In the video here, you can watch excerpts from New Yorker journalist Michael Specter and Fauci's conversation, which encompassed the hard lessons of the AIDS epidemic, Americans' fraught relationship with scientific and medical authority, and possible time lines for the development and distribution of a coronavirus vaccine. The key questions, Fauci told Specter, are not just when a vaccine will be available but how effective it will be and how many people will receive it. These are just a few of the factors that will determine the answer to one of the more lighthearted questions posed by Specter, after months of distancing and isolation: "Will we ever be able to go to the movies again?" While cautious about making specific predictions, Fauci expressed optimism about whether Americans are ever again going to be able to watch a movie in a theatre. "Yes, we are, Michael," Fauci said. "And I'll even buy you a ticket."

A remarkable first-person story in today's Washington Post: I used to call it the "scamdemic." I thought it was an overblown media hoax. I made fun of people for wearing masks. I went all the way down the rabbit hole and fell hard on my own sword, so if you want to hate me or blame me, that's fine. I'm doing plenty of that myself.

The party was my idea. That's what I can't get over. Well, I mean, it wasn't even a party — more like a get-together. There were just six of us, OK? My parents, my partner, and my partner's parents... Some people in my family didn't necessarily share all of my views, but I pushed it. I've always been out front with my opinions. I'm gay and I'm conservative, so either way I'm used to going against the grain... I told my family: "Come on. Enough already. Let's get together and enjoy life for once." They all came for the weekend. We agreed not to do any of the distancing or worry much about it... We cooked nice meals. We watched a few movies. I played a few songs on my baby grand piano. We drove to a lake about 60 miles outside of Dallas and talked and talked. It was nothing all that special. It was great. It was normal...

I have no idea which one of us brought the virus into the house, but all six of us left with it. It kept spreading from there.... I was sweating profusely. I would wake up in a pool of sweat. I had this tingling feeling all over my body, this radiating kind of pain... Then one day I was walking up the stairs, and all of the sudden, I couldn't breathe. I screamed and fell flat on my face. I blacked out. I woke up a while later in the ER, and 10 doctors were standing around me in a circle. I was lying on the table after going through a CT scan. The doctors told me the virus had attacked my nervous system. They'd given me some medications that stopped me from having a massive stroke. They said I was minutes away.

I stayed in the hospital for three days, trying to get my mind around it. It was guilt, embarrassment, shame. I thought: "OK. Maybe now I've paid for my mistake." But it kept getting worse. Six infections turned into nine. Nine went up to 14. It spread from one family member to the next, and it was like each person caught a different strain... My father is 78, and he went to get checked out at the hospital, but for whatever reasons, he seemed to recover really fast. My father-in-law nearly died in his living room and then ended up in the same hospital as me on the exact same day. His mother was in the room right next to him because she was having trouble breathing. They were lying there on both sides of the wall, fighting the same virus, and neither of them ever knew the other one was there. She died after a few weeks. On the day of her funeral, five more family members tested positive...

They put my father-in-law on a ventilator, and he lay there on life support for six or seven weeks. There was never any goodbye. He was just gone. It's like the world swallowed him up.

We could only have 10 people at the funeral, and I didn't make that list.

Apple told CNBC that it will extend some Apple TV+ subscriptions on a free one-year trial for three additional months. From the report: When Apple TV+ launched last fall, Apple bundled a free one-year subscription with the purchase of an Apple product, immediately boosting the number of people who could watch the streaming service. The first of those trial subscriptions were previously going to expire at the start of November, meaning that people on the one-year trial who had not cancelled were going to be charged $4.99 per month for the streaming service.

Now subscribers whose trial expires before February will get three additional months of Apple TV+ for free. This means that someone who bought an iPhone on December 1 and activated Apple TV+ on the same day will have access to the service through March 1, when billing starts. Apple has not revealed the number of Apple TV+ subscribers. The service has fewer TV shows and movies than rivals like Disney+, which surpassed 60 million subscribers in August after launching last November. Netflix has more than 190 million subscribers around the world, it said in July. But unlike those services, Apple TV+ doesn't have a back catalog of reruns.

