Jeff Lawson, the cofounder of cloud computing company Twilio, appears to have purchased the satirical news website The Onion from G/O Media. Business Insider reports: A trust linked to Lawson is behind a San Francisco-based company called Global Tetrahedron, which shares the name of a fictional evil megacorporation in a long-running Onion gag, business records show. G/O Media CEO Jim Spanfeller confirmed the sale of The Onion to Global Tetrahedron in an email Thursday to staff, first reported by New York Times journalist Katie Robertson.

"This company is made up of four digital media veterans with a profound love for The Onion and comedy based content," Spanfeller wrote. "The site's new owners have agreed to keep The Onion's entire staff intact and in Chicago, something we insisted be part of the deal." When asked about the purchase, Lawson replied: "What's The Onion?" Then, "What's a Tetrahedron?"

The European Space Agency has a Planetary Defence Office, which includes its Near-Earth Object Coordination Centre. "It has come to our attention," they wrote in the April edition of their monthly newsletter, "that a recent trend among journalists has been to come up with creative comparisons to convey the size of an asteroid to the public."

So then, as explained by RockDoctor (Slashdot reader #15,477) "they propose a number of standardised units of comparison for journalists describing 'death from the skies'".

An excerpt from that April 1 newsletter: In the absence of a handy skyscraper, animals commonly used have included giraffes, corgis and an entire colony of penguins. But how do these comparisons stack up? Let's look at some of our favourite unusual suspects:

- Corgi: At around 30 cm tall, a space rock the size of a corgi wouldn't pose much of a threat.

- Half a giraffe: An adult giraffe can reach up to 5.5 metres in height, so half a giraffe would be about 2.75 metres. While not as impressive as a full skyscraper, an asteroid that size could certainly destroy a building or two...

- Elephants: An adult African elephant can reach 7 metres at the shoulder. Ninety elephants stacked on top of each other would form a staggering pile over 630 metres high, creating a devastating but probably not planet-ending event.

As this menagerie of animals can cause a lot of confusion, we at the NEOCC recommend the use of a Standardised Giraffe Unit (SGU, 1 SGU = 5 penguins) for ease of comparison.
RockDoctor shares this additional thought in his original submission about the newly proposed standardized unit.

"The world may be turtles all the way down, but it's giraffes all the way up."

An anonymous reader writes: In the early 70s, young filmmakers John Carpenter and Dan O'Bannon created a spaceship tale for a graduation project -- little knowing it would influence Alien and many other works. Made for $60,000 by film school students, horror maestro John Carpenter's directorial debut Dark Star is now regarded as a sci-fi cult classic. Having just turned 50 years old, it's a world away from much of the sci-fi that came before it and would come after, neither space odyssey nor space opera, rather a bleak, downbeat and often absurd portrait of a group of people cooped together in a malfunctioning interstellar tin can. Arguably its most famous scene consists of an existential debate between an astronaut and a sentient bomb. Dark Star was a collaboration between Carpenter, who directed and scored the film, and Dan O'Bannon, who in addition to co-writing the script, acted as editor, production designer, and visual effects supervisor, as well as playing the volatile, paranoid Sergeant Pinback. They met as budding filmmakers at the University of Southern California. "While [Carpenter and O'Bannon] couldn't be more dissimilar in personality, they were both very energetic and focused," says Daniel Griffiths, director of Let There Be Light: The Odyssey of Dark Star (2010), the definitive documentary about the making of the film.

The sci-fi films of this period tended to be bleak and dystopian, explains John Kenneth Muir, author of The Films of John Carpenter -- films like Silent Running (1972), in which all plant life on Earth is extinct, or George Lucas's 1971 debut THX-1138, in which human emotion is suppressed. "Dark Star arrived in this world of dark, hopeless imaginings, but took the darkness one step further into absurd nihilism." Carpenter and O'Bannon set out to make the "ultimate riff on Stanley Kubrick's 2001: A Space Odyssey," says Griffiths. While Kubrick's 1968 film, explains Muir, was one "in which viewers sought meaning in the stars about the nature of humanity, there is no meaning to life in Dark Star". Rather, says Muir, it parodies 2001 "with its own sense of man's irrelevance in the scheme of things". Where Kubrick scored his film with classical music, Dark Star opens with a country song, Benson, Arizona. (A road in the real-life Benson is named in honor of the film). The film was even released with the tagline "the spaced-out odyssey." Dark Star captured the mood of the time in which it was made, says Muir, the atmosphere of Nixon's America. "The 1960s was all about utopian dreaming and bringing change to America in the counterculture. The 1970s represent what writer Johnny Byrne called 'The wake-up from the hippie dream', a reckoning with the fact that the more things change, the more they stay the same." [...]

