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The Blending of Music and Games 119

Gamasutra has an opinion piece by the 'father of music games,' Masaya Matsuura, who questions the evolution of video game music (or the lack thereof) as the industry's technological advancements give rise to the capability for greater complexity. "Most games these days seem to use gorgeous orchestral soundtracks. While these large-scale soundtracks may generally be lovely to listen to, if we really think about it, isn't it all a bit lacking in imagination? Thinking about it from a simplistic visual perspective, while films are basically just watched, games are interactive." He also discusses the predilection for games to encourage "competitive fun," as opposed to "cooperative fun." GameSetWatch has a related article which talks about how excellent musical scores can help to create an emotionally charged experience, rather than simply occupying one's mind for a time.
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The Blending of Music and Games

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  • Game music (Score:5, Insightful)

    by Ethanol-fueled ( 1125189 ) * on Tuesday October 07, 2008 @07:12PM (#25293461) Homepage Journal
    Having the sprawling orchestral arrangements is nice, but as a video game music fetishist since the NES days I know that the songs big and small rely on catchy motifs to motivate the gamer and stick inside their head. You think the Minibosses [] gathered crowds by playing orchestra?

    Many classic NES games have captivating, moody music - Wizards and Warriors' soundtrack is +1 underrated. Long-running series such as Final Fantasy and Castlevania have used some of the same titles and motifs throughout their entire series.
    • Re:Game music (Score:5, Interesting)

      by FornaxChemica ( 968594 ) on Tuesday October 07, 2008 @07:35PM (#25293705) Homepage Journal
      Being an enthusiast myself and listening right now to some chiptune music (NES, Castlevania, 3rd level) I couldn't agree more. Elaborate music, orchestral or not, is what obviously suits modern 3D games but this is hardly the best we've heard. Almost all the most famous catchy tunes come from the 8-bit era! Is there any contemporary game's music track as well-known as Mario or Zelda themes? I wouldn't think so.
      • Re:Game music (Score:4, Insightful)

        by BorgAssimilator ( 1167391 ) on Tuesday October 07, 2008 @07:51PM (#25293849)
        Zelda definitely takes the cake. Being a big music enthusiast, I loved Ocarina of Time, and how the game was pretty much centered on the music played from this instrument. That Zelda game alone had wonderful music, in addition to the earlier releases. Final Fantasy also had a very good score.

        However, that being said, even the newer releases of these games haven't lived up to the role that their predecessors have. We've (and by "we" I mean the game companies) obviously shifted importance away from this component. Apparently the grand majority of people don't care (or at least the game companies don't think they care) about the music in a game as much as the other content. I must be in the minority when I say music incorporation is just as important as, say, the graphical implementation.
        • Re:Game music (Score:5, Interesting)

          by Alexandra Erenhart ( 880036 ) <saiyanprincess@g ... TAHcom minus cat> on Tuesday October 07, 2008 @08:01PM (#25293937) Homepage
          Heheh Zelda music has really evolved through all their games, but it always have the same catchy tune you hear in Legend of Zelda 1. You play that music anywhere and you'll see all the Zelda fans jump. Everybody recognize it. In Twilight Princess you can also hear it too, but way more elaborated. I miss it everytime they don't add it to the games. I missed it in ocarina of time, even though it had great music.

          Games like that have their music as their representative icon. Not many games have that.
          • by miro2 ( 222748 )

            Two words:
            Katamari Damacy

            From an afficianado of techno music, I can say that the music in that game is great (so is the artwork), and definitely not orchestral. Just really appropriate to each stage and exciting.

            • That game drives me nuts. I liked it at first, but after awhile the camera (a downfall of many games) became frustrating. I eventually sold the game since I was sick of fighting the camera.

              As for music:

              A lot of the modern music tends to be "elevator" in quality. It serves as noise to fill the silence, rather than being a short "ditty" as appeared in the old cartridge-based games (N64, Genesis, NES, Atari, Coleco). Due to memory limitations, cartridge games had to use relatively-short pieces.