A Texas grand jury indicted Netflix for the "lewd" representation of children in the controversial French film "Cuties." The Hill reports: The Sept. 23 indictment shows the Tyler County Grand Jury charged the popular streaming site for "promotion of lewd visual material depicting child" for its drama about a young girl who is torn between her conservative Muslim family's values and her desire to join a dance troupe. Among the charges in question is Netflix's alleged promotion of material that portrays the "exhibition of the genitals or pubic area of a clothed or partially clothed child, which appeals to the prurient interest in sex and has no serious literary, artistic, political, or scientific value" -- a violation of the Texas penal code, according to the press release from Tyler County District Attorney Lucas Babin.

Netflix denied any wrongdoing after a summons was served on Oct. 1 by the Texas State Rangers. "'Cuties' is a social commentary against the sexualization of young children. This charge is without merit and we stand by the film," the company said in a statement to The Hill. After its Sept. 9 release, various GOP lawmakers including Sen. Ted Cruz (R-Texas) condemned "Cuties" for its alleged sexualization of minors. In a letter to U.S. Attorney General William Barr dated Sept. 11, Cruz called on the Department of Justice to investigate possible child abuse in relation to "Cuties."

Regal Cinemas, a subsidiary of Cineworld Group, said it will shut down all 536 locations on Thursday until further notice. The closure reflects "an increasingly challenging theatrical landscape" due to the COVID-19 pandemic and is temporary, the chain said. NPR reports: Regal is shutting down theaters again less than two months after it started to reopen U.S. locations in late August. The decision was announced after the James Bond franchise's No Time to Die was shelved until 2021, further pushing back a release that had already been delayed. Roughly 40,000 Regal employees across the U.S. now face a work furlough, the company told NPR. More than 5,000 employees in the U.K. will also be affected, the BBC reported.

"This is not a decision we made lightly, and we did everything in our power to support a safe and sustainable reopening in the U.S.," said Mooky Greidinger, CEO of Cineworld, noting the chain's safety precautions for staff and moviegoers. In a statement, Greidinger emphasized that "there has been no evidence to date linking any COVID cases with cinemas." He also aired frustration that Regal can't yet operate in New York state, a key U.S. market, although some indoor venues such as bowling alleys and casinos have been allowed to resume business. "The prolonged closures have had a detrimental impact on the release slate for the rest of the year, and, in turn, our ability to supply our customers with the lineup of blockbusters they've come to expect from us," Greidinger said. "As such, it is simply impossible to continue operations in our primary markets."

Warner Bros. and Legendary Pictures have delayed the release of "Dune," the sci-fi epic from director Denis Villeneuve. It will no longer premiere Dec. 18 and is now slated to debut in theaters Oct. 1, 2021. From a report: The move was expected after the studio pushed "Wonder Woman 1984" back from early October to Christmas Day, putting the comic book sequel's big screen debut one week ahead of "Dune." In normal circumstances, but especially during the pandemic, Warner Bros. wouldn't cannibalize ticket sales for a fellow studio release. Also accelerating the news: James Bond sequel "No Time to Die," which was originally set to launch at the end of November, was pushed back to 2021. That decision prompted Regal, the second-biggest U.S. theater chain, to close down its venues after reopening in August. If major movies continue to vacate their release dates, other circuits may be forced to shut down again as well.

An anonymous reader quotes the Hollywood Reporter: Following the delay of more Hollywood tentpoles — including James Bond film No Time to Die — mega-movie theater chain Cineworld is planning to keep all of its locations in the U.K. and the U.S. closed for the time being, The Sunday Times reported on Saturday.

The British-based company is the largest circuit in the U.K with more than 120 sites, and the second-largest in North America, where it operates roughly 540 locations under the Regal Cinemas banner. A substantial number of these theaters hadn't yet reopened after forced to go dark because of the coronavirus pandemic.

Across Hollywood, the surprise Saturday-night headline prompted immediate concern that AMC Theatres and Cinemark Theates could soon follow suit.
Variety reports: In the U.K., Cineworld, which declined to comment, is understood to be writing to Prime Minister Boris Johnson and Culture Secretary Oliver Dowden this weekend to explain that the exhibition sector is "unviable" due to studios delaying tentpoles as a result of anxious audiences steering clear of cinemas amid the global pandemic. The Cineworld closures will put up to 5,500 jobs at risk in the U.K. Sources indicate a reopening date hasn't yet been set, but cinemas could stay closed until 2021....