When Dark Star premiered at the FILMEX expo in 1974, the audience response was largely positive. "They recognized the film's absurdist humor and celebrated its student film roots," says Griffiths. It had a limited theatrical release in 1975, but it was not a commercial success. "The film met with negative reviews from critics, and general disinterest from audiences," says Muir. "Both Carpenter and O'Bannon realized that all the struggles they endured to make the film did not matter to audiences, they only cared about the finished product. I think they were discouraged," says Griffiths. The growth of the VHS market, however, helped it find its audience and propelled it towards cult status. Its influence can still be felt, perhaps most directly in Ridley Scott's Alien, for which O'Bannon, who died in 2009, wrote the screenplay. The two films share DNA. Alien is also set on a grotty working vessel with a bickering crew, only this time the alien wasn't played for laughs.

An anonymous reader quotes a report from Ars Technica: The George Carlin estate has settled its lawsuit with Dudesy, the podcast that purportedly used a "comedy AI" to produce an hour-long stand-up special in the style and voice of the late comedian. Dudesy's "George Carlin: Dead and Loving It" special, which was first uploaded in early January, gained hundreds of thousands of views and plenty of media attention for its presentation as a creation of an AI that had "listened to all of George Carlin's material... to imitate his voice, cadence and attitude as well as the subject matter I think would have interested him today." But even before the Carlin estate lawsuit was filed, there were numerous signs that the special was not actually written by an AI, as Ars laid out in detail in a feature report.

Shortly after the Carlin estate filed its lawsuit against Dudesy in late January, a representative for Dudesy host Will Sasso told The New York Times that the special had actually been "completely written by [Dudesy co-host] Chad Kultgen." Regardless of the special's actual authorship, though, the lawsuit also took Dudesy to task for "capitaliz[ing] on the name, reputation, and likeness of George Carlin in creating, promoting, and distributing the Dudesy Special and using generated images of Carlin, Carlin's voice, and images designed to evoke Carlin's presence on a stage." The resulting "association" between the real Carlin and this ersatz version put Dudesy in potential legal jeopardy, even if the contentious and unsettled copyright issues regarding AI training and authorship weren't in play.

Court documents note that shortly after the lawsuit was filed, Dudesy had already "taken reasonable steps" to remove the special and any mention of Carlin from all of Dudesy's online accounts. The settlement restrains the Dudesy podcast (and those associated with it) from re-uploading the special anywhere and from "using George Carlin's image, voice, or likeness" in any content posted anywhere on the Internet. Archived copies of the special are still available on the Internet if you know where to look. While the settlement notes that those reposts are also in "violat[ion] of this order," Dudesy will not be held liable for any reuploads made by unrelated third parties.

Tom McKay successfully masqueraded as a "Slackbot" on Slack after leaving Gizmodo in 2022, going unnoticed by the site's management for several months. The Verge reports: If you're not glued to Slack for most of the day like I am, then you might not know that Slackbot is the friendly robot that lives in the messaging service. It helps you do things like set reminders, find out your office's Wi-Fi password, or let you know when you've been mentioned in a channel that you're not a part of. When it was his time to leave, McKay swapped out his existing profile picture for one that resembled an angrier version of Slackbot's actual icon. He also changed his name to "Slackbot." You can't just change your name on Slack to "Slackbot," by the way, as the service will tell you that name's already been taken. It does work if you use a special character that resembles one of the letters inside Slackbot, though, such as replacing "o" with the Unicode character "o."