              I think the

        • Apparently the grand majority of people don't care (or at least the game companies don't think they care) about the music in a game as much as the other content.

          *shrugs* I'm not a big gamer, so might not mean anything but yeah, I never cared about the music. Even when I like it, I've gotten annoyed after a while and tend to mute it and throw an mp3 instead (if I'm not at home and have something in the background.) I also do a lot of my gaming on my psp during a car ride, where I have to listen to other people talking. It wouldn't phase me if a lot of kids playing on gameboys/dses/psps are in the same boat.

          Genre also matters. I like a lot of fighting and racing game

        • Zelda definitely takes the cake.

          Yes, but the cake is a lie.

          How can we have a discussion about video game music where no-one has mentioned Portal? Possibly the best use of music in a game ever.

      • Castlevania 1's music is great. Castlevania 1 it is a game that if you become good at, you can really flow through the levels. There is something cerebral about great music mixed with great game play. It makes you feel like you're living in a music video or something.
    • Re:Game music (Score:4, Interesting)

      by clockwise_music ( 594832 ) on Tuesday October 07, 2008 @08:06PM (#25293993) Homepage Journal
      I think that a lot of this has got to do with the general decline of the quality of pop music. People now expect to hear rubbishy 3 minute bubblegum crap on the radio that has the emotional impact of a wet lettuce. As a result, our general experience of music has been relegated to "background sounds".

      The latest game that I remember with great music was Doom. Those tracks rocked. (Mainly because they were based on classic heavy metal tracks. ) But then when I eventually moved onto newer games (Tomb Raider, Deus Ex) the soundtrack was just a bit of a yawn. I can't even remember if Doom 3 had any music and what it was like.

      As any experienced gamer can tell you, great music can make a really big difference to a game. But generally it's regarded as something to slot into the game at the last minute. There are notable exceptions of course - a new Wii game called De Blob [] was designed ground up with the music in mind. It'll make a big difference.

      BTW - if you really want some good rockin' music for your game, get in contact with me :) (Some of my music is up here [] and here []. And I've done some music for the Angry Nintendo Nerd so some of you guys might have already heard my stuff without even knowing :)
      • Re:Game music (Score:4, Interesting)

        by Kell Bengal ( 711123 ) on Tuesday October 07, 2008 @08:14PM (#25294047)
        I dispute that the original Deus Ex lacked a good sound track. The music was created for the game and well reflects the mood the game designers were trying to convey. Also, if you look inside some of the track data there are some subversive narky comments from the composer.
      • "think that a lot of this has got to do with the general decline of the quality of pop music. People now expect to hear rubbishy 3 minute bubblegum crap on the radio that has the emotional impact of a wet lettuce. As a result, our general experience of music has been relegated to "background sounds"."

        Well, I think the Guitar Hero and Rock Star games are showcasing some fantastic music.

        Of course..those tunes are from Aerosmith, AC/DC...Foghat....etc.

      • i think you have Doom confused with Quake, which had industrial metal type music by trent reznor on it. not many noticed but the game could be put into your cd player, audio starts at track 2 so dont try to play track 1... go try it and thank me later.

        other than that I look to square.. first game i ever downloaded the music from? secret of mana. second was chrono trigger. xenosaga started strong but faded more into jpop as the series went on (for music).

        music totally can make a game tho esp if its varie

        • i think you have Doom confused with Quake, which had industrial metal type music by trent reznor on it. not many noticed but the game could be put into your cd player, audio starts at track 2 so dont try to play track 1... go try it and thank me later.

          Worked too for "The 7th guest". Also a great soundtrack.

        • I loved Quake 2. Sonic Mayhem (the guys who did all but the NIN track) did that.

        • No, GP is talking about Bobby Prince's Doom soundtrack, in which many songs were based on existing metal tracks. See this page [] for a comparison between his version and the originals.
        • Huh. That's odd. Track 1 sounds just like the others to me... they all seem to be just noise...


