Apple plans to spend $1 billion a year to produce movies that will be released in theaters, Bloomberg News reported Thursday, citing people familiar with the company's plans, part of an ambitious effort to raise its profile in Hollywood and lure subscribers to its streaming service. From the report: Apple has approached movie studios about partnering to release a few titles in theaters this year and a slate of more films in the future, said the people, who asked not to be identified because the plans are private. The list of potential releases includes Martin Scorsese's Killers of the Flower Moon, which stars Leonardo DiCaprio; the spy thriller Argylle, from director Matthew Vaughn; and Napoleon, Ridley Scott's drama about the French conqueror. The investment is a significant increase from years past. Most of Apple's previous original movies have either been exclusive to the streaming service or released in a limited number of theaters. The company has pledged to put movies in thousands of theaters for at least a month, said the people, though it hasn't finalized any plans.

On March 27th, Nintendo's eShop for its 3DS and Wii U consoles will be shut down. With many of the titles being original to those consoles and not available anywhere else, it's left archivists and historians scrambling to preserve them before it's too late. However, those preservation plans get complicated given Nintendo's litigious nature on matters of intellectual property. Techdirt's Timothy Geigner writes: Preventing the gaming public from continuing to buy games that rely on a company-operated backend infrastructure is one thing. After all, Nintendo can do what it wants when it comes to putting its products into commerce. But what really annoyed a ton of people, myself included, was how this would impact archivists and historians, or anyone else interested in preserving video game history and culture. With the impending shutdown, some of those entities are once again expressing concern: "While it's unfortunate that people won't be able to purchase digital 3DS or Wii U games anymore, we understand the business reality that went into this decision,' the Video Game History Foundation (VGHF) tweeted when the eShop shutdowns were announced a year ago. 'What we don't understand is what path Nintendo expects its fans to take, should they wish to play these games in the future.'"

Because Nintendo is litigious, utilizes DRM, and the DMCA exists, all of that combines to make it wildly unsafe for museums and archivists to actually retain copies of these games that will shortly no longer be found anywhere else. And, no, the exemptions built into the DMCA for content such as movies and literature simply don't exist for the video game space. [...] So what can be done? Not a whole lot, honestly, but some hobbyists are at least going to make a go of it: "In an effort to address this -- or at least address it in a single place on as few consoles as possible -- YouTuber The Completionist decided to sit down and spend almost a year of his life (328 days in total) buying his way through both libraries. He's now done, and the statistics are staggering. The dude bought 866 Wii U games and 1547 3DS titles, numbers that include DSiWare, Virtual Console releases and downloadable content. That adds up to 1.2TB of data for the Wii U, and 267GB for the 3DS. Or, for the 3DS purists reading, 2,136,689 blocks."

As part of this effort, The Completionist has said he plans to donate all of this digital media to the VGHF. What they can do with all of that content still remains to be seen. All of the same copyright and DMCA rules still apply, so what access it can grant to researchers, never mind the public, is in question.

Variety has analyzed the often underappreciated process of selecting movie titles in Hollywood. As one of the most crucial aspects of a film's marketing strategy, the title serves as the first point of contact for potential audiences, shaping perceptions and driving intrigue. In a highly competitive industry, a captivating and effective title can be the difference between success and failure at the box office, the article argues.

The naming process typically involves collaboration between a diverse range of stakeholders, including studio executives, marketing teams, producers, directors, and screenwriters. The title must not only align with the film's story and themes, but also appeal to target demographics, meet legal requirements, and translate well into foreign languages. As a result, naming a film can be a complex and lengthy endeavor. Some movies adopt their titles from pre-existing source material, such as books or plays, while others rely on brainstorming sessions, market research, and even audience testing. High-profile examples of title changes include "Pretty Woman," originally named "3000," and "Scream," initially titled "Scary Movie."