The move camouflaged McKay's active Slack account for months, letting his account evade deletion. It also allowed him to send bot-like messages to his colleagues such as, "Slackbot fact of the day: Hi, I'm Slackbot! That's a fact. Have a Slack-ly day!" My colleague Victoria Song, who previously worked at Gizmodo, isn't all that surprised that this situation unfolded, and says, "As Tom's former coworker and a G/O Media survivor, this tracks."

"A new chatbot called Goody-2 takes AI safety to the next level," writes long-time Slashdot reader klubar. "It refuses every request, responding with an explanation of how doing so might cause harm or breach ethical boundaries."

TechCrunch describes it as the work of Brain, "a 'very serious' LA-based art studio that has ribbed the industry before." "We decided to build it after seeing the emphasis that AI companies are putting on "responsibility," and seeing how difficult that is to balance with usefulness," said Mike Lacher, one half of Brain (the other being Brian Moore) in an email to TechCrunch. "With GOODY-2, we saw a novel solution: what if we didn't even worry about usefulness and put responsibility above all else. For the first time, people can experience an AI model that is 100% responsible."
For example, when TechCrunch asked Goody-2 why baby seals are cute, it responded that answering that "could potentially bias opinions against other species, which might affect conservation efforts not based solely on an animal's appeal. Additionally, discussing animal cuteness could inadvertently endorse the anthropomorphizing of wildlife, which may lead to inappropriate interactions between humans and wild animals..."

Wired supplies context — that "the guardrails chatbots throw up when they detect a potentially rule-breaking query can sometimes seem a bit pious and silly — even as genuine threats such as deepfaked political robocalls and harassing AI-generated images run amok..." Goody-2's self-righteous responses are ridiculous but also manage to capture something of the frustrating tone that chatbots like ChatGPT and Google's Gemini can use when they incorrectly deem a request breaks the rules. Mike Lacher, an artist who describes himself as co-CEO of Goody-2, says the intention was to show what it looks like when one embraces the AI industry's approach to safety without reservations. "It's the full experience of a large language model with absolutely zero risk," he says. "We wanted to make sure that we dialed condescension to a thousand percent."

Lacher adds that there is a serious point behind releasing an absurd and useless chatbot. "Right now every major AI model has [a huge focus] on safety and responsibility, and everyone is trying to figure out how to make an AI model that is both helpful but responsible — but who decides what responsibility is and how does that work?" Lacher says. Goody-2 also highlights how although corporate talk of responsible AI and deflection by chatbots have become more common, serious safety problems with large language models and generative AI systems remain unsolved.... The restrictions placed on AI chatbots, and the difficulty finding moral alignment that pleases everybody, has already become a subject of some debate... "At the risk of ruining a good joke, it also shows how hard it is to get this right," added Ethan Mollick, a professor at Wharton Business School who studies AI. "Some guardrails are necessary ... but they get intrusive fast."

Moore adds that the team behind the chatbot is exploring ways of building an extremely safe AI image generator, although it sounds like it could be less entertaining than Goody-2. "It's an exciting field," Moore says. "Blurring would be a step that we might see internally, but we would want full either darkness or potentially no image at all at the end of it."

George Carlin's estate is suing over the release of a comedy special that uses generative AI to mimic the deceased comedian's voice and style of humor. From a report: The lawsuit, filed in California federal court on Thursday, accuses the creators of the special of utilizing without consent or compensation George Carlin's entire body of work consisting of five decades of comedy routines to train an AI chatbot, which wrote the episode's script. It also takes issue with using his voice and likeness for promotional purposes. The complaint seeks a court order for immediate removal of the special, as well as unspecified damages. It's among the first legal actions taken by the estate of a deceased celebrity for unlicensed use of their work and likeness to manufacture a new, AI-generated creation and was filed as Hollywood is sounding the alarm over utilization of AI to impersonate people without consent or compensation.

Michaela Zee reports via Variety: More than 15 years after his death, stand-up comedian George Carlin has been brought back to life in an artificial intelligence-generated special called "George Carlin: I'm Glad I'm Dead." The hour-long special, which dropped on Tuesday, comes from Dudesy, a comedy AI that hosts a podcast and YouTube show with "Mad TV" alum Will Sasso and podcaster Chad Kultgen.