        • by Qzukk ( 229616 )

          xenosaga started strong but faded more into jpop as the series went on

          Xenosaga I's soundtrack was composed by Yasunori Mitsuda (who did Chrono Trigger and Chrono Cross among others), but after that the remainder of the series had music composed by Yuki Kajiura, which explains the shift in style.

          Secret of Mana's composer Hiroki Kikuta worked on a few more console games, but these days it looks like he's been busy with both developing and composing for MMORPGs. There's a really interesting interview with him

      • hmm, you mentioned doom and it made me think of red alert's rock too... the hell march is one of those songs i still play once in a while, just for nostalgia's sake.

        nobody's mentioned red alert yet, but it fits right with the likes of doom and.... yeh, doom. right?

      • by miro f ( 944325 )

        thank you for mentioning De Blob! When I first read the article title, I thought it was a review for this game. A perfect blend of Music and Gaming if ever I've seen one.

        I found myself painting all the buildings different colours just to make music =)

      • YES. Doom had such great music, which made it so much fun to play. The gameplay didn't even matter sometimes, it was just about the music. Even many of the PWADs had good music.

        These days, it's all about "i g0t ub3r hax0r gamin6 $yst3m with ub3r gr@phiX!!!!11!" Honestly, I don't give a shit about graphics, seeing as I have never owned anything more than a mobo-integrated video card. The music does it for me, which is the same reason I enjoy playing oldies like Revenge of Shinobi and Phantasy Star.

    • Castlevania (Score:4, Interesting)

      by Spy der Mann ( 805235 ) <spydermann.slashdot@ g m> on Tuesday October 07, 2008 @08:36PM (#25294209) Homepage Journal

      For me, the Castlevania games (especially Symphony of the Night) are excellent at combining background art, character design and background music.

      Example: SOTN library stage []. Here's a fan playing "Dance of Pales" on his synth [].

      What can I say? With Castlevania, the music becomes part of the game and contributes to the suspension of disbelief.

    • I think one of the primary reasons, is due to the small ROM available, you get a limited amount of music that has to loop a lot, so this one small little loop better be good or it gets really annoying fast. Music is very neglected nowadays, its gets completely drowned out by the sfx and voice acting. Final Fantasy(s) and Zelda just wouldn't even be close to the classics they are without their very original and creative soundtracks.
      • by KDR_11k ( 778916 )

        I think it's also that they have a very strong primary "voice" to the songs while most songs that aren't chiptunes have less difference between the main voice and the rest. I think this is where I should use terms like polyphony and homophony but I'm not sure how to apply them here.

    • by zobier ( 585066 )

      Yeah, there's definitely some good game music out there already.
      As to OP's suggestion of "cooperative fun" games; Little Big Planet [] looks pretty cool.
      I dig the soundtrack on the demo too.

    • Well as a counter example Civ 4 and it's brethern have great music from all periods of the civilization which more or less matches the period your civilization is at.

      It also has music from the country whenever a countries leader talks to you. (I especially like Portugal's).

      I've actually found myself playing more just to hear the music at times.

  • by Anonymous Coward

    Well, it is not often that "gorgeous orchestral soundtracks" are thought of as a problem. Imagine how difficult some of the legal battles could be if one used popular music in a game -- unless it is a band like Radiohead

    • You're right - that's exactly why Guitar Hero never took off.
    • Movies have real-life-music soundtracks (not designed for the movie) all the time. Granted, they have to pay for the rights, but the artists also get the exposure. I think that incorporating those in current games might be a kinda cool step.
  • by RogueyWon ( 735973 ) * on Tuesday October 07, 2008 @07:14PM (#25293485) Journal

    Hmm... the Gamasutra article struck me as a little pretentious, but maybe that's just because I actually like big orchestral scores for games. Some of my favorites include:

    Wing Commander: Yeah, it was low quality midis, but at the time, it was jaw-dropping. It felt like you were playing a Star Wars movie on your PC and the soundtrack was a huge part of that. From the intro sequence, with the theme that was more than a little reminiscent of the ST:TNG theme, through to the battle music and the Kilrathi theme (also used for fun in Ultima 7), the music in the first 2 games was awesome. Who can forget the cheesy-but-classic "scramble" music that played before every mission?

