencies objected, along with performers' unions and major studios.] "Decades of enforceable copyright law establishes that content owners do not need to 'opt out' to prevent infringing uses of their protected IP," Warner Bros. Discovery said in a statement... The strong pushback from the creative community could be a strategy to force OpenAI into entering licensing agreements for the content they need, legal experts said... One challenge is figuring out a way that fairly compensates talent and rights holders. Several people who work within the entertainment industry ecosystem said they don't believe a flat fee works.
Meanwhile, "the complete copyright-free-for-all approach that OpenAI took to its new AI video generation model, Sora 2, lasted all of one week," writes Gizmodo. But that means the service has "now pissed off its users." As 404 Media pointed out, social channels like Twitter and Reddit are now flooded with Sora users who are angry they can't make 10-second clips featuring their favorite characters anymore. One user in the OpenAI subreddit said that being able to play with copyrighted material was "the only reason this app was so fun."
Futurism published more reactions, including ""It's official, Sora 2 is completely boring and useless with these copyright restrictions." Others accused OpenAI of abusing copyright to hype up its new app. "This is just classic OpenAI at this point," another user wrote. "They do this s*** all the time. Let people have fun for a day or two and then just start censoring like crazy." The app now has a measly 2.9-star rating on the App Store, indicative of growing disillusionment and frustration with censorship... [It's not dropped to 2.8.]

In an apparent effort to save face, Altman claimed this week that many copyright holders are actually begging to have their characters appear on Sora, instead of complaining about the trend. "In the case of Sora, we've heard from a lot of concerned rightsholders and also a lot of rightsholders who are like 'My concern is you won't put my character in enough,'" he told the a16z podcast earlier this week. "So I can completely see a world where subject to the decisions that a rightsholder has, they get more upset with us for not generating their character often enough than too much," he added. Whether most rightsholders would agree with that sentiment remains to be seen.
Business Insider offers another reaction. After watching Sora 2's main public feed, they write that Sora 2 "seems to be overrun with teenage boys."

An anonymous reader shared this report from the Guardian: This month, indie musicians in San Francisco gathered for a series of talks called Death to Spotify, where attenders explored "what it means to decentralize music discovery, production and listening from capitalist economies". The events, held at Bathers library, featured speakers from indie station KEXP, labels Cherub Dream Records and Dandy Boy Records, and DJ collectives No Bias and Amor Digital. What began as a small run of talks quickly sold out and drew international interest. People as far away as Barcelona and Bengaluru emailed the organizers asking how to host similar events.

The talks come as the global movement against Spotify edges into the mainstream. In January, music journalist Liz Pelly released Mood Machine, a critical history arguing the streaming company has ruined the industry and turned listeners into "passive, uninspired consumers". Spotify's model, she writes, depends on paying artists a pittance — less still if they agree to be "playlisted" on its Discovery mode, which rewards the kind of bland, coffee-shop muzak that fades neatly into the background... The Death to Spotify organizers say their goal is not necessarily to shut the app down. "We just want everyone to think a little bit harder about the ways they listen to music," says [event co-founder] Manasa Karthikeyan. "It just flattens culture at its core if we only stick to this algorithmically built comfort zone."
So the goal was "down with algorithmic listening, down with royalty theft, down with AI-generated music," according to the event's other co-founder, Stephanie Dukich.

Basically some artists "are questioning whether it's doing much for them," says a professor of music at the University of Texas at Austin. The article cites performers who are trying Spotify alternatives, like pop-rock songwriter Caroline Rose, who released her new album only on vinyl and Bandcamp. "I find it pretty lame that we put our heart and soul into something and then just put it online for free," Rose says.

An anonymous reader shared this report from The Wrap Tesla this weekend introduced a new "Tron: Ares" mode, giving drivers an opportunity to turn their on-screen vehicles into the glowing Light Cycles that have been a big part of the Disney franchise since 1982.

The optional update started rolling out on Friday, as Tron: Ares debuted in theaters. Tesla announced the update on X: "The grid has expanded to your Tesla — Tron: Ares update rolling out now." The feature is activated in Tesla's Toybox "infotainment" system, and turns the driver's vehicle avatar into a red Light Cycle. For drivers who have the "ambient lighting" feature, the mode will also expand the theme throughout the cabin.
There was also a sleek black Tesla Optimus robot at the premier of Tron: Ares.

Ironically, the Hollywood Reporter writes that by box office figures, "Tron is in big trouble," selling fewer tickets than expected (despite the movie's $180 million pre-marketing budget). While Tron's audience reviews gave it an 86% score on Rotten Tomatoes, its score with critics is just 57%.

The Los Angeles Times says the movie "has glowing style, but its storytelling doesn't compute." (Or, as the New York Times puts it, "Who needs logic when you have neon?")