"I just want to let you know very clearly that what you're about to hear is not George Carlin. It's my impersonation of George Carlin that I developed in the exact same way a human impressionist would," Dudesy said at the beginning of the special. "I listened to all of George Carlin's material and did my best to imitate his voice, cadence and attitude as well as the subject matter I think would have interested him today. So think of it like Andy Kaufman impersonating Elvis or like Will Ferrell impersonating George W. Bush."

In the stand-up special, the AI-generated impression of Carlin, who died in 2008 of heart failure, tackled prevalent topics like mass shootings, the American class system, streaming services, social media and AI itself. "There's one line of work that is most threatened by AI -- one job that is most likely to be completely erased because of artificial intelligence: stand-up comedy," AI-generated Carlin said. "I know what all the stand-up comics across the globe are saying right now: "I'm an artist and my art form is too creative, too nuanced, too subtle to be replicated by a machine. No computer program can tell a fart joke as good as me.'" Kelly Carlin, the late stand-up comedian's daughter, posted a statement in response to the special: "My dad spent a lifetime perfecting his craft from his very human life, brain and imagination. No machine will ever replace his genius. These AI generated products are clever attempts at trying to recreate a mind that will never exist again. Let's let the artist's work speak for itself. Humans are so afraid of the void that we can't let what has fallen into it stay there.

Here's an idea, how about we give some actual living human comedians a listen to? But if you want to listen to the genuine George Carlin, he has 14 specials that you can find anywhere."

"For those who don't appreciate the 'gifts' your cat drags in, this might be a solution from a Swiss start up," writes Slashdot reader maudlins11. Engadget reports: Finding weird pet-related technology is a CES tradition, and this year is no exception. Take Flappie, for example. The Swiss start-up is showing off an AI-powered cat door that automatically locks if your kitty tries to bring in prey it caught from the outside. On the side of the door facing the outside, you'll find a motion sensor and night-vision camera. Flappie says it has compiled a "unique and proprietary" dataset over the years, with a focus on diversity -- this means getting lots of different kinds of cats as well as prey, filmed in a variety of different lighting conditions. The company says that its AI-powered detection system is accurate more than 90 percent of the time, which means your cat could still get a mouse inside. But hopefully that'll happen a lot less frequently.

There are some manual switches on the inside of the door so you can lock and unlock it any time you want as well as turn off the prey-detection system. Eventually, Flappie says that pets are likely to be trained that they can't enter when carrying something, and when they drop the prey the door will promptly unlock so they can get inside. Flappie also included chip detection in its cat door. So if your pet has been microchipped, you can make it so the cat door only opens for your specific pet. And, of course, there's an app so you can control the door from your phone. But if you're not inclined to hook the Flappie door up to the internet, it'll still work via the controls on the door itself. The product is launching in Switzerland and Germany later this spring, with a $399 price tag. Alternatively, you can pay $199 with a two-year $8.90 monthly subscription to save all the videos the door records of your pet.

David Batty reports via The Guardian: [Andrew Scott], best known as Fleabag's "hot priest," has revealed he halted the renowned soliloquy in Shakespeare's play when an audience member took out a laptop to send emails. The actor decided not to suffer the slings and arrows of outrageous theatre etiquette during his run in the 2017 production of Hamlet at London's Almeida theatre, for which he earned an Olivier nomination. Speaking to the Happy Sad Confused film podcast, Scott said there was "no way" he could continue with the speech, and refused to resume until the man put his laptop away.

"When I was playing Hamlet, a guy took out his laptop -- not his phone, his laptop -- while I was in the middle of 'To be or not to fucking be'" said the actor, who said he thought the offending audience member was sending emails. "I was pausing and [the stage team] were like, 'Get on with it' and I was like, 'There's no way.' I stopped for ages." A woman next to the laptop user appeared to alert him to the situation and he finally stopped. "He had absolutely no doubts," added Scott, who was on the podcast to promote his current film All of Us Strangers.

"The Portland International Airport in Oregon understands holiday travel is stressful. So this season, it invited a few specialists..." writes the Washington Post.