    Star Control 2: Each of the many alien races in the game had its own music and this played a huge part in setting the atmosphere for every encounter. The Ur-Quan and Yehat music, in particular, have stayed in my mind to this day as examples of great videogame music.

    X-Wing: The Lucasarts I-Muse system which changed the soundtrack to reflect the progress of the battle was revolutionary. The audio cues from the music would directly influence your battle tactics. You knew that a few bars of the Imperial March meant that trouble was headed your way.

    Pretty much anything Final Fantasy: Ok, perhaps the soundtracks haven't been universally stellar, but pretty much every Final Fantasy game has had a few tracks worthy of real notice. FF6's Overworld theme, FF7's Cosmo Canyon theme (and, of course, One Winged Angel), FF10's "To Zanarkand" and FF11's Memoria de la Stono all stand out as some of the best pieces of video game music ever.

    Super Smash Brothers Brawl: The fantastic main theme, which is used appropriately throughout the story-campaign, does a great job in adding a touch of gravitas to what could otherwise be a rather lightweight story.

    • Final Fantasy game has had a few tracks worthy of real notice. FF6's Overworld theme, FF7's Cosmo Canyon theme

      FF6's World of Ruin overworld theme had a fast, urgent beat but perfectly set the mood of that point of the story. The World of balance overworld song was just corny, kinda like The Good, the Bad, and the Ugly sphagetti-western theme.

      And Cosmo Canyon?! That's another kitschy spaghetti-western rendering of Native-American tribal music.

      But, one usually can't go wrong with FF2 and FF6(American)!

    • Braid: Simple, pleasant music-box style music, which would change in tempo and direction as you move back and forth in time. Really awesome.

      Super Mario RPG: Huge variety, I liked how some characters tend to have their own theme. Some music related puzzles, and they do a good job of pronouncing perfect silence during some of the more intensive puzzles (omitting music is sometimes the best way to use it).

      Music Catch []: A great game with a nice melody, the gameplay forces you to actively listen to the music,

      • Braid: Simple, pleasant music-box style music, which would change in tempo and direction as you move back and forth in time. Really awesome.

        I was hoping someone would mention braid. Brilliant cello music.. and very trippy when you were going backwards in time, the music was playing backwards.

    • by DittoBox ( 978894 ) on Tuesday October 07, 2008 @07:55PM (#25293891) Homepage

      I agree whole-heatedly. A few others that are a bit more modern than the one's you've listed are great too. The Elder Scrolls series, particularly Morrowind and Oblivion both have incredible scores. Assassin's Creed was great too, in that the music and visual appearance of a given city reflected the culture and mood of that city.

      An interesting note about the Call of Duty series of games was made by one of the composers. He stated that the feel of COD4 (set in modern times) was quite different from the sweeping scores of the previous games in that COD4 contained more electronic elements and used electric guitars. The effect he said was to remove or lessen the feeling that this was the ultimate fight between good and evil and replace it with a more vague feeling of relativity. He compared the music to Black Hawk Down or the Bourne series of films that depicted a slightly less "pure" war.

    • Here here.

      Another great recent example is Guild Wars.

      Whenever I hear the soundtrack I immediately get sucked into the world.

      Every great game I've ever played is rooted in my brain through its sound track.

      My ring tone is the title song from Warcraft III

    • Re: (Score:2, Interesting)

      by jagdish ( 981925 )
      Some of the music by Microsoft Games is superbly made, like the Age of Empires/Mythology series, Rise of Nations and even Halo. Its either a freak coincidence or, unlikely as it may sound, they must have someone good up there in charge of the music. Valve and Nintendo are also pretty good with their music. Rockstar mostly uses licensed tracks for their games, but their selection is superb.
    • Way back when DirectMusic was first released (mid '90's sometime) I loved it. As a game dev and musician I had access to a low latency system that could play rich, textured music that suited what was physically happening on screen.