An anonymous reader quotes a report from Ars Technica: Bose will brick key features of its SoundTouch Wi-Fi speakers and soundbars soon. On Thursday, Bose informed customers that as of February 18, 2026, it will stop supporting the devices, and the devices' cloud-based features, including the companion app, will stop working. The SoundTouch app enabled numerous capabilities, including integrating music services, like Spotify and TuneIn, and the ability to program multiple speakers in different rooms to play the same audio simultaneously.

Bose has also said that some saved presets won't work and that users won't be able to change saved presets once the app is gone. Additionally, Bose will stop providing security updates for SoundTouch devices. The Framingham, Massachusetts-headquartered company noted to customers that the speakers will continue being able to play audio from a device connected via AUX or HDMI. Wireless playback will still work over Bluetooth; however, Bluetooth is known to introduce more latency than Wi-Fi connections. Affected customers can trade in their SoundTouch product for a credit worth up to $200.

In its notice sent to customers this week, Bose provided minimal explanation for end-of-life-ing its pricey SoundTouch speakers, saying: "Bose SoundTouch systems were introduced into the market in 2013. Technology has evolved since then, and we're no longer able to sustain the development and support of the cloud infrastructure that powers this older generation of products. We remain committed to creating new listening experiences for our customers built on modern technologies."

An anonymous reader shares a report: DC Comics president and publisher Jim Lee said that the company "will not support AI-generated storytelling or artwork," assuring fans that its future will remain rooted in human creativity. "Not now, not ever, as long as [SVP, general manager] Anne DePies and I are in charge," Lee said during his panel at New York Comic Con on Wednesday, likening concerns around AI dominating future creative industries to the Millennium bug scare and NFT hype.

"People have an instinctive reaction to what feels authentic. We recoil from what feels fake. That's why human creativity matters," said Lee. "AI doesn't dream. It doesn't feel. It doesn't make art. It aggregates it."

TiVo, the digital video recording pioneer, has moved on from its legacy DVR technology, focusing instead on its branded operating system software promoting third-party content searches, recommendation, including free ad-supported streaming options and more for smart televisions. From a report: "As of Oct. 1, 2025, TiVo has stopped selling Edge DVR hardware products," the company said in an AI-based message. The recording said that the company and its associates no longer manufacture DVR hardware, "and our remaining inventory is now depleted." TiVo said it remains "committed to providing support for our DVR customers and will continue to provide support for the foreseeable future." TiVo in 1999 created the first set-top device enabling users to record and skip ads within television programming.

NBC is developing a game show based on the New York Times' Wordle puzzle, with Today anchor Savannah Guthrie set to host and Jimmy Fallon executive producing through his company, Electric Hot Dog. The Times is also a production partner. From the Hollywood Reporter: Wordle, which the Times acquired in 2022 and logs billions of plays from the paper's games site annually, gives players six tries to guess a five-letter word, revealing only if letters are in the right place (via a green background) or part of the word but in the wrong place (with a gold background). Should it go forward, the Wordle show would join another Fallon-produced game show, Password, on NBC's unscripted roster. The Tonight Show emcee also executive produces and hosts the network's On Brand, a competition series that revolves around advertising and marketing.

Samsung, Hisense, TCL and Sony presented RGB LED TVs at IFA in Berlin last month. The technology replaces each standard LED backlight with a trio of red, green and blue LEDs to expand the range of colors a screen can display. Each manufacturer is using different name for the technology: Hisense has called it RGB-MiniLED, Samsung named it Micro RGB, Sony introduced Sony RGB Technology, and TCL branded it RGB Micro LED. The companies previously tried other monikers at CES.

Avi Greengart of Techsponential told PCMag the difference in color fidelity was not subtle when he viewed Samsung's version. PCMag found the Hisense 116UX the brightest TV with the widest color range he had evaluated. Both the 116-inch Hisense and Samsung's 115-inch model list at $30,000. TCL introduced RGB sets in China at prices starting at the equivalent of $1,150 for a 65-inch model. Greengart cautioned that it remained unclear whether the technology would rapidly decline in price or stay expensive like MicroLED.

Gov. Gavin Newsom has signed a law banning excessively loud advertisements on streaming platforms like Netflix, Hulu and Amazon Prime that could become a de facto national standard. From a report: The new California law is aimed at addressing what the Federal Communications Commission has called a "troubling jump" in TV ad noise complaints, fueled by streamers airing commercials louder than the shows and movies they accompany.

It's modeled off a federal law passed in 2010 that caps ad volumes on cable and broadcast TV, but doesn't apply to streaming services. Given the Golden State's massive sway in the entertainment industry, the new law may strong-arm streamers into shushing commercials nationwide. "We heard Californians loud and clear, and what's clear is that they don't want commercials at a volume any louder than the level at which they were previously enjoying a program," Newsom said in a statement. "California is dialing down this inconvenience across streaming platforms."