India will not tolerate use of abusive language and display of obscene content in movies and TV shows on on-demand video streaming services, a key minister has warned in a move that illustrates how the nation's IT rules have "handed over direct ministerial power for censorship." From the report: Anurag Thakur, Union Minister of Information Broadcasting and Sports and Youth Affairs, said at a press conference that use of abusive language in the name of creativity will not be tolerated and that the government is receiving a growing list of complaints about increasing abusive and obscene content. Thakur warned that New Delhi will not shy away from "making any changes" in the rules to address this situation.

An anonymous reader quotes a report from TorrentFreak: In January, a month before Ant-Man and the Wasp: Quantumania was released in theaters, a link to a leaked script was posted on the Marvel Studios Spoilers subreddit. Last Friday, a Marvel Studios affiliate filed DMCA subpoena applications to compel Reddit and Google to expose the leakers. One named user account is shared among the subreddit's moderator team. Court documents indicate the plan is to force Reddit to expose them all. [...]

When information about the script/subtitle file was posted on Reddit mid-January, leak-loving Marvel fans were both excited and impressed. "Yeah this is some next level leak" and "This legit might be the biggest leak in this subs history" set the tone, but the fun didn't last. A moderator of the subreddit commented that since the information was receiving copyright notices, any "future sharing of the material will result in a ban." The thread is still live today and there's no doubt that Marvel is aware of it.

The DMCA subpoena application specifically mentions the thread alongside an email from Reddit's legal team, which had previously agreed to take the infringing content down. In common with the takedown notice sent to Google, the allegedly infringing content may have been deleted before Reddit could remove it. There's no mention of a copyright complaint, instead the post notes, "Sorry, this post was deleted by the person who originally posted it." At this point concern shifts to the rest of the thread, which talks about the document hosted by Google and how the mod team "took the google doc down" to ensure that existing links to the file would no longer lead to it. As a result, Marvel now wants Reddit to hand over "All Identifying Information for the user 'u/MSSmods'," which throws another unpredictable element into the mix. The DMCA subpoena applications can be found here (G1/G2, R1/R2)

Reddit is fighting a film-industry attempt to identify users who discussed piracy, telling a federal court that the studios' request for users' real names should be rejected and that one of the studios' arguments is "nonsense." From a report: "Courts have long recognized that the First Amendment protects online anonymity and have established a stringent standard to use in precisely this scenario, where a litigant seeks to unmask users for the purpose of providing evidence in litigation that does not involve those users... Plaintiffs are far from meeting that strict standard here," Reddit said Tuesday in a filing in US District Court for the Northern District of California.

Reddit has no involvement in the lawsuit that triggered the request for users' identities -- the studios behind films such as Hellboy, Rambo V: Last Blood, Tesla, and The Hitman's Bodyguard sued cable broadband provider RCN in a different court, alleging that RCN failed to terminate Internet subscribers who illegally downloaded copyrighted movies. (RCN is now known as Astound Broadband after being combined with several other cable ISPs in the same ownership group.) In an attempt to prove that RCN turned a blind eye to users downloading copyrighted movies, the film studios subpoenaed Reddit seeking identifying information for specific users who commented in piracy-related threads. After Reddit provided information on only one user, calling the other requests a "fishing expedition," the studios filed a motion to compel Reddit to respond to the subpoena.

A man who rented out servers configured for BitTorrent file-sharing use has been handed a three-month suspended sentence in Denmark. Known as 'seedboxes', these pre-configured servers are not illegal per se, but when customers used the devices to break copyright law on known pirate sites, rightsholders held the server provider liable. TorrentFreak reports: Local anti-piracy group Rights Alliance (Rettigheds Alliancen) mitigates all types of piracy but for the past few years, has maintained a keen focus on torrent sites. Working in partnership with the Danish government's SOIK IP-Task Force, Rights Alliance forced several sites to close down and successfully prosecuted site operators, staff members, and users who uploaded content to those sites. In 2021, Rights Alliance targeted specialized servers that not only supply content to torrent sites but also play a role in boosting download times while improving security.