      Let me explain further. The game was one of the first 3D of the Command and Conquer style. When your base was under attack, I could blend in (programmatically) more sounds (drums, bass) that had been pre-recorded to work with the current 'song'. I would also then adjust the tempo

    • by TheLink ( 130905 )
      "which changed the soundtrack to reflect the progress of the battle was revolutionary"

      Has there been a comic book superhero power like that? Where you always hear background music that's appropriate to the immediate/potential situation.

      Something like "spider sense" but probably not as specific (and works for romantic and comedy situations too ;) ).
    • I think you're maybe missing the point of the Gamasutra article.

      Video games are a unique medium since they can operate on a spectrum, running between cinema (think mgs4) and toys/tools (think sims or rpg maker or the mtv music tracker). Operating inside of this space, I think what Matsuura is getting at, video games can live as interactive art, and what better way to do that than with music?

      Parappa at the time was revolutionary because it was one of the first music games allowing you to not only play in tim

  • Dynamic Audio (Score:3, Interesting)

    by Anonymous Coward on Tuesday October 07, 2008 @07:18PM (#25293529)

    I haven't read the article yet, however I agree that video game music could be more interesting. A classic example is Super Mario 64, where the music changed dynamically with one's environment.

    Redbook audio is nice, but some of my all-time favorite video game music came from cartridge-based games:
    Mega Man 2, Super Castlevania IV, Crystalis, Super Mario World, The Legend of Zelda: A Link to the Past. ... Just a thought.

    • Re: (Score:3, Insightful)

      by cbreaker ( 561297 )

      Well then you should read the article because it's more about "music games" like Guitar Hero instead of music IN games.

      Music in games has always been good or bad, and I think the same is true now. Not all Nintendo or c64 games had great music, just as not all new games do.

      I think this is an example of "nostalgia" more than actual truth.

  • Simple reason (Score:3, Insightful)

    by Korbeau ( 913903 ) on Tuesday October 07, 2008 @07:20PM (#25293557)

    Chicks always get bored when I score high on expert at Guitar Heroes III and leave before I finish a song.

    But whenever I clumsily play what looks like a love ballad dedicated to them while being drunk on my cheap guitar with rusty chords, they always stay for the end :)

    • What was your scientific method for this research? Did you use two distinct groups of chicks, the "Guitar Hero chicks" vs "rusty guitar chicks". Were both groups randomly picked from the subject group? How big was the subject group, anyway? What exactly did you measure? Did you postulate a hypothesis for why they prefer the rusty guitar over the plastic toy? Please clarify urgently. I want to go buy a guitar but I'm not sure which one to choose.
  • The Warcraft II (Tides of Darkness) music from 1995 was the best music ever written for any video game. When the new Warcraft versions came out, I was really disappointed that the music did not have the depth and melody and uplifting of that version.

    I looked at Youtube a few months ago, and there are A LOT of people who have the exact same opinion as well. I really wish someone could license that music and create a proper classical album out of it (the original was lower-quality electronically-created audio

    • Bah. The Ultima series had excellent music (And Ultima 9, while the game could have been better, the music was incredible) and StarCraft was among my favorite music of any games.

      This article is about music games, not music IN games, however. Meaning - the game is about the music (eg. Guitar Hero.)

  • I always thought Bill Brown and his work on the Rainbow Six and Ghost Recon series was excellent. It seems he's also worked on Quake, C&C Generals, and RTCW. []
  • There has always been good and bad music in games. I grew up with the Commodore 64 -it has writers who heavily influenced the way I play keyboards and write music today. People like Rob Hubbard, Martin Galway, Chris Abbot...great stuff. Ed Bogas' Psi 5 Trading Company music which changed according to the game's events has also stuck in my mind.