A computer-generated actress appearing in Instagram shorts now has a talent agent, reports the Los Angeles Times.

The massive screen actors union SAG-AFTRA "weighed in with a withering response." SAG-AFTRA believes creativity is, and should remain, human-centered. The union is opposed to the replacement of human performers by synthetics.

To be clear, "Tilly Norwood" is not an actor, it's a character generated by a computer program that was trained on the work of countless professional performers — without permission or compensation. It has no life experience to draw from, no emotion and, from what we've seen, audiences aren't interested in watching computer-generated content untethered from the human experience. It doesn't solve any "problem" — it creates the problem of using stolen performances to put actors out of work, jeopardizing performer livelihoods and devaluing human artistry.

Additionally, signatory producers should be aware that they may not use synthetic performers without complying with our contractual obligations, which require notice and bargaining whenever a synthetic performer is going to be used.
"They are taking our professional members' work that has been created, sometimes over generations, without permission, without compensation and without acknowledgment, building something new," SAG-AFTRA President Sean Astin told the Los Angeles Times in an interview: "But the truth is, it's not new. It manipulates something that already exists, so the conceit that it isn't harming actors — because it is its own new thing — ignores the fundamental truth that it is taking something that doesn't belong to them," Astin said. "We want to allow our members to benefit from new technologies," Astin said. "They just need to know that it's happening. They need to give permission for it, and they need to be bargained with...."

Some actors called for a boycott of any agents who decide to represent Norwood. "Read the room, how gross," In the Heights actor Melissa Barrera wrote on Instagram. "Our members reserve the right to not be in business with representatives who are operating in an unfair conflict of interest, who are operating in bad faith," Astin said.
But this week the head of a new studio from startup Luma AI "said all the big companies and studios were working on AI assisted projects," writes Deadline — and then claimed "being under NDA, she was not in a position to announce any of the details."

"When someone searches for 'James Bond' on Prime Video now, all of the classic films will show up..." notes Parade. But recently Amazon's streaming service had tried new thumbnails with "matching minimalist backgrounds," so every Bond actor — from Sean Connery to Daniel Craig — "had a stylish image with '007' emblazoned over a color background." But in most of those "stylized" images, James Bond's guns were edited out.

It looks like Amazon backed off. On my TV and on my tablet, selecting Dr. No now brings up a page where Bond is holding his gun. (Just like in the original publicity photo.) And there's also guns in the key art for The Spy Who Loved Me, A View to a Kill, and License to Kill.

"Perhaps feeling shame for the terrible botch job on the artwork, not to mention the idea in the first place, Amazon Prime has now reinstated the previous key art across its streaming service," notes the unofficial James Bond fan site MI6. (In most cases guns still aren't shown, but they seem to achieve this by showing a photo from the movie.)

That blog post includes a gallery preserving copies of Amazon's original "stylized" images. They'd written Thursday that Amazon didn't just use cropping. "In some cases the images have been digitally manipulated to varying levels of success."

An anonymous reader quotes a report from Ars Technica: TiVo's Q2 2025 Video Trends Report: North America released today points to growth in cord reviving. It reads: "The share of respondents who cut the cord but later decided to resubscribe to a traditional TV service has increased about 10 percent, to 31.9 percent in Q2 2025." TiVo's report is based on a survey conducted by an unspecified third-party survey service in Q2 2025. The respondents are 4,510 people who are at least 18 years old and living in the US or Canada, and the survey defines traditional TV services as pay-TV platforms offering linear television via cable, satellite, or managed IPTV platforms.

It's important to note that TiVo is far from an impartial observer. In addition to selling an IPTV platform, its parent company, Xperi, works with cable, broadband, and pay-TV providers and would directly benefit from the existence or perception of a cord reviving "trend." When reached for comment, a TiVo spokesperson said via email that cord reviving is driven by a "mixture of reasons, with internet bundle costs, familiarity of use, and local content (sports, news, etc.) being the primary drivers." The rep noted that it's "likely" that those re-subscribing to traditional TV services are using them alongside some streaming subscriptions. "It's possible that users are churning off some [streaming] services where there is overlap with traditional TV services," TiVo's spokesperson said.

A high court in India has ruled that legible medical prescriptions are a fundamental right after a judge found a government doctor's report completely incomprehensible. Justice Jasgurpreet Singh Puri of the Punjab and Haryana High Court issued the order while reviewing a bail petition in an unrelated criminal case. The medico-legal report examining an alleged assault victim was written in handwriting that the judge said left not even a single word or letter legible.