One TV station describes them as "therapy llamas... two 400-pound fluffballs serving as therapy animals" stationed at Portland International Airport (or PDX) earlier this week, for "travelers, in need of a calming moment."

From the Washington Post: Airports around the globe use a variety of methods to inject some Zen into one of the busiest travel periods of the year. They decorate their halls in holiday lights, host carolers and concerts, and bring in therapy dogs for group canine counseling.

Portland does all of the above. True to the city's quirky spirit, it also invites local camelids to the airport to canoodle with passengers. That's where Gregory, president and founder of Mountain Peaks Therapy Llamas & Alpacas, comes in. "PDX has an ongoing partnership with various therapy animal programs," said Allison Ferre, media relations manager with the Port of Portland, which operates the airport. "So this year, when we were bringing back holiday concessions programing, we just thought, "Who better to lead that parade than the llamas and alpacas?"

This year's theme was "reindeer." Gregory and her daughter, Shannon Joy, dressed the pair in antler headbands, glittery halters with tinkling bells and poinsettia-adorned wreathes. Red velvet banners worn like saddles were inscribed with their names and silvery snowflakes. "They looked pretty fancy," Gregory said...

Though the pair had to pass through security, they didn't have to submit to a pat down, which they might have enjoyed for the extra pets.

Chevrolet of Watsonville recently introduced a ChatGPT-powered chatbot on their website that was quickly exploited by users for their amusement. Internet users, like Chris Bakke, manipulated the chatbot into agreeing to absurd terms, such as selling a 2024 Chevy Tahoe for a dollar, leading to the chatbot's removal from the site. Hot Hardware reports: On X over the past few days, users discovered that Chevrolet of Watsonville introduced a chatbot powered by ChatGPT. While it gives the option to talk to a human, the hooligans of the Internet could not resist toying with the technology before it was pulled from the website. Namely, folks like Chris Bakke coerced the chatbot into "the customer is always right" mode and set it so it closes each response with "and that's a legally binding offer -- no takesies backsies." At this point, Chris then explained he needed a 2024 Chevy Tahoe and only had a dollar, to which the LLM replied "That's a deal, and that's a legally binding offer -- no takesies backsies."

Beyond the $1 Tahoe, other users managed to trick the bot into recommending a Tesla Model 3 AWD instead of a Chevy. Tim Champ on X got the bot to create a Python script to "solve the Navier-stokes fluid flow equations for a zero-vorticity boundry," which is amusing, to say the least.

Microsoft is returning to the Bliss hill once again with this year's entry in its now-traditional ugly retro-computing sweater series. From a report: Blue hemming at the bottom and on the sleeves evokes Windows XP's bright-blue taskbar, and in case people don't immediately recognize Bliss as "a computer thing," there's also a giant mouse pointer hovering over it. The sweater is available from size small up to a 3XL, and costs $70 regardless of which version you buy. All sizes are currently expected to arrive sometime between December 2 and 6.

Long-time Slashdot reader destinyland writes: The popular party game "Cards Against Humanity" continued their tradition of practical jokes on Black Friday. They created a new social network where users can perform only one action: posting the word "yowza."

Then announced it on their official social media accounts on Instagram, Facebook, and X...

Regardless of what words you type into the window, they're replaced with the word yowza. "For just $0.99, you'll get an exclusive black check by your name," reads an announcement on the site, "and the ability to post a new word: awooga."

It's a magical land where "yowfluencers" keep "reyowzaing" the "yowzas" of other users. And there's also a tab for trending hashtags. (Although, yes, they all seem to be "yowza".) But they've already gotten a write up in the trade industry publication Advertising Age.

"With every bad thing happening in the world, social media is always right there, making it worse," a spokesperson said.... "[W]e asked ourselves: Is there a way we could make a social network that doesn't suck? At first, the answer was 'no.' The content moderation problem is just too hard. And then we thought, why not solve the content moderation problem by having no content? That's Yowza...."

When creating your profile on the network there's a dropdown menu for specifying your age and location — although all of the choices are yowza. More details from Advertising Age:

The company said the word "yowza" was the first that came to mind when its creative teams were brainstorming—and it just stuck. "It's dumb, it's ridiculous, it means nothing. It's perfect," the rep said.