    However, it had utter dross too. Complete, total and redemptionless trash. Then, of course, was the stuff in-between - the average, take it or leave stuff which wa
    • Aww come on, if you're going to mentio Rob Hubbard and company, you can't omit The Fat Man.

      This article was about music games, not music IN games.

    • I discovered Overclock Remix, the site for people doing modern interpretations of older tunes. It's my number one source for work music.

  • it's an old game from around 2000. the score was excellent, music mood and game setting were complementary. but most memorably, whenever you encountered an enemy or engaged in combat, the score would effortlessly change theme to something more edgy and dramatic, and then effortlessly change theme back again when aggressions subsided. it was as if you were scoring the music for an action movie in real time []

    • Jedi Knight 2 did the same thing (change when fighting, but oh so subtle).
      I've had several people ask me if I was watching a Star Wars movie when I was actually just playing JK2.

  • by Daetrin ( 576516 ) on Tuesday October 07, 2008 @07:40PM (#25293751)
    Perhaps i'm just showing my age, but i think the older and simpler music had a much bigger impact than the music from newer games, even leaving aside the cases where they're not using licensed music.

    The music needs to fit the scene for which it is being played, and outside of games specifically designed as "music games" i think that's all the interaction that's necessary. The music needs to be relatively simple and somewhat repetitive. Once you've gone beyond a certain level of complexity either you're not noticing the added complexity anymore, or you're paying more attention to the music than you are to the game.

    Of course a certain level of complexity is good. I don't really look back on the "music" from the Atari 2600 with great fondness. However as the ability to play more complex music in games has increased there was a point where my interest peaked and then began a general decline. I think the peak for me was around the days of Final Fantasy 6. After that the music of games in general made less and less of an impression on me. I very much enjoyed Final Fantasy 10, and the music for it was well done and pleasant to listen to, but very rarely do i get a desire to go back and listen to it again, and in fact unlike a lot of previous games i have difficulty "replaying" most of the music in my head. On the other hand more recent music from the Advance Wars music has stuck with me much more because it was constrained by the format to be simpler and more repetitive.

    Of course one could argue that being complex and varied enough that the songs don't etch themselves into your brain is a good thing, but from my perspective i'm going to get more enjoyment out of the music if i remember it fondly later, especially if it's paired with memories of a particularly fun game.
    • by Scoth ( 879800 )

      One game that always stuck with me for excellent music was a kid's game on Atari 8-bit called Tonk in the Land of the Buddy Bots. The general gameplay was similar to Zelda - top down view moving around, though minus swords. The general layout was an approx 15x10 grid with a mountain in the far north, the Big Bad's castle in the far south, and a river through the middle. When your guy was at the peak of the mountain, all that played was a simple two-part motif. A couple screens down, a bass line is added in

    • half-life 2.
    • by engun ( 1234934 )
      Personally, I think things have just evolved to match the capabilities of modern hardware. Games are more like movies now, immersive, interactive. And just like movies, some have good soundtracks, and some, well..

      Admittedly, old games did have simple catchy tunes which I too associate with "fun". Stuff from the 80s/90s that made an impression on me as being very suitable to the game + immediately come to mind were Budokan, Legend of Kyrandia and Prince of Persia.

      But then, what they had to work with b
    • INaBE (I'm not a brain expert), but..

      People can listen to a tune once, and be neutral to it, but when they hear it again and again, they warm up to it, or start to hate it, as in the emotional connection takes a while to develop.

      You can most often instantly realize whether music is well made or not, even if you're not sure if you like it or not, give it a chance, listen to it again, and you might discover that you like it.

    • by Creepy ( 93888 )

      I'd say far too many of the orchestral scores in games are just downright boring. I'm not saying everything Jeremy Soule (to name names) writes is utter crap, but more that it isn't written to stand out and doesn't. Can you hum a Soule song? I can't even remember one and I'm sure I've heard several hundreds of times.