The delay is major blow to theaters, and there's a chance more could be forced to close given the lack of new content on the horizon. Pixar's "Soul" on Nov. 20 is now the next big movie slated for theatrical release. However, there are rumblings that Disney will move the animated adventure and possibly even put it on Disney Plus, the studio's subscription streaming service. Two Warner Bros. titles, "Wonder Woman 1984" and "Dune," are still set for December, though there's a chance those could be postponed again as well.

The next big Hollywood movie release, Metro-Goldwyn-Mayer's James Bond flick "No Time to Die," is being delayed again, Bloomberg reported Friday, citing a person with knowledge of the situation, a result of the woeful economics that studios are facing because of the pandemic. From a report: "No Time to Die" will be released in 2021, said the person, who asked not to be identified because the decision isn't yet public. It had already been delayed from April to Nov. 20, after the pandemic forced movie theaters across the world to close.

Hollywood has a growing inventory of big movies sitting on the shelf because of Covid-19. The only major film that's been released since the pandemic started, Warner Bros.'s "Tenet," has attracted a small domestic audience -- partly because theaters in New York and Los Angeles are closed. Cinemas also have to cap ticket sales to adhere to social-distancing requirements. The Bond film, which cost about $250 million to make, will now compete with other big movies for audience attention in 2021. The change also means theaters will have no major movies for adults to show until the end of the year, when Warner Bros. is scheduled to release sci-fi thriller "Dune" and DC Comics installment "Wonder Woman 1984."

Facebook on Friday offered a rebuttal to the hit Netflix documentary-drama, "The Social Dilemma." The movie revealed, perhaps for the first time to some viewers, how social networks use algorithms to keep people coming back. It also addressed how tech companies have influenced elections, ethnic violence and rates of depression and suicide. Some viewers said they were deleting Facebook and Instagram after watching it. From a report: The rebuttal suggests that Facebook may be worried that the documentary's effects on usage. "The Social Dilemma" appeared in Netflix's top ten most popular movies and TV shows list in September and is still listed in its Trending section. In a post published on its site, Facebook addressed several concerns it has with the movie, covering topics like addiction, users being "the product," its algorithms, data privacy, polarization, elections and misinformation. "Rather than offer a nuanced look at technology, it gives a distorted view of how social media platforms work to create a convenient scapegoat for what are difficult and complex societal problems," Facebook said. It said the documentary sensationalizes social networks and provides a distorted view to how they work.

A giant Gundam in Japan's Port of Yokohama is now able to "pick up its legs to walk, bend its knees, turn its head, and contort its fingers to mime hand signals," reports Popular Mechanics. The 60-foot robot is the largest in the world. From the report: Inspired by the fictional Japanese robot of the same name -- which has appeared in over 50 TV series and movies since 1979, as well as many manga comics and video games -- this Gundam features a staggering 24 degrees of freedom. People in Japan have caught and shared a few glimpses of the engineering marvel. Considering the Gundam weighs about 25 tons, it's pretty insane to watch it raise both arms in the air and pick itself back up after kneeling.

Those efficiencies are thanks to precise engineering and design work, as outlined in a series of YouTube videos from Gundam Factory Yokohama. In one installment, the engineers give a tour of where they designed, built, and assembled the Gundam. The videos are a great way to really contextualize the size of this monster; from the metal fingertip to where the wrist will connect, for example, the hand is about 6.5 feet wide.

DC Universe, which started out as a streaming service for original DC superhero content, will in January become DC Universe Infinite, a supersized subscription service for DC Comics. CNET reports: The service launches on Jan. 21 for $7.99 per month, or $74.99 for a year-long subscription. DC says that subscribers will be able to read 24,000 comic book titles at launch, along with digital-first titles and access to exclusive fan events. Recently released titles featuring Batman, Superman, Wonder Woman and other DC mainstays will make their way onto the platform in digital format six months after the physical copies arrive in stores. Those who subscribe during the initial preorder run will receive a $10 voucher to the DC Shop on Feb. 1 -- and make that $25 if you lock in a year-long subscription.

The move comes as DC nestles in with HBO, with original DC programming making a home on the HBO Max streaming service. A third season of the Harley Quinn animated series starring Kaley Cuoco was just announced for the platform earlier today, with all seasons of the show now sitting as an HBO exclusive. [...] To that end, DC is extending its offer for DC Universe subscribers to add HBO Max membership for $4.99 per month. Fans can jump on that deal through the end of October.