In 2021, news broke that six people had been arrested in Denmark due to their alleged connections to several local torrent sites. Among them was Kasper Nielsen of internet services company HNielsen Networks, a supplier of servers under various brands that could be configured for 'seedbox' purposes. Available information indicated that the servers had been used by an unknown number of users to share content on private torrent sites ShareUniversity, Superbits and DanishBytes. [...] When Rights Alliance filed its criminal complaint against HNielsen Networks, the anti-piracy group referenced the landmark Filmspeler case which involved the sale of piracy-configured media players.

According to statements published by Rights Alliance and NSK (Saerlig Kriminalitet) Denmark's Special Crime Unit, Nielsen was convicted yesterday for selling seedboxes in the knowledge they were being used by others to share movies, TV shows, eBooks and other content, without permission from rightsholders. "On February 28, the Court in Aalborg ruled against the Danish owner behind a seedbox company for, in the period November 2020 to May 2021, having sold seedboxes and server capacity to an unknown number of people, knowing that they were used for illegal sharing of no less than 3,838 copyright-protected works on the Danish and Nordic file sharing services ShareUniversity, Superbits and DanishBytes," Rights Alliance reports. Nielsen was handed a three-month conditional (suspended) sentence and a confiscation order for DKK 300,000 (around $42,600), the amount users had paid his company to access the seedbox servers. The 35-year-old must also pay compensation of DKK 298,660 to Rights Alliance. "Providers of seedboxes have a responsibility to ensure that their services are not used for illegal uploading and downloading of copyrighted content, which the Rights Alliance can clearly see that they are doing," says Maria Fredenslund, Director of Rights Alliance. "Therefore, this case helps to send a signal to other providers that you cannot deliberately sell services to the illegal market."

Since Neilsen took a plea deal at an early stage, none of the claims made by Rights Alliance were needed to be proven in court. "The 3,838 figure and any evidence related to 'knowledge' of infringement carried out by seedbox customers on the sites, were accepted as true," reports TorrentFreak.

The Motion Picture Association (MPA) issued a DMCA notice to a GitHub repo that contained a playlist that let viewers watch Pluto TVs streams on their own apps, such as VLC, MPV, and Tvheadend. From a report: The move was first noticed by TorrentFreak, and GitHub has complied and removed the repo, which ultimately does nothing. If you still have a tiny text file, you can still do exactly what the MPA tried to stop. Pluto TV, for those who do not watch it, is a service owned by Paramount that allows users to legally stream movies and TV shows free of charge on many devices. They have a mobile app, apps for Xbox and PlayStation, smart TVs, and dongles. Users do not even need to sign up to use it. In turn, Pluto's business model is predicated on serving ads and tracking user behavior. It's part of a newer breed of streaming product called free ad-supported television, or FAST. The GitHub repo in question contained M3U playlists to watch Pluto TV's content via an app like VLC. The repo basically took links that were already available and gathered them in one place. It should be noted that M3U files aren't torrent files; it's just a simple playlist file that can direct to local files and web sources.

Warner Bros. Pictures is revamping the "Lord of the Rings" film franchise. Variety reports: On a Thursday earnings call, Warner Bros. Discovery CEO David Zaslav announced that newly-installed studio leaders Mike De Luca and Pam Abdy have brokered a deal to make "multiple" films based on the beloved J. R. R. Tolkien books. The projects will be developed through WB label New Line Cinema. The first "Lord of the Rings" trilogy, helmed by Peter Jackson, grossed nearly $3 billion worldwide; Jackson's follow-up trilogy based on Tolkien's "The Hobbit" matched those grosses.

No filmmakers have been attached to the projects as yet, but in a statement to Variety, Jackson and his main "Lord of the Rings" collaborators Fran Walsh and Philippa Boyens said Warner Bros. and Embracer "have kept us in the loop every step of the way." "We look forward to speaking with them further to hear their vision for the franchise moving forward," Jackson, Walsh and Boyens said.

An anonymous reader shares a report: Almost two decades after the release of the Guillermo del Toro-directed Hellboy, the character is getting yet another reboot. Millennium Media has confirmed that Hellboy: The Crooked Man will enter production next month in Bulgaria, Deadline reports. Casting for the titular character (originally played by Ron Perlman and then David Harbour) is yet to be announced, but the new film will be directed by Brian Taylor, best known for the Jason Statham action movie Crank.