      Compare that to Diablo, which I think had very distinctive and interesting music and I can instantly pop the theme into my head. The intro to Max Payne 2 has a very Faure "The Sicilian" feel

  • My best in-game music experience that had a significant emotional impact was from Resident Evil 2, which changed the intensity of the music based on what was happening. Things pop out and the music gets really intense... just like a good suspense flick. That is, to me, one of the best examples of how game music can be interactive.

    Consider WoW on the other hand... the only thing that happens to the music is a track change when you enter different zones. After 100 hours, you want to tear your ears off.

  • That had a decent sound-track that could exploit devices like the Roland LAPC-1. X-Wing could use the LAPC-1 for the music and a Soundblaster for the sound effects, which was even more impressive. But, yes, those did use sound in a very basic way.

    Frontier: First Encounters was a bit more sophisticated - the music was selected by type of scenario (so if you suddenly got into a fight, the music would change accordingly, likewise with docking at a space-station, and so on). In fact, First Encounters (although

  • The Advantage => []
  • by syousef ( 465911 ) on Tuesday October 07, 2008 @08:35PM (#25294195) Journal

    I've gone from watching games evolve from now recognised as awful but revolutionary at the time synthesized junk on tiny laughable speakers to incredibly epic wonderful scene setting thematic music that adds to the atmosphere of the game. I like to imagine what Captain Goodnight and the Islands of Fear or Karateka would sound like if the score was created with today's equipment.

    I remember marvelling at my first sound blaster (plus 1 speed CD-ROM which I got criticized for buying by a friend because it was extravagant). I remember trying it out against an AWE32 years later and thinking "How could I have liked that". I remember trying my SBLive with surround sound speakers for the first time and loving it because it left the AWE32 in the dust. I remember my first taste of my latest sound card and Logitech X-530 speakers for $68 and thinking "sure I could do better than this, but why would I spend thousands for such a small game when this is so awesome". If one thing has gotten better in computing, it's music. Whining about it is about the silliest thing I can think of.

    • by Panseh ( 1072370 )

      The article never says game music of old is better than current offerings.

      His concern is that actual music games are relying on licensed music from famous artists. As part of the music game industry, he believes, for its continued growth, that musicians must be more intimately involved in the game making process.

      In actuality the article only briefly covers actual music in games, talking more about what is fun about video games and how he believes interactivity and cooperation should be a big part of it.

      • by sznupi ( 719324 )

        "Best of both worlds" worked great in Homeworld - custom music score, depending on the situation, surely made by people within the team...but at the same time they used Adagio for Strings...which was simply perfect.

    • by sznupi ( 719324 )

      Too bad we had almost a decade when basically nothing was improving (and there was even some setback for a few years, before X-Fi showed up)...right after Creative killed Aureal... :/

  • Is the problem that the music sounds like a film score? I don't see the point of complaining about this, if you prefer beeps and boops instead of violins and pianos, that's legitimate, but it seems to have little to do with the fact that it's a game... those beeps and boops weren't about it being a game, they were about the limitations in the hardware. Different games have different music, just as different films have different music.

    Is the problem that the music doesn't react to the actions in the game? But it does! Characters have themes, and the background music tends to reflect the most important character, it changes as you progress in the game, it changes as you enter different modes and areas.

    Is the problem that the music isn't controlled somehow by the player? OK, I can see things that could be done. you select a theme for your character, and have the game generate some kind of algorithmic background music depending on the characters themes. You could have the player use musical cues to make actions happen (I had hoped that Ocarina of Time would do this, rather than have the music simply be a gimmick that you didn't actually have to learn). But you can do all these things without losing the lush orchestral scores.

    So what exactly is the complaint?

    • Re: (Score:1, Insightful)

      by Anonymous Coward

      you could develop the music along the same lines of - for lack of a better word - genetics. As the fight progresses, have the music change from charged and exciting, through a major key and stacatto instrumentation with a well defined purcussion to a:

      1) if the battle is going poorly, a more tense and minor key
      2) if it's going well, a more triumphant mood.