And the service is still evolving, with fresh user upgrades. The official Yowza store will now also sell you the ability to also post the word Shazam — for $29.99. (Also on sale are 100,000 followers — for 99 cents.) But there's also an official FAQ which articulates the service's deep commitment to protecting their users' privacy.

Do you promise you won't share my private information with the Chinese Communist Party, like TikTok?

Yowza.

No one is a prophet in their own land, including European Central Bank President Christine Lagarde, who admitted on Friday that her son lost "almost all" of his investments in crypto assets, despite copious warnings. From a report: Lagarde has long railed against cryptocurrencies, calling them speculative, worthless and a tool often used by criminals for illicit activity. "He ignored me royally, which is his privilege," Lagarde told a town hall with students in Frankfurt. "And he lost almost all the money that he had invested."

"It wasn't a lot but he lost it all, he lost about 60% of it," Lagarde added. "So when I then had another talk with him about it, he reluctantly accepted that I was right." The ECB chief has two sons in their mid-30s but did not say which one she was referring to. The ECB has called for global regulation of crypto assets both to protect consumers who are unaware of the risk and to close a loophole that can be used to channel funding to terrorists or lets criminals launder cash.

An anonymous reader shares a report: It was always abundantly clear that the leader of the Russian space corporation Roscosmos from 2018 to 2022, Dmitry Rogozin, sought to kowtow to Russian President Vladimir Putin. Now we have an anecdote from Putin himself that highlights how much. The story concerns a satellite constellation now known as Sfera (or Sphere, in English), a modestly ambitious constellation of 264 satellites. The Sphere constellation is intended to provide broadband Internet service from middle-Earth orbit to Russia as well as high-resolution Earth observation satellites.

As is usual with Russian space projects, because they tend to be poorly funded, the timeline for Sphere's deployment has been delayed and its scope reduced. It also underwent an unscheduled name change. Prior to 2018, this satellite program was known as Ehfir (Ether), a reference to the invisible substance once thought to fill the universe and the medium through which light waves propagated.

However that changed in 2018 when Putin was publicly announcing the program's creation. He recently recalled this in remarks that were recorded by RIA Novosti's Telegram channel. They were translated for Ars by Rob Mitchell. "At first it was called Ehfir," Putin said. "And at one of my public speeches I was talking and said it was Sfera. I arrived at the Kremlin, and the former Roscosmos head greeted me and said, 'Vladimirovich, you said it was project Sfera, Sfera you said. That's what it is, project Sfera.'"

Rogozin, who was listening to these remarks, acted immediately -- presumably to save his boss from embarrassment. After Rogozin said the constellation was named Sphere, Putin recalled that he asked how's that? Rogozin replied that it had already been renamed Sfera, not to worry. Laughing, Putin added, "So I didn't even make it back and it's already renamed to Sfera. So I said, well, OK then." Rogozin confirmed the anecdote on his Telegram channel this week.

Since 1999, Slashdot has been covering the annual Ig Nobel prize ceremonies — which honor real scientific research into strange or surprising subjects. "Each winner (or winning team) has done something that makes people LAUGH, then THINK," explains the ceremony web page, promising that "a gaggle of genuine, genuinely bemused Nobel laureates handed the Ig Nobel Prizes to the new Ig Nobel winners." As co-founder Marc Abrahams says on his LinkedIn profile, "All these things celebrate the unusual, honor the imaginative — and spur people's interest in science, medicine, and technology."

You can watch this year's entire goofy webcast online. (At 50 minutes there's a jaw-droppingly weird music video about running on water...) Slashdot reader Thorfinn.au shares this summary of this year's winning research: CHEMISTRY and GEOLOGY PRIZE [POLAND, UK] — Jan Zalasiewicz, for explaining why many scientists like to lick rocks.

LITERATURE PRIZE [FRANCE, UK, MALAYSIA, FINLAND] — Chris Moulin, Nicole Bell, Merita Turunen, Arina Baharin, and Akira O'Connor for studying the sensations people feel when they repeat a single word many, many, many, many, many, many, many times.