At the Creative Arts Emmys on Wednesday night, The Mandalorian not only scored its first Emmy but also won the first Emmy for Disney+. Deadline reports: As a brand new streamer, this year marks the first year of eligibility for Disney+. The Mandalorian has racked up a staggering 15 Emmy nominations with 8 of those trophies being handed out tonight. Outstanding Special Visual Effects is the first win for the sci-fi series that stars Pedro Pascal as the titular masked hero and introduced the world to Baby Yoda -- which won everyone's hearts. This win will likely be the first of many tonight and at Sunday's ceremony. The Mandalorian is also up for Outstanding Drama Series as well as Outstanding Character Voice-Over Performance for Taika Waitti's role as droid IG-11 and Outstanding Guest Actor In A Drama Series for Giancarlo Esposito's performance as Moff Gideon.

Space.com reports: Laika, a stray dog scooped off the streets of Moscow, launched on the Soviet Union's Sputnik 2 mission in November 1957, just a month after Sputnik 1's liftoff opened the space age. The 11-lb. (5 kilograms) mixed-breed quickly died of overheating and circled Earth as a corpse until April 1958, when Sputnik 2 fell back into the atmosphere and burned up.

Laika was sacrificed to aid humanity's march into the cosmos, her pioneering mission and those of her successors designed to help show that our species could survive jaunts into the final frontier. A new documentary called "Space Dogs" asks us to examine that sacrifice and what it says about us. [Trailer here] "This film is about the relationship of another species to us humans. A species that has been used in space history in two ways: both as an experimental object and as a symbol of courage and heroism," directors Elsa Kremser and Levin Peter said in a statement.

"The dogs had to fulfill mankind's dream by conquering the cosmos for them," the duo added...

Kremser and Peter dug up stunning, never-before-seen footage of Laika and other Soviet space dogs. Some of these archival snippets show the pups being prepped for their landmark launches, their poor little bodies bristling with implanted tubes and wires. Other footage depicts post-landing processing of the shorn and wobbly strays fortunate enough to survive their orbital ordeals. Getting ahold of this priceless historic material was no easy task...

"Space Dogs" is not chiefly about Laika and her fellow space explorers; the historical footage comprises less than one-third of the roughly 90-minute film. The bulk of the documentary is devoted to strays on the streets of modern Moscow, especially one young dog with floppy ears who roams the city with charismatic enthusiasm.
This week saw the "virtual cinema launch" of the documentary, with a real-world release into theatres next weekend.

An anonymous reader quotes a report from Bloomberg: Former Theranos Chief Executive Officer Elizabeth Holmes is exploring a "mental disease" defense for her criminal fraud trial, in one of Silicon Valley's most closely watched cases. That possibility was revealed Wednesday when the judge overseeing the case ruled that government prosecutors can examine Holmes. The ruling was in response to the failed blood-testing startup founder's plan to introduce evidence of "mental disease or defect" or other mental condition "bearing on the issue of guilt," according to the filing. Holmes may be seeking to introduce the evidence to challenge the requirement that prosecutors prove her intent to do something wrong or illegal.

Holmes intends to use testimony from Mindy Mechanic, a clinical psychologist at California State University at Fullerton, according to the filing. Mechanic is an expert on the psychosocial consequences of trauma, with a focus on violence against women, and often provides expert testimony in cases involving "interpersonal violence," according to her faculty profile on the school's website. Barbara McQuade, a former federal prosecutor who now teaches at the University of Michigan law school, said mounting a so-called insanity defense won't be easy, as the defendant must meet a high standard of proof. "Contrary to what you may see in the movies, an insanity defense in federal cases is rare and hard to fake," McQuade said in an email. Holmes must show that, at the time she committed the alleged offenses, a severe mental defect made her "unable to appreciate the nature and quality or the wrongfulness of (her) acts." In his ruling, U.S. District Judge Edward J. Davila rejected Holmes's argument that she shouldn't have to submit to a psychological examination by government experts. The judge ruled that such an examination is fair given Holmes's intent to use testimony from Mechanic.