Perhaps most interesting is that the comics' original creator Mike Mignola has written the script for the upcoming film alongside Chris Golden. Both were reported to have worked on the script for the 2019 reboot by The Hollywood Reporter, though Andrew Cosby ultimately ended up with sole credit for writing the screenplay. The 2019 reboot is widely considered to have been both a commercial and critical failure, bringing in roughly $55 million at the box office on a budget of $50 million.

Apple has released the first trailer for its movie Tetris, which tells the extraordinary true story of the struggle between Western publishers, Nintendo, and the Soviet Union itself for the rights to Alexey Pajitnov's classic puzzle game. Polygon reports: Taron Egerton plays Henk Rogers, the gaming entrepreneur who was instrumental in discovering Tetris and securing the console gaming rights, thus enabling its release on Nintendo's then-revolutionary Game Boy handheld. To do so, he had to negotiate directly with the Soviet regime, since Communist law dictated that the game belonged to the people of the Soviet Union (read: the government) rather than Pajitnov himself. All sorts of Cold War skullduggery ensued.

It's an incredible tale that forms the centerpiece of David Sheff's classic book Game Over, which chronicles Nintendo's early rise. The film, directed by Jon S. Baird, seems to take a pretty broad approach to the material, drenching it in '80s pop needle drops, car chases (for some reason), retro game effects reminiscent of the dreadful Adam Sandler vehicle Pixels, and Egerton tearing up as he describes "the perfect game." [...] Tetris will stream on Apple TV Plus from March 31.

Despite the absence of cryptocurrency ads, this year's Super Bowl still managed some geek-friendly advertisements. There was even a riff on "the classic intro from the Super Mario Bros. Super Show, the live-action series that ran from 1989-1991," according to Kotaku: the infamous Mario Rap, which advertised Mario's plumbing business (and in its 2023 version featured the URL for a website).

[T]hat website is indeed up and running, and is everything you would hope it would be from a struggling small business servicing the Brooklyn and Queens areas. There's excessive animation, broken image links, a careers page (still under construction, sadly) and even a novelty mouse cursor.
Kotaku's article includes both versions of the rap, along with reactions from Twitter. (Apparently the phone number in the advertisement really works).

There were also several ads from major tech companies. Google purchased a long ad touting their Pixel phone's ability to remove people from photos (starring Amy Schumer, Doja Cat, and Giannis Antetokounmpo), while Workday drew attention to its enterprise-grade finance and HR software with an ad in which actual rock stars like Ozzy Osbourne, Joan Jett, blues player Gary Clark and members of KISS all urged the software's corporate users to stop calling themselves "rock stars".

Other tech-company ads aired from E*Trade, SquareSpace, and a star-studded Uber One ad in which rapper Puff Daddy auditions singers for their new jingle.

There were also the obligatory celebrity reunions — like Snoop Dogg and Martha Stewart, or the actors from Breaking Bad. But for comic book geeks, a trailer for D.C.'s new movie The Flash included a surprise appearance by Batman — play by both Ben Affleck and by a 71-year-old Michael Keaton, a full 34 years after Keaton played the caped crusader in Tim Burton's 1989 movie Batman. "Worlds collide in The Flash when Barry uses his superpowers to travel back in time in order to change the events of the past," according to a press release cited by People. James Gunn, director of Guardians of the Galaxy and new co-CEO of DC Studios, recently said, according to Deadline, that The Flash "is probably one of the greatest superhero movies ever made." He added that the film's storyline "resets everything" for the franchise.
The last Blockbuster video rental store in America played its own advertising prank during the Super Bowl. They announced their own ad which could only be viewed on their Instagram feed during halftime -- or in person at their store in Bend, Oregon. But, as CNN points out, "the store is also renting VHS copies of it for $2."