The court directed India's government to add handwriting instruction to medical school curriculum and mandated a two-year timeline for rolling out digital prescriptions nationwide. Until electronic systems are implemented, all doctors must write prescriptions in capital letters. The Indian Medical Association, representing over 330,000 physicians, told BBC it would help address the issue. Association president Dr Dilip Bhanushali said doctors in Indian cities have largely adopted digital prescriptions but practitioners in rural areas and small towns continue using handwritten notes.

In India, Bollywood stars are asking judges to protect their voice and persona in the era of AI. From a report: One famous couple's biggest target is Google's YouTube. Abhishek Bachchan and his wife Aishwarya Rai Bachchan, known for her iconic Cannes Film Festival red carpet appearances, have asked a judge to remove and prohibit creation of AI videos infringing their intellectual property rights. But in a more far-reaching request, they also want Google ordered to have safeguards to ensure such YouTube videos uploaded anyway do not train other AI platforms, legal papers reviewed by Reuters show.

A handful of Bollywood celebrities have begun asserting their "personality rights" in Indian courts over the last few years, as the country has no explicit protection for those like in many U.S. states. But the Bachchans' lawsuits are the most high-profile to date about the interplay of personality rights and the risk that misleading or deepfake YouTube videos could train other AI models. The actors argue that YouTube's content and third-party training policy is concerning as it lets users consent to sharing of a video they created to train rival AI models, risking further proliferation of misleading content online, according to near-identical filings from Abhishek and Aishwarya dated September 6, which are not public.

An anonymous reader quotes a report from Reuters: The U.S. Federal Communications Commission voted on Tuesday to consider whether to lift the long-standing prohibition on a merger between any of the largest four broadcast networks and to consider relaxing other media ownership rules. The FCC said it would consider public comments before deciding whether to reverse the rule that bars a merger among the "Big Four" networks: NBC, owned by Comcast, Walt Disney Co's ABC, Paramount Skydance's CBS or Fox. The FCC also said it was seeking public comment on whether to eliminate or revise a rule that limits a single entity from owning more than two of the four largest television stations in the same local market and a rule that limits the total number of local radio stations that may be owned in a single market.

Previously, the FCC noted that a version of the rule barring dual ownership of networks has existed since the 1940s. A 2018 media ownership review concluded the bar should be upheld "because it advances the agency's core policy objectives of competition and localism. "We intend to take a fresh approach to competition by examining the broader media marketplace, rather than treating broadcast radio and television as isolated markets," FCC Chair Brendan Carr said. "If we determine that any rule no longer serves the public interest, we will fulfill our statutory duty to modify or eliminate those rules."

An anonymous reader shared this report from Ars Technica: Late last week, The Hollywood Reporter ran a story about an "AI Stan Lee hologram" that would be appearing at the LA Comic Con this weekend. [Watch it in action here.] Nearly seven years after the famous Marvel Comics creator's death at the age of 95, fans will be able to pay $15 to $20 this weekend to chat with a life-sized, AI-powered avatar of Lee in an enclosed booth at the show. The instant response from many fans and media outlets to the idea was not kind, to say the least. A writer for TheGamer called the very idea "demonic" and said we need to "kill it with fire before it's too late...."

But Chris DeMoulin, the CEO of the parent company behind LA Comic Con, urged critics to come see the AI-powered hologram for themselves before rushing to judgment. "We're not afraid of people seeing it and we're not afraid of criticism," he told Ars. "I'm just a fan of informed criticism, and I think most of what's been out there so far has not really been informed...." [DeMoulin said he saw] "the leaps and bounds that they were making in improving the technology, improving the interactivity." Now, he said, it's possible to create an AI-powered version that ingests "all of the actual comments that people made during their life" to craft an interactive hologram that "is not literally quoting the person, but everything it was saying was based on things that person actually said...." [Hyperreal CEO and Chief Architect Remington Scott] said Hyperreal "can't share specific technical details" of the models or training techniques they use to power these recreations. But Scott added that this training project is "particularly meaningful, [because] Stan Lee had actually begun digitizing himself while he was alive, with the vision of creating a digital double so his fans could interact with him on a larger scale...."

Still, DeMoulin said he understands why the idea of using even a stylized version of Lee's likeness in this manner could rub some fans the wrong way. "When a new technology comes out, it just feels wrong to them, and I respect the fact that this feels wrong to people," he said. "I totally agree that something like this-not just for Stan but for anyone, any celebrity alive or dead-could be put into this technology and used in a way that would be exploitative and unfortunate." That's why DeMoulin said he and the others behind the AI-powered Lee feel a responsibility "to make sure that if we were going to do this, we never got anywhere close to that."
The "premium, authenticated digital identities" created by Hyperreal's system are "not replacing artists," says Hyperreal CEO/Chief Architect Remington Scott, but "creating respectful digital extensions that honor their legacy."

Still, DeMoulin says in the article that "I suppose if we do it and thousands of fans interact with [it] and they don't like it, we'll stop doing it."