      Like AI, these would need specific triggers and imaginative branches in what happens.. If done well, you would recognize the primary themes from the soundt

  • by Anonymous Coward

    Who needs Rock Band when can have Orchestra Hero. And if you thought the price of collecting all the band instruments before was high, it's going to take on a whole new level of expense with this one.

    I'm excited, how about you?

  • AudioSurf! (Score:2, Interesting)

    I saw this game at PAX this year. It makes a game out of an audio visualization of any song in your collection.

    It's a Steam game and it works (mostly) in Wine, too.

    Forget music for games, get a game for your music!

  • OCReMix (Score:3, Informative)

    by achenaar ( 934663 ) on Tuesday October 07, 2008 @08:55PM (#25294313)
    See for what can be done with old game tunes. The results are effing fabulous. Some of the contributors are having their works put into the new street fighter game. Great stuff.
    • by bdcrazy ( 817679 )

      Some of the stuff in that collection is simply fantastic. The Bubble Bobble Hillbilly Rodeo ReMix is simply hillarious! And from many who spent way too much time playing tetris, the Tetris Slavic Roots OC Remix song is loaded with hours of memories.

  • Incoherent (Score:3, Insightful)

    by dcollins ( 135727 ) on Tuesday October 07, 2008 @09:07PM (#25294401) Homepage

    When I read this interview last month, I put it down and said to myself, "Wow, I think I just experienced a cultural/translation divide with the Japanese. That was really incoherent."

    The whole critique of "competitive fun as opposed to cooperative fun", etc., seemed really unproductive. There's a bunch of new made-up words in the article -- that's always a red flag for me.

  • All of us have cherished memories of games that have as much to do with the music as they have with the mechanics.

    This isn't different now and it'll always be the same, some games have music absolutely intended for incidental ambience. Others have true "song" structure and often have legions of fans reminiscing, hearing them.

    All of us feel emotionally hooked to this enough to be rabidly typing away our favourites in comments right now.

    There were a lot of great games for music (faxanadu etc) in the
  • In movies music changes and reacts to whats actually happening. Often games do similar things, changing with scripted events, instead of mindlessly looping the same 5 minute MP3.... However, one thing that I think games can really progress is the music changing to reflect how your playing. For instance, I'm currently play through de Blob on the Wii, and it's got really cool feature where as you earn points, random samples play, adding to the background music. Subsequent points scoring is like a band mem
  • The recent success of music games in the West has been based mostly on licensed music.

    I disagree. That may be true for Guitar Hero and similar games, but I think the majority of games feature original music. Exceptions include games adapted from movies, which mostly feature the OST of the movie and karaoke type games.

  • He's talking so much about how music is about creative expression and games should be less about competition and more about cooperation, I wonder what he thinks about Wii Music? That game removes all competition, removes even the idea of winning or losing, it's practically a computer assisted instrument where the computer takes care of all the mechanical things like playing the right notes and finding harmonies and the player adds his personal touch, changing the style of the music and such without worrying

  • ...Rocks :-) The sound track is just awesome... if you like Metal, and you should if you like blowing sh!t up :-D
    • lol, I play Sauerbraten but I am not a lover of metal. So I turn the sound of completely and turn on some harpsichord or organ music. It prevents be from being frustrated when I get killed a lot. Somehow I find it harmonious.

  • The World Ends With You []

    Of course, the music needs to match the game. Otherwise, it may as well just be white noise.

  • There's an indie band in the UK called Tin Man ( who have started writing games instead of music promos for their songs, because they're geeks and that's the cheapest option. Could this be the future?
  • Lucas Arts had a great system for making up music on the fly. As the situation changed in X-wing and TIE Fighter, the music would as well. It worked well enough, and it's been over ten years. What happened? Why couldn't this be implemented more often?
  • The music for Doom 2 was and is my favorite gaming music. It fits the tortured sound effects of the monsters and weapons and hero's panting/screaming perfectly.

You know, Callahan's is a peaceable bar, but if you ask that dog what his favorite formatter is, and he says "roff! roff!", well, I'll just have to...