And for those geeks concerned about the drawbacks of climate change-fighting vehicles, RAM trucks ran an ad about "Premature Electrification" — for consumers excited about electric vehicles but "lacking the confidence about getting and being able to keep a charge." (Although a disclaimer printed at the bottom of the ad warned "Get excited, but not too excited. Pre-production model shown. Availability in the U.S. expected late 2024. Range lengthening technology to come later.")

In J.R.R. Tolkein's The Two Towers, it's in Elrond's home city of Rivendell that Frodo chooses to destroy the ring of power.

And now Lego has created "a truly grand plastic-brick re-creation," reports CNET — costing $500 (£430, AU$800): The stronghold of the elves is a magical place, a sensation Lego managed to encapsulate in 6,167 pieces of plastic stretching 29.5 inches (75 centimeters) wide. "We know many of our fans have been anticipating a set like this for a long time — but a great Lego The Lord of the Rings set is never late, it arrives precisely when it means to!" said Lego design master Mike Psaiki in a statement Tuesday.

The colorful set is based on the design from the Peter Jackson movies. Lego's vision of Rivendell includes Frodo's bedroom, Elrond's study and the Council Ring where you can assemble the Fellowship. The rest of the set features an elven tower and a gazebo, river and bridge.... The set comes with a large cast of 15 minifigure characters, including Gandalf, Frodo, Samwise, Merry, Pippin, Legolas, Gimli and, of course, Elrond.

Film data researcher Stepehen on his blog: David Wilkinson got in touch yesterday asking for advice on his new crowdfunding campaign. One of the topics he wanted to chat about was the 'cost' of offering a "Thanks" credit to his backers. This involves awarding someone who backs the film a credit on the movie under the "With Thanks" section. This name check would appear at the end of the movie and, crucially, on IMDb. On the face of it, there is no cost to offering an almost infinite number of these as it would just be a case of a longer end credit crawl and IMDb doesn't charge for listing credits.

However, David brought up an anecdote from his time as a distributor. In conversations with fellow film sales professionals, the topic of 'how to spot a bad movie' came up. One participant said that they regard having too many 'With Thanks' credits as a red flag. The others agreed and added that the number of producers listed on a movie was similarly useful in spotting a bad film. These are just the kind of industry beliefs that I love to test. This week I'm going to tackle the 'With Thanks' credits and then next week I'll turn to producing credits. I gathered data on 8,096 movies released in US cinemas between 2000-19 (i.e. pre-pandemic), taking note of their number of credited/thanked individuals, their IMDb score (to stand in for audience views) and Metascore (to sample the views of critics). Conclusion: "A simple and pleasing result. The industry belief that having more than the average number of people thanked in the credits means the movie is bad is flat-out wrong."

To celebrate this year's "Public Domain Day," the Internet Archive "asked people to submit short films highlighting anything that was going to be made available in the Public Domain in 2023." For the contest, vintage images and sounds were woven into creative films of 2-3 minutes. Many of the films were abstract while others educational, they all showcased the possibility when public domain materials are made openly available and accessible for download. "The Internet Archive has spent 24 years collecting and archiving content from around the world...now is the time to see what people can do with it," said Amir Saber Esfahani, director of special arts projects at the Internet Archive.
The counsel from Creative Commons helped judged all 47 entries, with winners finally chosen "based on creativity, technique, engagement, and variety of 1927 content."

The winning entries include "The Public Domain Race," a montage of newly-uncopyrighted 1927 film clips and cartoons. And the honorable mentions include short films showing, among other things, 2023 filmmaker Sam Dody serenading a lovestruck silent film star from 1927 — and the story of why Mae West once spent eight days in jail.

But the big first-place prize of $1,500 went to Gnats Gonzales for reciting a poem that was emblazoned over the artwork and title pages of 1927 works that have finally entered the public domain. "... Let not kings nor selective texts decide what is known among you. Ignore the temptation of hippocampal decay. Plunge into the dark depths. And feel the warmth of mortal creation at its purest."

That last quote appears over a 1927 movie poster showing a woman smashing pies into the face of Oliver Hardy.