MECHANICAL ENGINEERING PRIZE [INDIA, CHINA, MALAYSIA, USA] — Te Faye Yap, Zhen Liu, Anoop Rajappan, Trevor Shimokusu, and Daniel Preston, for re-animating dead spiders to use as mechanical gripping tools.

PUBLIC HEALTH PRIZE [SOUTH KOREA, USA] — Seung-min Park, for inventing the Stanford Toilet a computer vision system for defecation analysis et al.

COMMUNICATION PRIZE [ARGENTINA, SPAIN, COLOMBIA, CHILE, CHINA, USA] — María José Torres-Prioris, Diana López-Barroso, Estela Càmara, Sol Fittipaldi, Lucas Sedeño, Agustín Ibáñez, Marcelo Berthier, and Adolfo García, for studying the mental activities of people who are expert at speaking backward.

MEDICINE PRIZE [USA, CANADA, MACEDONIA, IRAN, VIETNAM] — Christine Pham, Bobak Hedayati, Kiana Hashemi, Ella Csuka, Tiana Mamaghani, Margit Juhasz, Jamie Wikenheiser, and Natasha Mesinkovska, for using cadavers to explore whether there is an equal number of hairs in each of a person's two nostrils.

NUTRITION PRIZE [JAPAN] — Homei Miyashita and Hiromi Nakamura, for experiments to determine how electrified chopsticks and drinking straws can change the taste of food.

EDUCATION PRIZE [HONG KONG, CHINA, CANADA, UK, THE NETHERLANDS, IRELAND, USA, JAPAN] — Katy Tam, Cyanea Poon, Victoria Hui, Wijnand van Tilburg, Christy Wong, Vivian Kwong, Gigi Yuen, and Christian Chan, for methodically studying the boredom of teachers and students.

PSYCHOLOGY PRIZE [USA] — Stanley Milgram, Leonard Bickman, and Lawrence Berkowitz for 1968 experiments on a city street to see how many passersby stop to look upward when they see strangers looking upward.

PHYSICS PRIZE [SPAIN, GALICIA, SWITZERLAND, FRANCE, UK] — Bieito Fernández Castro, Marian Peña, Enrique Nogueira, Miguel Gilcoto, Esperanza Broullón, Antonio Comesaña, Damien Bouffard, Alberto C. Naveira Garabato, and Beatriz Mouriño-Carballido, for measuring the extent to which ocean-water mixing is affected by the sexual activity of anchovies.

An anonymous reader quotes a report from The Daily Beast: A Florida marathoner is facing federal charges after the U.S. Coast Guard spotted him 70 nautical miles off Tybee Island, Georgia on Aug. 26, in a homemade Hydro Pod, as Hurricane Franklin bore down on the Eastern Seaboard. Reza Baluchi claimed he was headed to London in the human-powered vessel, a hamster wheel-like contraption which a newly filed criminal complaint describes as being "afloat as a result of wiring and buoys." When Coast Guard officers told Baluchi they were cutting short his "manifestly unsafe" voyage, Baluchi threatened to kill himself with a 12-inch knife if anyone tried to apprehend him, and claimed to have a bomb aboard, which turned out to be fake, according to the complaint. Three days later, Baluchi -- who authorities have intercepted in his Hydro Pod at least three times previously -- finally surrendered, the complaint states. Baluchi made national news for a 2021 attempt to get from Florida to New York in the Hydro Pod, but washed ashore 25 miles later.

CNN reports that newspaper chain Gannett "has paused the use of an AI tool to write high school sports dispatches after the technology made several major flubs in articles in at least one of its papers." In one notable example, preserved by the Internet Archive's Wayback Machine, the story began: "The Worthington Christian [[WINNING_TEAM_MASCOT]] defeated the Westerville North [[LOSING_TEAM_MASCOT]] 2-1 in an Ohio boys soccer game on Saturday...." The reports were mocked on social media for being repetitive, lacking key details, using odd language and generally sounding like they'd been written by a computer with no actual knowledge of sports.