Dputiger writes: After nine months of work, I've published workflows, example videos, and screenshots showing how to restore Star Trek: Deep Space Nine from the rather potato quality of its DVDs to something you could plausibly call HD equivalent. These are the results. "With careful processing and good upscaling, it's possible to give Deep Space Nine a clarity that I think approaches that of what's typically referred to as 'HD' content, though it's still limited to the NTSC color gamut as opposed to later standards like Rec. 709," writes Joel Hruska via ExtremeTech. "At its worst -- allowing for some deviations from perfection -- it'll still look like the best damn DVD you've ever seen. At its best -- and I consider the shot of Sisko up there to be one of the best -- I'd argue that he, at least, comes across in HD levels of detail."

The article "is not a step-by-step tutorial on how to perform this process," Hruska writes, adding, "that will be its own project." There will, however, be enough information that anyone with a passing knowledge of AviSynth "should be able to recreate both approaches."

Either Rotten Tomatoes was destroying the film industry, or it didn't matter much at all, writes The Ringer, noting competing storylines about the influence of the film review-aggregating web site.

But they've now performed a statistical deep dive to try to answer the question, and concluded that "The truth likely lies in the middle: Rotten Tomatoes wasn't tanking the industry or single-handedly exposing that Baywatch was bad, but it wasn't irrelevant, either." In fact, our analysis reveals that Rotten Tomatoes scores are reliably correlated with box office performance, especially for certain genres. But the aggregator's influence may have been on the wane before the coronavirus struck, and it may matter less than ever in the present uncertain circumstances...

Our first finding is that the average Rotten Tomatoes critic score has increased over time. Maybe movies have improved — or at least grown closer to critics' liking — or maybe the rise reflects changes in the makeup of Rotten Tomatoes' pool of reviewers... Whatever the reason(s) for the increasing scores, there's no evidence of greater negativity that could be turning off ticket buyers (which probably doesn't displease Fandango). The site bestows a "Fresh" rating on any movie with a 60 percent score or higher, and the average movie now clears that threshold....

Action movie earnings are the least closely associated with review scores, maybe because when people just want to see stuff blow up, they're willing to lower their standards in certain respects. Comedies and horror movies — particularly the latter — are far more consistent with the critical consensus. A perfectly scored action movie's earnings might double its budget, but a perfectly scored comedy can quadruple its budget, while a perfectly scored horror flick can beat its budget by 10 or 20 times...

The mystery of most interest to studio execs is whether Rotten Tomatoes has strengthened the relationship between the critical consensus and box office performance, which also existed in the pre-internet age. The evidence suggests that the studios were a tad too intimidated in 2017... However, there are some signs that increased attention to the critical consensus may have affected whether movies' earnings got out to fast or slow starts, even if it didn't dramatically lower or raise their final ticket tallies.

An anonymous reader quotes a report from TorrentFreak: Every day, millions of people download or stream pirated content including movies, TV-shows, games, MP3s, and books. Many of these files originate from a small and tightly organized 'community' commonly known as The Scene, which is made up of dozens of smaller 'release groups.' These groups tend to operate in the shadows with little or no public profile. At least, that's what the unwritten rules dictate. That's for good reason as the people involved risk high prison sentences when caught. It's very rare for Scene group members to get busted but last week the US Government claimed a major victory. With help from international law enforcement partners, several raids and arrests were carried out, with the SPARKS group at the center of it all.

As soon as the first rumors about the raids started spreading on Tuesday, the number of Scene releases started to drop. A day later, when confirmation came in, it became even quieter. With data provided by Predb.org we take a closer look at these dropoffs, showing that some categories are affected more than others. Before delving into detailed groups, it's worth pointing out the overall impact, which can be summarized in two numbers. On Wednesday, August 19, there were 1944 new releases. A week later, a day after the first raids, this number was down to 168 releases. The drop in new releases happened across all categories.

An anonymous reader shares a report: "Mulan" producer Jason Reed was in Mexico City last March promoting his soon-to-be-released film when he got the call that Walt Disney was postponing its debut due to the coronavirus. What followed was a summer of discussions between Disney, Reed and director Niki Caro as the company wrestled with when and how to release the $200 million live-action remake of its 1998 animated hit. This weekend they'll all get to see if they made the right call. Disney is making "Mulan" available on its Disney+ streaming service for an extra $30 starting Friday. The film now joins others, including Universal's "Trolls World Tour" and Warner Bros.' "Scoob!," in bypassing theaters and going directly to consumers. It's a trend that has many in Hollywood concerned about the future of films in theaters. They might be worrying too much. Without theaters, Disney and other studios would struggle to replace the revenue they have historically gotten from releasing big-budget films first in cinemas, then home video and later TV.