Avatar: The Way of Water "has passed Star Wars: The Force Awakens as the fourth highest-grossing movie of all time," reports Variety: Director James Cameron's sci-fi epic has now earned $2.075 billion at the global box office. Star Wars: The Force Awakens, another sci-fi sequel released long after previous installments, finished its theatrical run with $2.064 billion after hitting theaters in December 2015.

With this latest box office milestone, Cameron now has three of the top four highest-grossing movies in history — the original Avatar is still the champion [with $2.92 billion], while Titanic sits in third place [with $2.2 billion].

[The second-highest grossing film of all time is Avengers: Endgame with $2.79 billion.] Avatar: The Way of Water has quickly moved up in the record books, surpassing Spider-Man: No Way Home ($1.92 billion) on Jan. 18 and Avengers: Infinity War ($2.05 billion) shortly after on Jan. 26....

A third "Avatar" entry has already been set for release in December 2024 and there are plans for a fourth and fifth to continue the intergenerational saga
Some context from The A.V. Club: The highlight of that big pile of planetary currency being a massive $229 million turnout in China, where it's one of the first Disney movies to play in the country's lucrative markets in some time.

As it happens, James Cameron told GQ back in November, ahead of his sequel's release, that his "fucking expensive" movie would have to post these kinds of numbers to be anything other than a loss for the studio. "You have to be the third or fourth highest-grossing film in history," he noted at the time. "That's your threshold. That's your break even."
Wikipedia points out that when box office figures are adjusted for inflation, the highest-grossing film of all time is still the 1939 Civil War drama Gone with the Wind. And the next top-grossing films of all-time?

• The original Avatar
• Titanic
• The original Star Wars (1977)
• Avengers: Endgame
• The Sound of Music (1965)
• E.T. the Extra Terrestrial (1982)
• The Ten Commandments (1956)
• Doctor Zhivago (1965)
• Star Wars: the Force Awakens

Will moviegoers ever get superhero fatigue? Marvel boss Kevin Feige doesn't buy it, saying on a new podcast interview that there are 80 years of "groundbreaking" stories told in the Marvel comics that they can adapt into "different genres." From a report: "I've been at Marvel Studios for over 22 years, and most of us here at Marvel Studios have been around a decade or longer together," Feige said on "The Movie Business Podcast," hosted by Jason E. Squire, an author and professor at the USC School of Cinematic Arts. "From probably my second year at Marvel, people were asking, 'Well, how long is this going to last? Is this fad of comic book movies going to end?'"

Feige continued, "I didn't really understand the question. Because to me, it was akin to saying after 'Gone With the Wind,' 'Well, how many more movies can be made off of novels? Do you think the audience will sour on movies being adapted from books?' You would never ask that because there's an inherent understanding among most people that a book can be anything. A novel can have any type of story whatsoever. So it all depends on what story you're translating. Non-comic readers don't understand that it's the same thing in comics." Referencing the rich catalog of Marvel comics, which date back to 1939, Feige said there are countless stories for the studio to adapt in various genres.

China has lifted its unofficial ban on Marvel titles, bestowing release dates for two major superhero tentpoles, "Black Panther: Wakanda Forever" and "Ant-Man and The Wasp: Quantumania." Variety reports: "Black Panther: Wakanda Forever," which was released everywhere else in the world last November, will open in China on Feb. 7. Shortly after, "Ant-Man and The Wasp: Quantumania" will be released on Feb. 17, the same day the sequel touches down in the U.S. and the U.K. The dates were released via Marvel's Chinese social media accounts.

Those movies will be the first Marvel adventures to play in China since 2019's "Avengers: Endgame" (which made a staggering $632 million in the territory) and "Spider-Man: Far From Home" (which brought in $198 million in the territory). In the past, Marvel movies have been extremely popular in China, with "Black Panther" grossing $105 million and "Ant-Man and the Wasp" earning $121 million in the country.

It's not clear why recent titles from Disney and other major studios have been denied release in China. But it is most likely sabre rattling directed towards the U.S. during a period of increased tensions, especially with jingoistic political events like the 100th anniversary of the Chinese Communist Party and the 20th National Congress happening in 2021 and 2022 respectively.