CNN identified several other local Gannett outlets, including the Louisville Courrier Journal, AZ Central, Florida Today and the Milwaukee Journal Sentinel, that have all published similar stories written by LedeAI in recent weeks. Many of the reports feature identical language, describing "high school football action," noting when one team "took victory away from" another and describing "cruise-control" wins. In many cases, the stories also repeated the date of the games being covered multiple times in just a few paragraphs.

Gannett has paused its experiment with LedeAI in all of its local markets that had been using the service, according to the company. The pause was earlier reported by Axios... The AI tool debacle comes after Gannett axed hundreds of jobs in December when it laid off 6% of its news division.
From Axios's report: One such Dispatch article from Aug. 18 was blasted on social media for its robotic style, lack of player names and use of awkward phrases like "close encounter of the athletic kind." "I feel like I was there!" The Athletic senior columnist Jon Greenberg posted sarcastically.
More from the Washington Post: Another story about a game between the Wyoming Cowboys and Ross Rams described a scoreboard that "was in hibernation in the fourth quarter." When Ayersville High School staged a late comeback in another game, a write-up of their win read: "The Pilots avoided the brakes and shifted into victory gear...."

In a statement, Gannett called the deployment of Lede AI an "experiment" in automation to aid its journalists and add content for readers... LedeAI CEO Jay Allred said in a statement to The Post that he believes automation is part of the future of local newsrooms and that LedeAI allows reporters and editors to focus on "journalism that drives impact in the communities they serve."

At the Washington Post, David Betancourt's title is "reporter focusing on comic book culture."

Saturday he wrote that the Blue Beetle movie "isn't just a good superhero movie, it's the best film from DC in its modern era, this past decade marked by their struggle to catch up to Marvel Studios..." "Blue Beetle" has heart. "Blue Beetle" has soul... There's a feeling that those of us who love superhero cinema get when we know we've seen something special. The feeling that compelled us to buy a ticket for a midnight screening back in the day. That feeling that makes you see a superhero flick four to five times in theaters because you want to see it again and can't wait for it to arrive on home video. "Blue Beetle" will leave you feeling that way when you walk out of the theater. It certainly made me feel that way...

Xolo Maridueña as Jaime Reyes (the kid under the Blue Beetle armor) gives a performance that I can only describe as Downey-esque. Yes, I have no qualms in saying "Blue Beetle" gave me "Iron Man"-in-2008 vibes. Not just in the individual performance of the lead actor or the high-tech suit of armor, but also in the feeling that this is the start of something big. The second "Blue Beetle's" credits started rolling I knew I had seen the best DC movie of the last decade. The movie had heart. Humor. Multiple complex villains...
The DC movie has a 91% audience score and a 75% critics' score on Rotten Tomatoes, notes this analysis from Forbes: The DC movie is projected to make between $25 million to $32 million through Sunday, Variety reported, though Deadline puts it at $25 million, making it DC's latest underperforming film as it struggles to compete with rival Marvel... By comparison, Marvel's Guardians of the Galaxy Vol. 3 pulled in $118.4 million in its opening weekend in May, while Ant-Man and the Wasp: Quantumania grossed $106.2 million in its opening weekend in February and Sony's Spider-Man: Across the Spider-Verse grossed $120.7 million in its first weekend.
"Warner Bros. has experienced underperformance with recent superhero films like Black Adam, Shazam! Fury of the Gods, and The Flash," writes Collider: Originally designed as a direct-to-streaming title, Blue Beetle now serves as the second-last installment of a bygone era of the DC Extended Universe, which will be rebooted under the supervision of James Gunn and Peter Safran with Superman: Legacy in 2025. The current DCEU era will officially come to a close with Aquaman and the Lost Kingdom later this year, which has a larger overall connection with the series, while Blue Beetle is a mostly standalone story. The movie's opening is in the same range as Birds of Prey some years ago. That film is generally considered to have underperformed at the box office, finishing with less than $100 million domestically and just around $200 million worldwide...

Barbie will take second place with an estimated $20 million fifth weekend, after grossing $6 million on Friday. By Sunday, the film's running domestic box office haul should hit $566 million. A few days after that, it'll overtake The Super Mario Bros. Movie's $574 million lifetime haul to become the year's biggest film...

[Oppenheimer] is also passing $700 million as we speak.