"They understand how important the theater is as a channel for distribution," said Steve Nason, research director at the consulting firm Parks Associates. "They just couldn't wait any longer." Prior to the pandemic, "Mulan" had been scheduled to hit theaters March 27. The company had already held the red-carpet premiere and spent heavily on advertising. But the film was postponed three times before its Disney+ debut was set. Reviews so far are fairly strong. "Disney's spectacular do-over deserves the biggest screen possible," read the headline in Variety. Rotten Tomatoes gives the movie a 79% fresh rating, showing most critics agree. Disney is trying a hybrid approach. It's releasing the film in theaters in Asia, where cinemas have been back open longer and the Asian cast and story are likely to have strong appeal. In the U.S. and Europe, "Mulan" will be online, where Disney+ has already built a sizable subscriber base.

On Thursday morning a Falcon 9 rocket lifted off from Kennedy Space Center, carrying SpaceX's 12th batch of Starlink Internet satellites. The mission went nominally, with the first stage making a safe landing several minutes after the launch, and the full stack of satellites deploying shortly thereafter. From a report: Prior to launch, webcast commentator Kate Tice, a senior program reliability engineer at SpaceX, offered several details about development of the space-based Starlink Internet service. "We are well into our first phase of testing of our private beta program, with plans to roll out a public beta later this year," Tice said. For several months, SpaceX has been collecting names and addresses for people interested in participating in the public beta here. Tice also revealed the first official public information about internal tests, saying that SpaceX employees have been using Starlink terminals, collecting latency statistics, and performing standard speed tests of the system. "Initial results have been good," she said. These tests reveal "super-low latency," and download speeds greater than 100 megabits per second. This, she noted, would provide enough bandwidth to play the fastest online games and stream multiple HD movies at once.

In Christopher Nolan's new thriller, "Tenet," the fate of humanity pivots on characters moving back and forth through time. It is an epic, brain-bending exploration of ideas the filmmaker has spent decades examining. But now, as "Tenet" opens after multiple delays in cinemas around the world, it comes loaded with symbolism that its writer and director could never have foreseen. From a report: As the first big-budget theatrical release since Covid-19 struck, "Tenet" represents one of the biggest gambles in Hollywood history -- from the studio wagering it can release the movie amid the pandemic, to long-dormant theater chains banking on it spurring a recovery for their business, to potential ticket buyers balancing safety concerns with their urge to get back to the big screen. Mr. Nolan, though known as a champion of the theatrical experience, is somewhat uneasy with all the significance assigned to his sci-fi spy picture. "This is the most radical shift in my career, my lifetime, between the making of a film and the world it goes out into, and I'm still grappling with that," he says.

Starting with an Aug. 26 opening in parts of Europe and elsewhere, the rollout of "Tenet" reaches the U.S. Sept. 3. It is the fourth domestic release date for the movie -- which was delayed repeatedly as studio and theater executives dealt with shifting lockdown measures -- yet it is still unclear when it will open in regions where indoor theaters remain closed. That includes two cities that are normally first to get new movies, New York City and Los Angeles. When coronavirus lockdowns descended in March, Mr. Nolan says, his team's first challenge was to use remote methods to put the final touches on "Tenet" and turn it in on time to AT&T's Warner Bros. studio. Meanwhile, every big movie on deck for the season, starting with the James Bond installment "No Time To Die," retreated on the calendar to fall or next year. By contrast, Warner Bros. pushed back the July 17 release of "Tenet" by only two weeks, and later pushed it again. The studio never seriously considered an online premiere for "Tenet," a Warner Bros. executive says, even as others experimented with online releases, as Disney has done this summer with "Hamilton" and "Mulan." The movie enjoyed a strong $53 million debut overseas. "We are off to a fantastic start internationally and couldn't be more pleased," said Toby Emmerich, Warner Bros. Pictures Group chairman. "Christopher Nolan has once again delivered an event-worthy motion picture that demands to be seen on the big screen, and we are thrilled that audiences across the globe are getting the opportunity to see 'Tenet.'"