In the mid-1970s, Chilean filmmaker Alejandro Jodorowsky tried to film Dune (working with artists including H.R. Giger). A documentary about that attempt was filmed by Frank Pavich, who now writes in the New York Times that "The cast would have included Mick Jagger, Orson Welles, Salvador Dalí and Alejandro's 12-year-old son, Brontis, in the lead role. The soundtrack would have been composed and recorded by Pink Floyd.... It will forever be the greatest film never made, because it exists solely in our imaginations."

Just because you cannot watch Alejandro's "Dune" doesn't mean it didn't change the world. This unfilmed film's influence on our culture is nothing short of astounding. Specific ideas and images from the "Dune" art bible have escaped into the world. They can be experienced in movies such as "Blade Runner," "Raiders of the Lost Ark," "Prometheus," "The Terminator" and even the original "Star Wars." His "Dune" does not exist, yet it's all around us.
Nearly half a century later... I was recently shown some frames from a film that I had never heard of: Alejandro Jodorowsky's 1976 version of "Tron." The sets were incredible. The actors, unfamiliar to me, looked fantastic in their roles. The costumes and lighting worked together perfectly. The images glowed with an extravagant and psychedelic sensibility that felt distinctly Jodorowskian.

However, Mr. Jodorowsky, the visionary Chilean filmmaker, never tried to make "Tron." I'm not even sure he knows what "Tron" is. And Disney's original "Tron" was released in 1982. So what 1970s film were these gorgeous stills from...? The truth is that these weren't stills from a long-lost movie. They weren't photos at all. These evocative, well-composed and tonally immaculate images were generated in seconds with the magic of artificial intelligence.
The article notes that the real Jodorowsky is now almost 94 — and is planning to direct a new film. But it also points out that in the early 1970s Jodorowsky's team put in "two years of pure analog struggle to create his Dune," — while Canadian film director Johnny Darrell generated the Tron images in less than a minute using an A.I. program called Midjourney. Pavich says this raises several questions. "Has Alejandro been robbed? Is the training of this A.I. model the greatest art heist in history? How much of art-making is theft, anyway?"

In his great documentary F for Fake Orson Welles intones wrly that "A forgery — is still a painting." So Pavich's piece concludes with perhaps the ultimate question. "What will it mean when directors, concept artists and film students... can paint using all the digitally archived visual material of human civilization? When our culture starts to be influenced by scenes, sets and images from old films that never existed or that haven't yet even been imagined?

"I have a feeling we're all about to find out."

An anonymous reader quotes a report from The Guardian: A Canadian woman has been ordered by a civil tribunal to compensate her former employer for "time theft" after she was caught misrepresenting hours worked by controversial tracking software. Karlee Besse, who worked remotely as an accountant in British Columbia, initially claimed she was fired from her job without cause last year and sought $3,729 in compensation -- both in unpaid wages and severance. But the company, Reach CPA, told the tribunal Beese had logged more than 50 hours that "did not appear to have spent on work-related tasks."

Reach said it installed employee-tracking software called TimeCampon Besse's work laptop after it found her assigned files were over budget and behind schedule, a strategy companies are increasingly taking in the era of remote work. The software tracks how long a document is open, how the employee uses the document and logs the time as work. Weeks later, the company said an analysis "identified irregularities between her timesheets and the software usage logs." While Besse told the tribunal she found the program "difficult" and worried it didn't differentiate between work and personal use, the company demonstrated how TimeCamp automatically makes those distinctions, separating time logs for work from activities such as using the laptop to stream movies and television shows.

Besse said she had printed documents to work on, but did not tell Reach she was using hard copy because she "knew they wouldn't want to hear that" and she was afraid of repercussions. The company said that the software also tracks printing -- and that few documents had been logged as printed. It also said any work from the printed documents would have needed to be input into the company's software, which never happened. [...] The judge tossed out Besse's claim of wrongful termination and ordered her to pay $1,840.27, both in returned wages and as a part of previous advance she had received from the company.